Bullets or Ballots | |
---|---|
Directed by | William Keighley |
Written by | Seton I. Miller Martin Mooney |
Produced by | Louis F. Edelman (uncredited) |
Starring | Edward G. Robinson Joan Blondell Barton MacLane Humphrey Bogart Frank McHugh |
Cinematography | Hal Mohr |
Edited by | Jack Killifer |
Music by | Bernhard Kaun |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 82 minutes |
Country | United States |
Language | English |
Bullets or Ballots is a 1936 American crime thriller film starring Edward G. Robinson, Joan Blondell, Barton MacLane, and Humphrey Bogart. Robinson plays a police detective who infiltrates a crime gang. This is the first of several films featuring both Robinson and Bogart.
Robinson's character, Johnny Blake, was based on Johnny Broderick, a New York City detective. [1]
Detective Johnny Blake is a New York City cop who has made his reputation by cracking down on racketeers. When Blake gets kicked off the force, a powerful crime boss named Al Kruger hires him in an attempt to gain fresh ideas about sidestepping the law and expanding his criminal empire. Masterminding the mob are three very powerful bankers, who are only known by the crime boss. Blake soon gains Kruger's trust and rises through the ranks of the criminal organization, much to the distaste of Bugs Fenner, who believes Blake to be a police informer. [2]
To compensate for a reduction in the mob's revenue, Blake suggests to Kruger that they go into the numbers racket, currently run on a small scale by Blake's girlfriend, Lee Morgan. Kruger follows Blake's proposal, and the mob's money flow is so great that Kruger ignores the other rackets. In reality, Blake is cooperating with Captain Dan McLaren in order to find the leaders of the crime ring. With Blake's information, the police engage in a series of raids on the crime syndicate's operations. Fenner, unhappy with the focus of the rackets, kills Kruger in an attempt to take over as the head of the mob. But Blake has already been granted the title as boss by the leaders, and he takes over control, meeting up with the three bankers.
When Fenner's produce racket gets raided by the police and Blake is seen as the fingerman by a spotter, Fenner attempts to kill Blake, while he waits to deliver money to the bankers. During a gun battle, Fenner is killed and Blake is mortally wounded. He is able to arrive at the bank, leading McLaren to the bankers, who are subsequently arrested.
Uncredited
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Edward G. Robinson and Humphrey Bogart went on to make four more films together: Kid Galahad (1937) with Bette Davis, The Amazing Dr. Clitterhouse (1938), Brother Orchid (1940) and Key Largo (1948) with Lauren Bacall, Claire Trevor and Lionel Barrymore.
Writing for The Spectator in 1936, Graham Greene described the film as "a good gangster film of the second class", and praising actor Robinson as having given "a reliable performance". [4]
Bullets or Ballots was adapted as a one-hour radio play on the April 17, 1939, broadcast of Lux Radio Theater with Edward G. Robinson, Mary Astor, and Humphrey Bogart. [5]
Edward G. Robinson was an American actor of stage and screen, who was popular during Hollywood's Golden Age. He appeared in 30 Broadway plays, and more than 100 films, during a 50-year career, and is best remembered for his tough-guy roles as gangsters in such films as Little Caesar and Key Largo. During his career, Robinson received the Cannes Film Festival Award for Best Actor for his performance in House of Strangers.
Marked Woman is a 1937 American dramatic crime film directed by Lloyd Bacon and starring Bette Davis and Humphrey Bogart, with featured performances by Lola Lane, Isabel Jewell, Rosalind Marquis, Mayo Methot, Jane Bryan, Eduardo Ciannelli and Allen Jenkins. Set in the underworld of Manhattan, Marked Woman tells the story of a woman who dares to stand up to one of the city's most powerful gangsters.
George Raft was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, Raft is remembered for his gangster roles in Quick Millions (1931) with Spencer Tracy, Scarface (1932) with Paul Muni, Each Dawn I Die (1939) with James Cagney, Invisible Stripes (1939) with Humphrey Bogart, and Billy Wilder's comedy Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon; and as a dancer in Bolero (1934) with Carole Lombard and a truck driver in They Drive by Night (1940) with Ann Sheridan, Ida Lupino and Bogart.
Key Largo is a 1948 American film noir crime drama directed by John Huston and starring Humphrey Bogart, Edward G. Robinson and Lauren Bacall. The supporting cast features Lionel Barrymore and Claire Trevor. The film was adapted by Richard Brooks and Huston from Maxwell Anderson's 1939 play of the same name. Key Largo was the fourth and final film pairing of actors Bogart and Bacall, after To Have and Have Not (1944), The Big Sleep (1946), and Dark Passage (1947). Claire Trevor won the 1948 Best Supporting Actress Academy Award for her portrayal of alcoholic former nightclub singer Gaye Dawn.
