Humphrey DeForest Bogart, nicknamed Bogie, was an American actor. His performances in classic Hollywood cinema films made him an American cultural icon. In 1999, the American Film Institute selected Bogart as the greatest male star of classic American cinema.
Edward G. Robinson was an American actor of stage and screen, who was popular during Hollywood's Golden Age. He appeared in 30 Broadway plays, and more than 100 films, during a 50-year career, and is best remembered for his tough-guy roles as gangsters in such films as Little Caesar and Key Largo. During his career, Robinson received the Cannes Film Festival Award for Best Actor for his performance in House of Strangers.
Allen Curtis Jenkins was an American character actor, voice actor and singer who worked on stage, film, and television. He may be best known to baby-boomer audiences as the voice of Officer Charlie Dibble in the Hanna-Barbera TV cartoon series Top Cat (1961–62).
Key Largo is a 1948 American film noir crime drama directed by John Huston and starring Humphrey Bogart, Edward G. Robinson and Lauren Bacall. The supporting cast features Lionel Barrymore and Claire Trevor. The film was adapted by Richard Brooks and Huston from Maxwell Anderson's 1939 play of the same name. Key Largo was the fourth and final film pairing of actors Bogart and Bacall, after To Have and Have Not (1944), The Big Sleep (1946), and Dark Passage (1947). Claire Trevor won the 1948 Best Supporting Actress Academy Award for her portrayal of alcoholic former nightclub singer Gaye Dawn.
Humphrey Bogart (1899–1957) was an American actor and producer whose 36-year career began with live stage productions in New York in 1920. He had been born into an affluent family in New York's Upper West Side, the first-born child and only son of illustrator Maud Humphrey and physician Belmont DeForest Bogart. The family eventually came to include his sisters Patricia and Catherine. His parents believed he would excel academically, possibly matriculate at Yale University and become a surgeon. They enrolled him in the private schools of Delancey, Trinity, and Phillips Academy, but Bogart was not inclined as a scholar and never completed his studies at Phillips, joining the United States Navy in 1918.
Virginia City is a 1940 American Western film directed by Michael Curtiz and starring Errol Flynn, Miriam Hopkins, Randolph Scott, and a mustachioed Humphrey Bogart in the role of the real-life outlaw John Murrell. Based on a screenplay by Robert Buckner, the film is about a Union officer who escapes from a Confederate prison and is sent to Virginia City from where his former prison commander is planning to send five million dollars in gold to Virginia to save the Confederacy. The film premiered in its namesake, Virginia City, Nevada. The film was shot in black and white (sepiatone).
Alfred Edgar Frederick Higgs, who wrote under the name Barré Lyndon, was a British playwright and screenwriter. The pseudonym was presumably taken from the title character of Thackeray's 1844 novel.
Tovarich is a 1937 American comedy film directed by Anatole Litvak, based on the 1935 play by Robert E. Sherwood, which in turn was based on the 1933 French play Tovaritch by Jacques Deval. It was produced by Litvak through Warner Bros., with Robert Lord as associate producer and Hal B. Wallis and Jack L. Warner as executive producers. The screenplay was by Casey Robinson from the French play by Jacques Deval adapted into English by Robert E. Sherwood. The music score was by Max Steiner and the cinematography by Charles Lang.
Manpower is a 1941 American crime melodrama directed by Raoul Walsh and starring Edward G. Robinson, Marlene Dietrich, and George Raft. The picture was written by Richard Macaulay and Jerry Wald, and the supporting cast features Alan Hale, Frank McHugh, Eve Arden, Barton MacLane, Ward Bond and Walter Catlett.
Kid Galahad is a 1937 American sports drama film directed by Michael Curtiz and starring Edward G. Robinson, Bette Davis, Humphrey Bogart and, in the title role, rising newcomer Wayne Morris. A boxing film, it was scripted by Seton I. Miller and distributed by Warner Brothers. It was remade in 1941, this time in a circus setting, as The Wagons Roll at Night, also with Bogart, and in 1962 as an Elvis Presley musical. The original version was re-titled The Battling Bellhop for television distribution in order to avoid confusion with the Presley remake.
