Satan Met a Lady | |
---|---|
Directed by | William Dieterle |
Screenplay by | Brown Holmes |
Based on | The Maltese Falcon by Dashiell Hammett |
Produced by | Henry Blanke |
Starring | Bette Davis Warren William |
Cinematography | Arthur Edeson |
Edited by | Warren Low |
Music by | Bernhard Kaun Heinz Roemheld |
Distributed by | Warner Bros. |
Release date |
|
Running time | 74 minutes |
Country | United States |
Language | English |
Satan Met a Lady is a 1936 American detective film directed by William Dieterle and starring Bette Davis and Warren William. [1]
The screenplay by Brown Holmes is a loose adaptation of the 1929 novel The Maltese Falcon by Dashiell Hammett. [2]
Private detective Ted Shane returns to work with his former partner Ames, who is not particularly happy about the situation because his wife Astrid dated Ted before they were wed.
Valerie Purvis hires the detectives to locate a man called Farrow, and when both Ames and Farrow are found dead, Shane is suspected of both murders.
Shane finds his office and apartment have been ransacked and his secretary Miss Murgatroyd has been locked in a closet by Anthony Travers, who is in search of an 8th-century ram's horn rumored to be filled with jewels. Madame Barabbas is also searching for the treasure and sends a gunman to bring Shane to her.
Working all sides of the street, Shane makes deals with each of them to find the horn, and eventually winds up in possession of a package allegedly containing it, but it turns out to be full of sand instead of jewels.
The police round up all the suspects, but Shane and Valerie escape. He baits her into confessing to Ames's murder and tries to apprehend her for the $10,000 reward, but Valerie thwarts him by allowing a washroom attendant to turn her in to the police instead. Miss Murgatroyd then shows up and claims Shane for her own.
Since they already owned the screen rights to the Dashiell Hammett novel The Maltese Falcon, economical Warner Bros. executives decided to film another version of the book and assigned contract writer Brown Holmes to pen the screenplay. Showing little regard for the original material, Holmes converted its object of desire –a jewel-encrusted statuette of a falcon –into a ram's horn filled with precious gems, changed character names (Sam Spade became "Ted Shane"), altered the sex of one of the criminal masterminds from male to female, and retitled the story, first to The Man in the Black Hat and then Men on Her Mind. [3]
Filming began on December 1, 1935, although leading lady Bette Davis, upset that she was being forced to film "junk" after completing a prestige project like The Petrified Forest , failed to report to the set. "I was so distressed by the whole tone of the script and the vapidity of my part that I marched up to Mr. Warner's office and demanded that I be given work that was commensurate with my proven ability," she later recalled in her autobiography. "I was promised wonderful things if only I would do this film." [4] She was suspended on December 3 and, angry and resentful but in need of her salary to cover living expenses for her mother and medical care for her sister, she reported to work three days later. [5]
Upon completion of principal photography, art director Max Parker assembled a rough cut that so confused studio heads they assigned Warren Low to re-edit it. It was released on July 22, 1936, retitled Satan Met a Lady (the book had a line describing Sam Spade as looking "rather pleasantly like a blonde Satan"). [6] By then, Davis was in London, having been placed on suspension for refusing to portray a lumberjack in God's Country and the Woman . In later years, she recalled insisting "I won't do it! Satan Met a Lady was bad enough, but this is absolute tripe." [3]
Bosley Crowther of the New York Times called the film "a cynical farce of elaborate and sustained cheapness" that "deserves to be quoted as a classic of dullness" and observed, "Without taking sides in a controversy of such titanic proportions, it is no more than gallantry to observe that if Bette Davis had not effectually espoused her own cause against the Warners recently by quitting her job, the Federal Government eventually would have had to step in and do something about her. After viewing Satan Met a Lady … all thinking people must acknowledge that a Bette Davis Reclamation Project (BDRP) to prevent the waste of this gifted lady's talents would not be a too-drastic addition to our various programs for the conservation of natural resources." He concluded, "So disconnected and lunatic are the picture's incidents, so irrelevant and monstrous its people, that one lives through it in constant expectation of seeing a group of uniformed individuals appear suddenly from behind the furniture and take the entire cast into protective custody. There is no story, merely a farrago of nonsense representing a series of practical studio compromises with an unworkable script. It is the kind of mistake over which the considerate and discreet thing is to draw the veil of silence." [7]
