Kings of the Road | |
---|---|
Directed by | Wim Wenders |
Written by | Wim Wenders |
Starring | Rüdiger Vogler Hanns Zischler |
Cinematography | Robby Müller |
Edited by | Peter Przygodda |
Distributed by | Axiom Films (UK and Ireland) |
Release date |
|
Running time | 175 minutes [1] |
Country | West Germany |
Language | German |
Kings of the Road (German : Im Lauf der Zeit, "In The Course of Time" [2] ) is a 1976 German road movie directed by Wim Wenders. It was the third part of Wenders' "Road Movie trilogy" which included Alice in the Cities (1974) and The Wrong Move (1975). It was the unanimous winner of the FIPRESCI Prize at the 1976 Cannes Film Festival. [3]
Projection-equipment repair mechanic Bruno Winter meets depressed Robert Lander after the latter has driven his car into a river in a half-hearted suicide attempt following a break-up with his wife. Bruno allows Robert to ride with him while his clothes dry, rarely speaking while Bruno drives along the Western side of the East German border in a repair truck, servicing equipment at worn-out movie theaters.
While out on the road, Bruno and Robert encounter several people in various states of despair, including a man whose wife has committed suicide by driving her car into a tree. Robert also drops in on his elderly father to berate him for disrespecting Robert's mother. After Bruno and Robert have a minor brawl after a conversation about Robert and his wife, Robert finally leaves Bruno, though Bruno later spots him riding a train. Bruno continues his service calls to theatres, including one that no longer screens films because the owner regards modern films as exploitative.
The film contains many long shots without dialogue, including an outdoor defecation scene, and it was filmed in black and white by long-time Wenders collaborator Robby Müller. [4]
Kings of the Road was shot in black and white, wide-screen (5:3) format, which is explicitly mentioned in the titles. Only the first scene of the film where Winter and Lander meet was scripted; everything else was improvised by the actors. [5] Wim Wenders shot 49,000 m (161,000 ft) of film and the final cut was 4,760 m (15,620 ft). The camera used was an ARRI 35 BL. The negative material from Kodak (Plus-X and Four-X) copied to ORWO positive. [6]
The songs that are played in Bruno's portable single-disc player are: "The More I See You" by Chris Montez, "Just Like Eddie" by Heinz, and "King of the Road" by Roger Miller.
The cost of production was DM 730,800 (then equivalent to US$315,000). The film was financed with a screenplay premium of the Federal Ministry of the Interior of DM 250,000. [6]
In his documentary, White Walls director Mike Schlömer shot footage along the inner-German border between Lüneburg and Hof, where Wim Wenders shot footage. [7]
It was the first film Wenders made through his new production company Road Movies Produktion. He shot it in black and white because he thought that it was much more realistic and natural than color. [8]
In Germany, the Lexicon of International Film wrote that "Wim Wenders' film combines the captivating clarity and epic serenity of a classic Bildungsroman with the mythic qualities of American genre film… Directed in a craftmansly, impeccable style, space itself allows for the unfolding of characters, thoughts and landscapes". [9] Wolf Donner of Die Zeit said that "motions, sequences of confusingly beautiful and suggestive shots, highly poetic compositions and technical perfection make up the particular charm of this three-hour-long black-and-white film. [...] Scenes shot in a nocturnal mist, in the half-glow of the evening and morning, a profound depth of field, a variety of lenses, iridescent effects in the interaction of filters, natural and artificial light, long shots where entire landscapes seem illuminated: these formal qualities always simultaneously bring out the dual meaning of this itinerancy, the nowhereness of this trip, the between-space outside of ordinary reference to reality. The artisanly virtuosity of Kings of the Road will get cinephiles hooked". [10]
Film Critic Derek Malcolm ranked Kings of the Road 89 on his list of his 100 favourite movies. Malcolm says that Wenders "achieves a palpable sense of time, place and atmosphere, and of how everybody is affected by their tiny spot in history". [4] It has been compared to Easy Rider and Two-Lane Blacktop and called the ultimate road movie. [11] Richard Combs wrote that "alienation is not really Wenders subject, although his lonely, self-obsessed heroes might suggest as much". [12]
The film won the FIPRESCI Prize at the 1976 Cannes Film Festival [3] and the Gold Hugo grand prize at the Chicago International Film Festival. [13]
Kings of the Road was released in 2008 as a region 2 DVD with English subtitles. [14] It was released in 1987 as a VHS tape. [15] In 2016, The Criterion Collection released the film in Region 1 on DVD and Blu-ray, along with Alice in the Cities and Wrong Move, as Wim Wenders: The Road Trilogy. [16]
Nastassja Aglaia Kinski is a German actress and former model who has appeared in more than 60 films in Europe and the United States. Her worldwide breakthrough was with Stay as You Are (1978). She then came to global prominence with her Golden Globe Award-winning performance as the title character in the Roman Polanski-directed film Tess (1979). Other films in which she acted include the Francis Ford Coppola musical romance film One from the Heart (1982), erotic horror film Cat People (1982) from Paul Schrader, and the Wim Wenders drama films Paris, Texas (1984) and Faraway, So Close! (1993). She also appeared in the biographical drama film An American Rhapsody (2001). She is the daughter of German actor Klaus Kinski.
Ernst Wilhelm "Wim" Wenders is a German filmmaker and author, who is a major figure in New German Cinema. Among the honors he has received are prizes from the Cannes, Venice, and Berlin film festivals. He has also received a BAFTA Award and been nominated for four Academy Awards and a Grammy Award.
Wings of Desire is a 1987 romantic fantasy film written by Wim Wenders, Peter Handke and Richard Reitinger, and directed by Wenders. The film is about invisible, immortal angels who populate Berlin and listen to the thoughts of its human inhabitants, comforting the distressed. Even though the city is densely populated, many of the people are isolated or estranged from their loved ones. One of the angels, played by Bruno Ganz, falls in love with a beautiful, lonely trapeze artist, played by Solveig Dommartin. The angel chooses to become mortal so that he can experience human sensory pleasures, ranging from enjoying food to touching a loved one, and so that he can discover human love with the trapeze artist.
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Bruno Ganz was a Swiss actor whose career in German stage, television and film productions spanned nearly 60 years. He was known for his collaborations with the directors Werner Herzog, Éric Rohmer, Francis Ford Coppola, Theo Angelopoulos and Wim Wenders, earning widespread recognition with his roles as Jonathan Zimmerman in The American Friend (1977), Jonathan Harker in Nosferatu the Vampyre (1979) and Damiel the Angel in Wings of Desire (1987).
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The Road Movie Trilogy is a series of three road movies directed by German film director Wim Wenders in the mid-1970s: Alice in the Cities (1974), The Wrong Move (1975), and Kings of the Road (1976). All three films were shot by cinematographer Robby Müller and mostly take place in West Germany. The centerpiece of the trilogy, The Wrong Move, was shot in colour whereas Alice in the Cities was in black and white 16 mm, and Kings of the Road was in black and white 35 mm film.
The 29th Cannes Film Festival was held from 13 to 28 May 1976. The Palme d'Or went to Taxi Driver by Martin Scorsese. In 1976, "L'Air du temps", a new section which was non-competitive and focused on contemporary subjects, was introduced. This section, along with sections "Les Yeux fertiles" of the previous year and "Le Passé composé" of the next year, were integrated into Un Certain Regard in 1978.
The 37th Cannes Film Festival was held from 11 to 23 May 1984. The Palme d'Or went to the Paris, Texas by Wim Wenders.
The 39th annual Venice International Film Festival was held from 28 August to 2 September 1982.
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