|Produced by||Henry Blanke (uncredited)|
|Written by||Charles Kenyon|
|Music by||Heinz Roemheld (uncredited)|
|Edited by||William Clemens|
Dr. Monica is a 1934 American pre-Code melodrama film produced by Warner Bros. starring Kay Francis, Warren William, and Jean Muir. An obstetrician, who is unable to have children, discovers that the baby she is about to deliver was fathered by her husband.
The censors at the Hays Office requested a large number of changes to the script before they would approve it for production. One of the major issues they had with the script was that it explicitly included dialogue about the potential dangers of childbirth.
Mordaunt Hall, critic for The New York Times, wrote that Dr. Monica is "not especially suspenseful", but it "moves apace and the acting is excellent."
42nd Street is a 1933 American pre-Code musical film directed by Lloyd Bacon, and a script by Rian James and James Seymour, adapted from the 1932 novel of the same name by Bradford Ropes. Starring an ensemble cast of Warner Baxter, Bebe Daniels, George Brent, Ruby Keeler, Dick Powell and Ginger Rogers, the film revolved around the rehearsals of a Broadway show at the height of the Great Depression, and its cast and crew. The film was choreographed by Busby Berkeley, with music by Harry Warren and lyrics by Al Dubin.
Blonde Crazy is a 1931 American pre-Code romantic comedy-drama film directed by Roy Del Ruth and starring James Cagney, Joan Blondell, Noel Francis, Louis Calhern, Ray Milland, and Guy Kibbee. The film is notable for one of Cagney's lines, a phrase often repeated by celebrity impersonators: "That dirty, double-crossin' rat!"
One Way Passage is a 1932 American pre-Code romantic film starring William Powell and Kay Francis as star-crossed lovers, directed by Tay Garnett and released by Warner Bros. The screenplay by Robert Lord won the Academy Award for Best Story.
Wonder Bar is a 1934 American pre-Code film adaptation of a Broadway musical of the same name directed by Lloyd Bacon with musical numbers created by Busby Berkeley.
Doctor Bull is a 1933 American pre-Code comedy film directed by John Ford, based on the James Gould Cozzens novel The Last Adam. Will Rogers portrays a small-town doctor who must deal with a typhoid outbreak in the community.
Life Begins is a 1932 American pre-Code drama film starring Loretta Young, Eric Linden, Aline MacMahon, and Glenda Farrell. The film was adapted from the 1932 play of the same name by Mary M. Axelson. It was released by Warner Bros. on September 10, 1932. The film was praised for its honest portrayal of a maternity ward.
Trade Winds is a 1938 American comedy murder mystery film directed by Tay Garnett written by Dorothy Parker, Alan Campbell, and Frank R. Adams, based on story by Tay Garnett. The film stars Fredric March and Joan Bennett, with a supporting cast featuring Thomas Mitchell, Ralph Bellamy and Ann Sothern. Distributed by United Artists, Trade Winds was released on December 28, 1938.
Mandalay is a 1934 American pre Code drama film directed by Michael Curtiz and written by Austin Parker and Charles Kenyon based on a story by Paul Hervey Fox. The film stars Kay Francis, Ricardo Cortez, Warner Oland and Lyle Talbot, and features Ruth Donnelly and Reginald Owen.
Behind the Make-Up (1930) is an American pre-Code drama film starring Hal Skelly, William Powell, Kay Francis, and Fay Wray, and based on the short story "The Feeder" by Mildred Cram.
Under Eighteen is a 1931 American pre-Code romantic drama film directed by Archie Mayo and starring Marian Marsh, Anita Page, Regis Toomey, and Warren William. It is based on the short story "Sky Life" by Frank Mitchell Dazey and Agnes Christine Johnston.
Living on Velvet is a 1935 American romantic drama film directed by Frank Borzage and starring Kay Francis, Warren William and George Brent.
The Lone Wolf Meets a Lady is a 1940 American drama directed by Sidney Salkow, starring Warren William, Eric Blore and Jean Muir.
Smart Woman is a 1931 pre-Code comedy-romance and drama film directed by Gregory La Cava and starring Mary Astor, Robert Ames, and John Halliday.
Once in a Lifetime is a 1932 American pre-Code comedy film based on Once in a Lifetime by George S. Kaufman and Moss Hart. The film was produced and distributed by Universal Pictures, directed by Russell Mack and stars Jack Oakie, Sidney Fox and Aline MacMahon.
Side Streets, also known in the UK as A Woman in Her Thirties, is a 1934 American romantic melodrama film starring Aline MacMahon and Paul Kelly. The screenplay concerns a spinster who hires, then marries, a destitute sailor who is not always faithful.
The Dragon Murder Case is a 1934 mystery film adaptation of the novel of the same name by S. S. Van Dine, starring Warren William as private detective Philo Vance.
The White Cockatoo is a 1935 American mystery film directed by Alan Crosland and starring Jean Muir, Ricardo Cortez and Ruth Donnelly. It was based on the 1933 novel of the same name by Mignon G. Eberhart. A print is preserved in the Library of Congress collection.
George White's Scandals is a 1934 American pre-Code musical film directed by George White and written by Jack Yellen. The film stars Rudy Vallée, Jimmy Durante, Alice Faye, Adrienne Ames, Gregory Ratoff, Cliff Edwards and Dixie Dunbar. The film was released on March 16, 1934, by Fox Film Corporation. George White also produced George White's Scandals for RKO in 1945. It was directed by Felix E. Feist and starred Joan Davis and Jack Haley.
The Music Master is a 1927 American silent drama film directed by Allan Dwan and written by Philip Klein, adapted from the play of the same name by David Belasco. The film stars Alec B. Francis, Lois Moran, Neil Hamilton, Norman Trevor, Charles Willis Lane and William T. Tilden. The film was released on January 23, 1927, by Fox Film Corporation.
Bedside is a 1934 American pre-Code drama film starring Warren William, Jean Muir and Allen Jenkins. A man passes himself off as a doctor.