The Brandenburg Arch | |
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Directed by | |
Produced by | |
Starring | |
Cinematography | Charles J. Stumar |
Production company | |
Distributed by | Deutsche Universal-Film |
Release date |
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Running time | 100 minutes |
Country | Germany |
Languages |
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The Brandenburg Arch (German : Durchs Brandenburger Tor) is a 1929 German silent drama film directed by Max Knaake and William Dieterle and starring Paul Henckels, June Marlowe and Aribert Mog. [1] It was made by the German branch of Universal Pictures.
The film's sets were designed by the art directors Max Knaake and Fritz Maurischat.
Fight of the Tertia is a 1929 German silent family film directed by Max Mack and starring Max Schreck, Fritz Richard and Fritz Greiner. It is based on the 1928 novel of the same name by Wilhelm Speyer which was later adapted into a 1952 sound film. It was shot at the Terra Studios in Berlin and on location in Friedrichstadt and in the North Sea. The film's art direction was by Hans Jacoby.
Aribert Mog was a German film actor who played in a mixture of leading and supporting roles during the 1930s. He was a member of the Militant League for German Culture and the National Socialist Factory Cell Organization. In May 1940 he was called up for military service and died fighting on the Eastern Front with the Infantry Regiment 9 Potsdam the following year.
The House of Lies is a 1926 German silent drama film directed by Lupu Pick and starring Werner Krauss, Mary Johnson and Lucie Höflich. It is an adaptation of Ibsen's 1884 play The Wild Duck. The film's art direction was by Albin Grau. Pick also produced the film and was one of its co-writers.
The Lady with the Mask is a 1928 German silent film directed by Wilhelm Thiele and starring Max Gülstorff, Arlette Marchal and Vladimir Gajdarov. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Erich Czerwonski.
Fruit in the Neighbour's Garden is a 1956 West German comedy film directed by Erich Engels and starring Oskar Sima, Grethe Weiser and Gundula Korte. It is a remake of the 1935 film of the same title.
My Leopold is a 1931 German comedy film directed by Hans Steinhoff and starring Max Adalbert, Harald Paulsen and Camilla Spira. It is based on Adolphe L'Arronge's 1873 play My Leopold which had previously been adapted into silent films on three occasions. The film's sets were designed by the art director Franz Schroedter.
The Lady and the Chauffeur is a 1928 German silent comedy film directed by Manfred Noa and starring Jack Trevor, Fritz Alberti and Elisabeth Pinajeff. It was shot at the Grunewald Studios and on location in Trieste and Ragusa in the Adriatic. The film's sets were designed by the art directors Hans Sohnle and Otto Erdmann.
Dame Care is a 1928 German silent drama film directed by Robert Land and starring Fritz Kortner, Mary Carr and William Dieterle. It is based on the 1887 novel Frau Sorge by Hermann Sudermann. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Robert Neppach. It was distributed by the German branch of First National Pictures.
The Mistress of the Governor is a 1927 German silent historical drama film directed by Friedrich Feher and starring Magda Sonja, Fritz Kortner and Otto Wallburg. It was shot at the Staaken Studios in Berlin. The film's art direction was by Max Knaake.
Incest is a 1929 German silent drama film directed by James Bauer and starring Walter Rilla, Erna Morena, and Olga Chekhova. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Max Heilbronner.
Vienna, How it Cries and Laughs is a 1926 German silent film directed by Rudolf Walther-Fein and Rudolf Dworsky and starring Fritz Greiner, John Mylong, and Mady Christians.
Dawn or Red Morning is a 1929 German silent film directed by Wolfgang Neff and Burton George and starring Paul Henckels, Werner Fuetterer and Carl de Vogt.
German Wine is a 1929 German silent film directed by Carl Froelich and starring Livio Pavanelli, Henny Porten and Paul Henckels. It takes its German title from the sweet white wine Liebfraumilch.
Three Days of Fear is a 1952 West German comedy crime film directed by Erich Waschneck and starring Rudolf Platte, Camilla Spira and Cornelia Froboess. It was shot at the Göttingen Studios. The film's sets were designed by Hans Jürgen Kiebach and Gabriel Pellon.
This One or None is a 1932 German musical film directed by Carl Froelich and starring Gitta Alpar, Max Hansen and Ferdinand von Alten. It is part of the tradition of operetta films. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Franz Schroedter. Location shooting took place around Berlin at the Brandenburg Gate, Potsdamer Platz and Unter den Linden.
The Sporck Battalion is a 1927 German silent war film directed by Holger-Madsen and starring Otto Gebühr, Walter Rilla and Grete Mosheim. Hans Albers is sometimes added in some cast lists, but his performance is unconfirmed. It was shot at the Weissensee Studios in Berlin. The film's sets were designed by the art director Max Knaake. It was remade as a sound film of the same title in 1934.
At the Strasbourg is a 1934 German comedy film directed by Franz Osten and starring Hans Stüwe, Ursula Grabley, and Anna von Palen.
The Battle of Bademunde is a 1931 German comedy film directed by Philipp Lothar Mayring and starring Max Adalbert, Claire Rommer and Paul Wagner. It was one of a number of military comedies made during the late Weimar era. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Artur Günther. It was produced and distributed by UFA, Germanys largest film company of the era.
My Daughter Doesn't Do That is a 1940 German romantic comedy film directed by Hans H. Zerlett and starring Ralph Arthur Roberts, Erika von Thellmann, and Geraldine Katt.
The Hunter from Kurpfalz is a 1933 German comedy film directed by Carl Behr and starring Hans Adalbert Schlettow, Walter Rilla and Fritz Kampers. It was produced by Carl Froelich and shot at the Johannisthal Studios of Tobis Film in Berlin. Location shooting took place around Neustadt in the Palatinate and the wider Rhineland area. The title references the German folk song "Ein Jäger aus Kurpfalz".