Kings of the Road

Last updated
Kings of the Road
Kings of the road.jpg
Directed by Wim Wenders
Written byWim Wenders
Starring Rüdiger Vogler
Hanns Zischler
Cinematography Robby Müller
Edited by Peter Przygodda
Distributed by Axiom Films (UK and Ireland)
Release date
1976
Running time
175 minutes [1]
Country West Germany
LanguageGerman

Kings of the Road (German : Im Lauf der Zeit, "In The Course of Time" [2] ) is a 1976 German road movie directed by Wim Wenders. It was the third part of Wenders' "Road Movie trilogy" which included Alice in the Cities (1974) and The Wrong Move (1975). It was the unanimous winner of the FIPRESCI Prize at the 1976 Cannes Film Festival. [3]

Contents

Plot

The film is about a projection-equipment repair mechanic named Bruno Winter (Rüdiger Vogler), who meets the depressed Robert Lander (Hanns Zischler), who has just been through a break-up with his wife, after he drives his car into a river in a half-hearted suicide attempt. Bruno allows Robert to ride with him while his clothes dry, rarely speaking while Bruno drives along the Western side of the East German border in a repair truck, visiting worn-out movie theaters.

While out on the road, Bruno and Robert encounter several people in various states of despair, including a man whose wife has committed suicide by driving her car into a tree. Robert also drops in on his elderly father to berate him for disrespecting Robert's mother. After Bruno and Robert have a minor brawl after a conversation about Robert and his wife, Robert finally leaves Bruno, though Bruno later spots him riding a train. Bruno continues his visits to theatres, including one that no longer screens films because the owner regards modern films as exploitative.

Cast

Production

The film contains many long shots without dialogue, including an outdoor defecation scene, and it was filmed in black and white by long-time Wenders collaborator Robby Müller. [4]

Kings of the Road was shot in black and white, wide-screen (5:3) format, which is explicitly mentioned in the titles. Only the first scene of the film where Winter and Lander meet was scripted; everything else was improvised by the actors. [5] Wim Wenders shot 49,000 m (161,000 ft) of film and the final cut was 4,760 m (15,620 ft). The camera used was an ARRI 35 BL. The negative material from Kodak (Plus-X and Four-X) copied to ORWO positive. [6]

The songs that are played in Bruno's portable single-disc player are: "The More I See You" by Chris Montez, "Just Like Eddie" by Heinz, and "King of the Road" by Roger Miller.

The cost of production was DM 730,800 (then equivalent to US$315,000). The film was financed with a screenplay premium of the Federal Ministry of the Interior of DM 250,000. [6]

In his documentary, White Walls director Mike Schlömer shot footage along the inner-German border between Lüneburg and Hof, where Wim Wenders shot footage. [7]

It was the first film Wenders made through his new production company Road Movies Produktion. He shot it in black and white because he thought that it was much more realistic and natural than color. [8]

Reception

In Germany, the Lexicon of International Film wrote that "Wim Wenders' film combines the captivating clarity and epic serenity of a classic Bildungsroman with the mythic qualities of American genre film… Directed in a craftmansly, impeccable style, space itself allows for the unfolding of characters, thoughts and landscapes". [9] Wolf Donner of Die Zeit said that "motions, sequences of confusingly beautiful and suggestive shots, highly poetic compositions and technical perfection make up the particular charm of this three-hour-long black-and-white film. [...] Scenes shot in a nocturnal mist, in the half-glow of the evening and morning, a profound depth of field, a variety of lenses, iridescent effects in the interaction of filters, natural and artificial light, long shots where entire landscapes seem illuminated: these formal qualities always simultaneously bring out the dual meaning of this itinerancy, the nowhereness of this trip, the between-space outside of ordinary reference to reality. The artisanly virtuosity of Kings of the Road will get cinephiles hooked". [10]

Film Critic Derek Malcolm ranked Kings of the Road 89 on his list of his 100 favourite movies. Malcolm says that Wenders "achieves a palpable sense of time, place and atmosphere, and of how everybody is affected by their tiny spot in history". [4] It has been compared to Easy Rider and Two-Lane Blacktop and called the ultimate road movie. [11] Richard Combs wrote that "alienation is not really Wenders subject, although his lonely, self-obsessed heroes might suggest as much". [12]

The film won the FIPRESCI Prize at the 1976 Cannes Film Festival [3] and the Gold Hugo grand prize at the Chicago International Film Festival. [13]

Home video

Kings of the Road was released in 2008 as a region 2 DVD with English subtitles. [14] It was released in 1987 as a VHS tape. [15] In 2016, The Criterion Collection released the film in Region 1 on DVD and Blu-ray, along with Alice in the Cities and Wrong Move, as Wim Wenders: The Road Trilogy. [16]

Related Research Articles

<span class="mw-page-title-main">Nastassja Kinski</span> German actress (born 1961)

Nastassja Aglaia Kinski is a German actress and former model who has appeared in more than 60 films in Europe and the United States. Her worldwide breakthrough was with Stay as You Are (1978). She then came to global prominence with her Golden Globe Award-winning performance as the title character in the Roman Polanski-directed film Tess (1979). Other films in which she acted include the erotic horror film Cat People (1982) and the Wim Wenders dramas Paris, Texas (1984) and Faraway, So Close! (1993). She also appeared in the biographical drama film An American Rhapsody (2001). She is the daughter of German actor Klaus Kinski.