Up the River is a 1930 American pre-Code comedy film directed by John Ford, and starring Claire Luce, Spencer Tracy and Humphrey Bogart. The plot concerns escaped convicts, as well as a female convict. It was the feature film debut role of both Tracy and Bogart. Despite Bogart being billed fourth, Tracy's and Bogart's roles were almost equally large, and this is the only film in which they appeared together. Up the River is also Bogart's only film directed by John Ford. Bogart's image is featured with Luce on some of the film's posters rather than Tracy's since Bogart was the romantic lead with Luce. Fox remade the film in 1938 starring Preston Foster and Tony Martin playing their roles.
Louis V. Arco was an Austrian stage and film actor whose career began in the late 1910s.
Brother Orchid is a 1940 American crime/comedy film directed by Lloyd Bacon and starring Edward G. Robinson, Ann Sothern and Humphrey Bogart, with featured performances by Donald Crisp, Ralph Bellamy and Allen Jenkins. The screenplay was written by Earl Baldwin, with uncredited contributions from Jerry Wald and Richard Macauley, based on a story by Richard Connell originally published in Collier's Magazine on May 21, 1938. Prior to the creation of the movie version of Connell's story, a stage adaptation was written by playwright/novelist Leo Brady. The script was originally produced at Catholic University of America in Washington, D.C..
The Sisters is a 1938 American drama film produced and directed by Anatole Litvak and starring Errol Flynn and Bette Davis. The screenplay by Milton Krims is based on the 1937 novel of the same title by Myron Brinig.
The Whole Town's Talking is a 1935 American comedy film starring Edward G. Robinson as a law-abiding man who bears a striking resemblance to a killer, with Jean Arthur as his love interest. It was directed by John Ford from a screenplay by Jo Swerling and Robert Riskin based on a story by W.R. Burnett originally published in Collier's in August 1932. Burnett was also the author of the source material for Robinson's screen break-through, Little Caesar. The film The Whole Town's Talking (1926) has no story connection to this film.
Bullets or Ballots is a 1936 American crime thriller film starring Edward G. Robinson, Joan Blondell, Barton MacLane, and Humphrey Bogart. Robinson plays a police detective who infiltrates a crime gang. This is the first of several films featuring both Robinson and Bogart.
Footsteps in the Dark is a 1941 American comedy mystery film directed by Lloyd Bacon and starring Errol Flynn, Brenda Marshall and Ralph Bellamy. It was produced and distributed by Warner Brothers. Flynn plays a novelist and amateur detective investigating a murder. It takes its title from the 1935 play Footsteps in the Dark by Ladislas Fodor and also used material from the 1937 play Blondie White by Jeffrey Dell.
Martin Kosleck was a German film actor. Like many other German actors, he fled when the Nazis came to power. Inspired by his deep hatred of Adolf Hitler and the Nazis, Kosleck made a career in Hollywood playing villainous Nazis in films.
The Big Shot (1942) is an American film noir crime drama film starring Humphrey Bogart as a crime boss and Irene Manning as the woman he falls in love with. Having finally reached stardom with such projects as The Maltese Falcon (1941), this would be the last film in which former supporting player Bogart would portray a gangster for Warner Bros..
The Amazing Dr. Clitterhouse is a 1936 thriller play by the British writer Barré Lyndon. The lead character's name is a play on the term for the female sexual organ the clitoris - a name characterised by the "yearning, untrammelled nature" of Clitterhouse himself; an extremely daring pun for 1936, yet seemingly anticipated by Lyndon to escape the notice of the contemporary censor. Lyndon wrote, "My view was that he was no more likely to locate the pun in my title as to locate the source of it on his beloved bedfellow".
