Hammett | |
---|---|
Directed by | Wim Wenders |
Screenplay by | Ross Thomas Dennis O'Flaherty |
Story by | Thomas Pope |
Based on | Hammett by Joe Gores |
Produced by | Ronald Colby Don Guest Fred Roos |
Starring | Frederic Forrest Peter Boyle Marilu Henner Roy Kinnear |
Cinematography | Joseph Biroc Philip H. Lathrop [1] |
Edited by | Janice Hampton Marc Laub Robert Q. Lovett Randy Roberts |
Music by | John Barry |
Production company | |
Distributed by | Orion Pictures Warner Bros. |
Release date |
|
Running time | 95 minutes |
Country | United States |
Language | English |
Budget | $7 million [2] |
Box office | $42,914 |
Hammett is a 1982 American neo-noir [3] mystery film directed by Wim Wenders and executive produced by Francis Ford Coppola. The screenplay was written by Ross Thomas and Dennis O'Flaherty, based on the novel of the same name by Joe Gores. It stars Frederic Forrest as detective story writer Dashiell Hammett, who gets caught up in a mystery very much like one of his own stories. Marilu Henner plays Hammett's neighbor, Kit Conger, and Peter Boyle plays Jimmy Ryan, an old friend from Hammett's days as a Pinkerton agent. The film was entered into the 1982 Cannes Film Festival. [4]
San Francisco-based Dashiell Hammett, trying to put his Pinkerton detective days behind him while establishing himself as a writer, finds himself drawn back into his old life one last time by the irresistible call of friendship and to honor a debt. In 1928, Hammett, known to his librarian neighbor Kit and other acquaintances as "Sam" is holed up in a cheap apartment, hard at work at his typewriter each day. He drinks heavily, smokes too much and has coughing fits. One day, a friend and mentor from his Pinkerton days, Jimmy Ryan, turns up with a request, that Hammett help him track down a Chinese prostitute named Crystal Ling in the Chinatown district of San Francisco, an area Hammett is more familiar with than Ryan. Hammett is soon pulled into a multi-layered plot, losing the only copy of his manuscript, wondering how and why Ryan has vanished, being followed by a tough-talking gunsel, discovering a million-dollar blackmail scheme and being deceived by the diabolical Crystal, right up to a final confrontation near the San Francisco wharf.
Critically acclaimed German director Wim Wenders was hired by Francis Ford Coppola to direct Hammett as his American debut feature. Coppola and the film's financing studio, Orion, were dissatisfied with the original version and nearly the entire film was reshot. This led to allegations that most of it was directed by Coppola: The A.V. Club review of the 2005 DVD even claimed "only 30 percent of Wenders' footage remained, and the rest was completely reshot by Coppola, whose mere "executive producer" credit is just a technicality"; the reviewer does not give any sources (noting "A Coppola or Wenders commentary track might have sorted things out a bit — or at least settled an old score — but the bare-bones DVD release leaves viewers with a fascinating mess"), but argues "The finished product is clearly more Coppola than Wenders, since its period soundstage aesthetic so closely resembles One from the Heart, The Cotton Club , and other '80s Coppola productions." [5] Another 2011 review mentions "rumours that Coppola was unhappy with Wenders’ directorial efforts and thus re-shot and re-edited much of the film himself, although Wenders denies this. It would certainly explain some of the film's oddities." [6]
Wenders made a 17-minute "diary film" Reverse Angle (1982), which deals among others with "the editing process of HAMMETT in the presence of Francis Ford Coppola". [7] In a 2015 interview, Wenders with "no traces of bitterness" stated unambiguously that he directed the reshoot (although Coppola tended to micro-manage his productions direction-wise): "there wasn't much money left, and I was too stubborn to drop it and or say, 'Well then let somebody else do it.' Francis [Ford Coppola] was too stubborn to fire me so we stuck it out and we respected each other in spite of all the conflict." The reshoot was "entirely in one sound stage", which Wenders avoids: "The first film was shot entirely on location […] in real places in San Francisco." Of that, "In the final product ten shots survived from my original shoot: only exteriors […] a couple of shots from the first, maybe 5% of the film from the first version." When Wenders later wanted to finish and release his director's cut as "an interesting case study", he found the material was destroyed: "They only kept a cut negative, everything else is junked." [8]
Boyle took over the role of Jimmy Ryan from Brian Keith, who left allegedly because the lengthy production conflicted with other commitments. Keith can be seen in some long shots in the film. A number of actors from the "Golden Age" of Hollywood were cast in the film, including Sylvia Sidney, Hank Worden, Royal Dano and Elisha Cook Jr. (who played Wilmer "the gunsel" in John Huston's 1941 film The Maltese Falcon ). [9]
Reviewing the film in the New York Times, Vincent Canby stated that the film "isn't quite the mess one might expect, considering the length of time it's been in production and the number of people who seem to have contributed to it. It's not ever boring, but heaven only knows what it's supposed to be about or why it was made", concluding that the film "is neither good enough to exist on its own as straight film noir, like Lawrence Kasdan's Body Heat nor is it witty and funny enough to succeed as parody", although he did praise the film sets. [10]
Nastassja Aglaia Kinski is a German actress and former model who has appeared in more than 60 films in Europe and the United States. Her worldwide breakthrough was with Stay as You Are (1978). She then came to global prominence with her Golden Globe Award-winning performance as the title character in the Roman Polanski-directed film Tess (1979). Other films in which she acted include the Francis Ford Coppola musical romance film One from the Heart (1982), erotic horror film Cat People (1982) from Paul Schrader, and the Wim Wenders drama films Paris, Texas (1984) and Faraway, So Close! (1993). She also appeared in the biographical drama film An American Rhapsody (2001). She is the daughter of German actor Klaus Kinski.