<i>Until the End of the World</i> 1991 film by Wim Wenders

Until the End of the World is a 1991 science fiction adventure drama film directed by Wim Wenders. Set at the turn of the millennium in the shadow of a world-changing catastrophe, the film follows a man and woman, played by William Hurt and Solveig Dommartin, as they are pursued across the globe, in a plot involving a device that can record visual experiences and visualize dreams. An initial draft of the screenplay was written by American filmmaker Michael Almereyda, but the final screenplay is credited to Wenders and Peter Carey, from a story by Wenders and Dommartin. Wenders, whose career had been distinguished by his exploration of the road movie, intended this as the ultimate example of the genre.

<span class="mw-page-title-main">Wim Wenders</span> German filmmaker

Ernst Wilhelm "Wim" Wenders is a German filmmaker, playwright, author, and photographer. He is a major figure in New German Cinema. Among the honors he has received are prizes from the Cannes, Venice and Berlin film festivals. He has also received a BAFTA Award and been nominated for three Academy Awards and a Grammy Award.

<i>Wings of Desire</i> 1987 film by Wim Wenders

Wings of Desire is a 1987 romantic fantasy film written by Wim Wenders, Peter Handke and Richard Reitinger, and directed by Wenders. The film is about invisible, immortal angels who populate Berlin and listen to the thoughts of its human inhabitants, comforting the distressed. Even though the city is densely populated, many of the people are isolated or estranged from their loved ones. One of the angels, played by Bruno Ganz, falls in love with a beautiful, lonely trapeze artist, played by Solveig Dommartin. The angel chooses to become mortal so that he can experience human sensory pleasures, ranging from enjoying food to touching a loved one, and so that he can discover human love with the trapeze artist.

<i>Paris, Texas</i> (film) 1984 film by Wim Wenders

Paris, Texas is a 1984 drama road film directed by Wim Wenders, co-written by Sam Shepard and L. M. Kit Carson, and produced by Don Guest. It stars Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Aurore Clément, and Hunter Carson. In the film, disheveled recluse Travis Henderson (Stanton) reunites with his brother Walt (Stockwell) and son Hunter (Carson). Travis and Hunter embark on a trip through the American Southwest to track down Travis's missing wife, Jane (Kinski).

<i>The American Friend</i> 1977 film

The American Friend is a 1977 neo-noir film by Wim Wenders, adapted from the 1974 novel Ripley's Game by Patricia Highsmith. The film features Dennis Hopper as career criminal Tom Ripley and Bruno Ganz as Jonathan Zimmermann, a terminally ill picture framer whom Ripley coerces into becoming an assassin. The film uses an unusual "natural" language concept: Zimmermann speaks German with his family and his doctor, but English with Ripley and while visiting Paris.

<span class="mw-page-title-main">Bruno Ganz</span> Swiss actor (1941–2019)

Bruno Ganz was a Swiss actor whose career in German stage, television and film productions spanned nearly 60 years. He was known for his collaborations with the directors Werner Herzog, Éric Rohmer, Francis Ford Coppola, and Wim Wenders, earning widespread recognition with his roles as Jonathan Zimmerman in The American Friend (1977), Jonathan Harker in Nosferatu the Vampyre (1979) and Damiel the Angel in Wings of Desire (1987).

<span class="mw-page-title-main">Robby Müller</span> Dutch cinematographer (1940–2018)

Robby Müller, NSC, BVK, was a Dutch cinematographer. Known for his use of natural light and minimalist imagery, Müller first gained recognition for his contributions to West German cinema through his acclaimed collaborations with Wim Wenders.

<i>Faraway, So Close!</i> 1993 film by Wim Wenders

Faraway, So Close! is a 1993 German fantasy film directed by Wim Wenders, who co-wrote the screenplay with Richard Reitinger and Ulrich Zieger. It is a sequel to Wenders' 1987 film Wings of Desire. Actors Otto Sander, Bruno Ganz and Peter Falk reprise their roles as angels who have become human. The film also stars Nastassja Kinski, Willem Dafoe and Heinz Rühmann, in his last film role.