Variety's 1936 review was less vitriolic but hardly enthusiastic. "This is an inferior remake of [1931's] The Maltese Falcon.... Many changes have been made in story structure as well as title, but none is an improvement." It noted that both Davis's and William's credits were dropped "below the title" and that "Davis has much less to do than at least one other femme member of the cast." There were mixed impressions of William: while Ricardo Cortez's Sam Spade in the 1931 picture had been "natural and amusing, [William] and his satiric crime detection are now forced and unnatural." Yet at the same time, "his performance is all that keeps the picture moving in many lagging moments." In summary, the review said, "There's hardly any mystery in this version. The comedy isn't strong enough to fill the bill." [8]
Time Out London noted that although the film can't compare to the 1941 screen adaptation of the Hammett novel, "Thanks to Dieterle's stylishly witty direction and excellent performances, it's nevertheless enjoyably and quirkily funny, at least until just before the end, when a whole wedge of undigested plot exposition suddenly catches up with the action." [9]
The Maltese Falcon is a 1930 detective novel by American writer Dashiell Hammett, originally serialized in the magazine Black Mask beginning with the September 1929 issue. The story is told entirely in external third-person narrative; there is no description whatsoever of any character's thoughts or feelings, only what they say and do, and how they look. The novel has been adapted several times for the cinema.
Watch on the Rhine is a 1943 American drama film directed by Herman Shumlin and starring Bette Davis and Paul Lukas. The screenplay by Dashiell Hammett is based on the 1941 play Watch on the Rhine by Lillian Hellman. Watch on the Rhine was nominated for the Academy Award for Best Picture and Paul Lukas won the Academy Award for Best Actor for his performance as Kurt Muller, a German-born anti-fascist in this film.
Samuel Dashiell Hammett was an American writer of hard-boiled detective novels and short stories. He was also a screenwriter and political activist. Among the characters he created are Sam Spade, Nick and Nora Charles, The Continental Op and the comic strip character Secret Agent X-9.
Black Mask was a pulp magazine first published in April 1920 by the journalist H. L. Mencken and the drama critic George Jean Nathan. It is most well-known today for launching the hardboiled crime subgenre of mystery fiction, publishing now-classic works by Dashiell Hammett, Raymond Chandler, Erle Stanley Gardner, Cornell Woolrich, Paul Cain, Carroll John Daly, and others.
Sam Spade is a fictional character and the protagonist of Dashiell Hammett's 1930 novel The Maltese Falcon. Spade also appeared in four lesser-known short stories by Hammett.
William Dieterle was a German-born actor and film director who emigrated to the United States in 1930 to leave a worsening political situation. He worked in Hollywood primarily as a director for much of his career, becoming a United States citizen in 1937. He moved back to Germany in the late 1950s.
The Glass Key is a novel by American writer Dashiell Hammett. First published as a serial in Black Mask magazine in 1930, it then was collected in 1931. It tells the story of a gambler and racketeer, Ned Beaumont, whose devotion to Paul Madvig, a crooked political boss, leads him to investigate the murder of a local senator's son as a potential gang war brews. Hammett dedicated the novel to his onetime lover Nell Martin.
Roy Del Ruth was an American filmmaker.
Warren William was a Broadway and Hollywood actor, immensely popular during the early 1930s; he was later nicknamed the "King of Pre-Code". He was the first actor to play Perry Mason.