Shaft's Big Score! is a 1972 American blaxploitation action-crime film starring Richard Roundtree as private detective John Shaft. It is the second entry in the Shaft film series, with both director Gordon Parks and screenwriter Ernest Tidyman reprising their roles from the first film. Moses Gunn and Drew Bundini Brown also return from the previous film, alongside new appearances from acting veterans Joseph Mascolo, Julius Harris and Joe Santos. Composer Isaac Hayes turned down an offer to score the film, so Parks, also a musician, composed and performed the score himself.
The Racket is a 1951 black-and-white film noir drama directed by John Cromwell with uncredited directing help from Nicholas Ray, Tay Garnett, and Mel Ferrer. The production features Robert Mitchum, Lizabeth Scott, Robert Ryan, and William Conrad. Future Perry Mason regular cast members William Talman and Ray Collins appear in key roles.
The Irish Mob is a usually crime family–based ethnic collective of organized crime syndicates composed of primarily ethnic Irish members which operate primarily in Ireland, the United States, the United Kingdom, Canada and Australia, and have been in existence since the early 19th century. Originating in Irish-American street gangs – famously first depicted in Herbert Asbury's 1927 book, The Gangs of New York – the Irish Mob has appeared in most major U.S. and Canadian cities, especially in the Northeast and the urban industrial Midwest, including Boston, New York City, Philadelphia, Pittsburgh, Baltimore, Cleveland, and Chicago.
The Mob is a 1951 American film noir crime-thriller produced by Columbia Pictures, directed by Robert Parrish, and starring Broderick Crawford. The screenplay, which was written by William Bowers, is based on the novel Waterfront by Ferguson Findley.
The Amazing Dr. Clitterhouse is a 1938 American crime film directed by Anatole Litvak and starring Edward G. Robinson, Claire Trevor and Humphrey Bogart. It was distributed by Warner Bros. and written by John Wexley and John Huston, based on the 1936 play The Amazing Dr. Clitterhouse, the first play written by short-story writer Barré Lyndon, which ran for three months on Broadway with Cedric Hardwicke after playing in London.
Evsei Borisovich Agron was a Soviet-American mobster and boss of New York City's Russian mafia during the 1970s and 1980s. Known for his cruelty, he was called the "Godfather" of the Russian American mafia.
Manpower is a 1941 American crime melodrama directed by Raoul Walsh and starring Edward G. Robinson, Marlene Dietrich, and George Raft. The picture was written by Richard Macaulay and Jerry Wald, and the supporting cast features Alan Hale, Frank McHugh, Eve Arden, Barton MacLane, Ward Bond and Walter Catlett.
Kid Galahad is a 1937 American sports drama film directed by Michael Curtiz and starring Edward G. Robinson, Bette Davis, Humphrey Bogart and, in the title role, rising newcomer Wayne Morris. A boxing film, it was scripted by Seton I. Miller and distributed by Warner Brothers. It was remade in 1941, this time in a circus setting, as The Wagons Roll at Night, also with Bogart, and in 1962 as an Elvis Presley musical. The original version was re-titled The Battling Bellhop for television distribution in order to avoid confusion with the Presley remake.
Brother Orchid is a 1940 American crime/comedy film directed by Lloyd Bacon and starring Edward G. Robinson, Ann Sothern and Humphrey Bogart, with featured performances by Donald Crisp, Ralph Bellamy and Allen Jenkins. The screenplay was written by Earl Baldwin, with uncredited contributions from Jerry Wald and Richard Macauley, based on a story by Richard Connell originally published in Collier's Magazine on May 21, 1938. Prior to the creation of the movie version of Connell's story, a stage adaptation was written by playwright/novelist Leo Brady. The script was originally produced at Catholic University of America in Washington, D.C..
Stand-In is a 1937 American screwball comedy directed by Tay Garnett and starring Leslie Howard, Joan Blondell and Humphrey Bogart. The film's screenplay was written by Gene Towne and C. Graham Baker from a story by Clarence Budington Kelland. It was produced by independent producer Walter Wanger, and released by United Artists. The film is set in Hollywood and satirizes the film industry during the classical Hollywood era.
Big City Blues is a 1932 American pre-Code drama film directed by Mervyn LeRoy and distributed by Warner Bros. The film is based on the play New York Town by Ward Morehouse and stars Joan Blondell and Eric Linden, with uncredited early appearances by Humphrey Bogart and Lyle Talbot.
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This is a list of organized crime in the 1930s, arranged chronologically.