Ernst Wilhelm "Wim" Wenders is a German filmmaker and playwright, who is a major figure in New German Cinema. Among the honors he has received are prizes from the Cannes, Venice, and Berlin film festivals. He has also received a BAFTA Award and been nominated for three Academy Awards and a Grammy Award.
The Maltese Falcon is a 1930 detective novel by American writer Dashiell Hammett, originally serialized in the magazine Black Mask beginning with the September 1929 issue. The story is told entirely in external third-person narrative; there is no description whatsoever of any character's thoughts or feelings, only what they say and do, and how they look. The novel has been adapted several times for the cinema.
The Conversation is a 1974 American neo-noir mystery thriller film written, produced, and directed by Francis Ford Coppola and starring Gene Hackman, John Cazale, Allen Garfield, Cindy Williams, Frederic Forrest, Harrison Ford, Teri Garr, and Robert Duvall. Hackman portrays a surveillance expert who faces a moral dilemma when his recordings reveal a potential murder.
Samuel Dashiell Hammett was an American writer of hard-boiled detective novels and short stories. He was also a screenwriter and political activist. Among the characters he created are Sam Spade, Nick and Nora Charles, The Continental Op and the comic strip character Secret Agent X-9.
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Red Harvest (1929) is a novel by American writer Dashiell Hammett. The story is narrated by the Continental Op, a frequent character in Hammett's fiction, much of which is drawn from his own experiences as an operative of the Pinkerton Detective Agency. The plot follows the Op's investigation of several murders amid a labor dispute in a corrupt Montana mining town. Some of the novel was inspired by the Anaconda Road massacre, a 1920 labor dispute in the mining town of Butte, Montana.
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Marilu Henner is an American actress. She began her career appearing in the original production of the musical Grease in 1971, before making her screen debut in the 1977 comedy-drama film Between the Lines. In 1978, Henner was cast in her breakthrough role as Elaine O'Connor Nardo in the ABC/NBC sitcom Taxi, a role she played until 1983 and for which she received five Golden Globe Award nominations.
The Continental Op is a fictional character created by Dashiell Hammett. He is a private investigator employed as an operative of the Continental Detective Agency's San Francisco office. The stories are all told in the first person and his name is never given.
Hardboiled fiction is a literary genre that shares some of its characters and settings with crime fiction. The genre's typical protagonist is a detective who battles the violence of organized crime that flourished during Prohibition (1920–1933) and its aftermath, while dealing with a legal system that has become as corrupt as the organized crime itself. Rendered cynical by this cycle of violence, the detectives of hardboiled fiction are often antiheroes. Notable hardboiled detectives include Dick Tracy, Philip Marlowe, Nick Charles, Mike Hammer, Sam Spade, Lew Archer, Slam Bradley, and The Continental Op.
Frederic Fenimore Forrest Jr. was an American actor. A figure of the New Hollywood movement, Forrest was best known for his collaborations with director Francis Ford Coppola, playing prominent roles in The Conversation (1974), Apocalypse Now (1979), One from the Heart (1982), and Tucker: The Man and His Dream (1988). He was nominated for an Academy Award and Golden Globe Award for Best Supporting Actor for his portrayal of Huston Dyer in the musical drama The Rose (1979).
The Maltese Falcon is a 1941 American film noir in which a San Francisco private detective deals with three unscrupulous adventurers, all seeking a jewel-encrusted falcon statuette. Written and directed by John Huston in his directorial debut, the film was based on the 1930 novel The Maltese Falcon by Dashiell Hammett and is a remake of the 1931 film of the same name. It stars Humphrey Bogart as private investigator Sam Spade, Mary Astor as his femme fatale client, and as villains Peter Lorre and Sydney Greenstreet.
Dean Tavoularis is an American motion picture production designer whose work appeared in numerous box office hits such as The Godfather films, Apocalypse Now, The Brink's Job, One from the Heart, and Bonnie and Clyde.
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