The Maltese Falcon is a 1931 American pre-Code crime film based on the 1930 novel The Maltese Falcon by Dashiell Hammett and directed by Roy Del Ruth. The film stars Ricardo Cortez as private detective Sam Spade and Bebe Daniels as femme fatale Ruth Wonderly. The supporting cast features Dudley Digges, Thelma Todd, Walter Long, Una Merkel, and Dwight Frye. Maude Fulton and Brown Holmes wrote the screenplay; one contemporaneous report said that Lucien Hubbard was assisting them.
The Maltese Falcon is a 1941 American film noir in which a San Francisco private detective deals with three unscrupulous adventurers, all seeking a jewel-encrusted falcon statuette. Written and directed by John Huston in his directorial debut, the film was based on the 1930 novel The Maltese Falcon by Dashiell Hammett and is a remake of the 1931 film of the same name. It stars Humphrey Bogart as private investigator Sam Spade, Mary Astor as his femme fatale client, and as villains Peter Lorre and Sydney Greenstreet.
Special Agent Samantha "Sam" Spade is a fictional character portrayed by actress Poppy Montgomery on the CBS television drama Without a Trace.
Fog Over Frisco is a 1934 American Pre-Code drama film directed by William Dieterle. The screenplay by Robert N. Lee and Eugene Solow was based on the 1932 mystery novel The Five Fragments by George Dyer.
Ex-Lady is a 1933 American pre-Code comedy/drama film directed by Robert Florey. The screenplay by David Boehm is a remake of the Barbara Stanwyck film Illicit (1931), both crediting a story by Edith Fitzgerald and Robert Riskin. The film focuses on a pair of lovers, commercial illustrator Helen Bauer and advertising writer Don Peterson, who have been living together quite happily for some time. One night, after hiding in Helen's bedroom until their party guests have all left, Don announces that he is tired of sneaking around. He wants marriage—and possibly children—and Helen finally agrees, although she is afraid that it will wreck their relationship. Her predictions of trouble—increased by the stresses of opening their own advertising agency—come true, but in the end, with the serendipitous intervention of their perpetually inebriated friend, Van, they reconcile and resume the mixed blessings of wedded bliss.
The Maltese Falcon Society is an organization for admirers of Dashiell Hammett, his 1930 novel The Maltese Falcon, and hardboiled mystery books and writers in general. Founded in San Francisco in 1981, the organization is no longer active in the United States; however, a chapter in Japan has been active continuously since 1982. The Japanese branch of the society presents the Falcon Award, Japan's highest honor in the mystery field, to honor the best hardboiled mystery novel published in Japan.
Joseph Nicholas Gores was an American mystery writer. He was known best for his novels and short stories set in San Francisco and featuring the fictional "Dan Kearney and Associates" private investigation firm specializing in repossessing cars, a thinly veiled escalation of his own experiences as a confidential sleuth and repo man. Gores was also recognized for his novels Hammett, Spade & Archer and his Edgar Award-winning or -nominated works, such as A Time of Predators, 32 Cadillacs and Come Morning.
Getting Even (1971) is Woody Allen's first collection of humorous stories, essays, and one short play. Most pieces were first published in The New Yorker between 1966 and 1971.
John's Grill is a historic restaurant located in the downtown area of San Francisco, California. The restaurant is famous, in part, because of the novel The Maltese Falcon (1930), and the later film The Maltese Falcon (1941). On the climactic final night of the novel's plot, detective Sam Spade dines on chops, potatoes, and tomatoes at John's Grill after coming into possession of the titular falcon.
Mister Dynamite is a 1935 American action film directed by Alan Crosland and written by Doris Malloy and Harry Clork. The film stars Edmund Lowe, Jean Dixon, Victor Varconi, Esther Ralston, Verna Hillie and Minor Watson. The film was released on April 22, 1935, by Universal Pictures.
David Fechheimer, nicknamed "Fech," was an American private investigator based in San Francisco. He worked on many cases involving celebrities or other notables, including Patty Hearst, Martha Stewart, Kobe Bryant, Timothy McVeigh and Angela Davis.