<span class="mw-page-title-main">Hanns Zischler</span> German actor

Hanns Zischler is a German actor known for his portrayal of Hans in Steven Spielberg's film Munich and the Russian Mafia's boss Igor Sergeyevich Baklanov in the 1996 pilot movie Der Clown. According to the Internet Movie Database, Zischler has appeared in 171 movies since 1968.

<i>Lisbon Story</i> (1994 film) 1994 German film

Lisbon Story is a 1994 feature film directed by Wim Wenders. It was screened in the Un Certain Regard section at the 1995 Cannes Film Festival. As part of Lisbon's programme as the European City of Culture in 1994, Wenders and three Portuguese filmmakers were invited to make a documentary about the city. The result was the fictional Lisbon Story.

<span class="mw-page-title-main">Rüdiger Vogler</span> German film and stage actor (born 1942)

Rüdiger Vogler is a German film and stage actor.

Lisa Kreuzer is a German television and film actress with credits for appearances in over 120 films and television series.

<i>Alice in the Cities</i> 1974 film

Alice in the Cities is a 1974 German road movie directed by Wim Wenders. It is the first part of Wenders' "Road Movie trilogy", which also includes The Wrong Move (1975) and Kings of the Road (1976). The film is shot in black and white by Robby Müller with several long scenes without dialogue. The film's theme foreshadows Wenders' later film Paris, Texas (1984).

<i>The Wrong Move</i> 1975 film

The Wrong Move is a 1975 German road movie directed by Wim Wenders. This was the second part of Wenders' "Road Movie trilogy" which included Alice in the Cities (1974) and Kings of the Road (1976).

Summer in the City is the first full-length feature film by director Wim Wenders, released in 1970 and starring Hanns Zischler.

<i>Lightning Over Water</i> 1980 film

Lightning Over Water, also known as Nick's Film, is a 1980 West German-Swedish documentary-drama film written, directed by and starring Wim Wenders and Nicholas Ray. It centers on the last days of Ray's own life, who was already known worldwide for his 1955 classic film Rebel Without a Cause. It was screened out of competition at the 1980 Cannes Film Festival.

<i>Road Movie trilogy</i> Three 1974–1976 films by Wim Wenders

The Road Movie Trilogy is a series of three road movies directed by German film director Wim Wenders in the mid-1970s: Alice in the Cities (1974), The Wrong Move (1975), and Kings of the Road (1976). All three films were shot by cinematographer Robby Müller and mostly take place in West Germany. The centerpiece of the trilogy, The Wrong Move, was shot in colour whereas Alice in the Cities was in black and white 16 mm, and Kings of the Road was in black and white 35 mm film.

<span class="mw-page-title-main">1976 Cannes Film Festival</span>

The 29th Cannes Film Festival was held from 13 to 28 May 1976. The Palme d'Or went to Taxi Driver by Martin Scorsese. In 1976, "L'Air du temps", a new section which was non-competitive and focused on contemporary subjects, was introduced. This section, along with sections "Les Yeux fertiles" of the previous year and "Le Passé composé" of the next year, were integrated into Un Certain Regard in 1978.

<i>Anselm</i> (film) 2023 film by Wim Wenders

Anselm is a 2023 German 3D documentary film directed by Wim Wenders, chronicling the art of German painter and sculptor Anselm Kiefer. The film had its world premiere at the 76th Cannes Film Festival on 17 May 2023 as a special screening, where it competed for the L'Œil d'or.

References

  1. "Wim Wenders: Portraits Along the Road - Films". Janus Films. Janus Films. Archived from the original on 31 August 2015. Retrieved 30 August 2015.
  2. Brody, Richard (4 September 2015). "Where Wim Wenders Went Wrong" via www.newyorker.com.
  3. 1 2 "Festival de Cannes: Kings of the Road". festival-cannes.com. Retrieved 2009-05-08.
  4. 1 2 Malcolm, Derek (26 October 2000). "Wim Wenders: Kings of the Road". The Guardian. Retrieved 18 April 2012.
  5. "Wim Wenders: Portraits Along the Road - Trivia". Janus Films. Janus Films. Retrieved 30 August 2015.
  6. 1 2 Fritz Müller-Scherz (Hrsg.): Im Lauf der Zeit, Frankfurt a.M.: Zweitausendeins, 1976 (Der komplette Film in 1256 Standbildern)
  7. Mario Schrader Kleine Kinos ganz groß. Ein Streifzug durch 100 Jahre Kinogeschichte im Landkreis Helmstedt. BoD, 2009, S. 136 ff. ISBN   978-3839113950
  8. Wakeman, John. World Film Directors, Volume 2, 1945-1985. New York: The H. W. Wilson Company. 1988. p. 1171.
  9. "Zweitausendeins. Filmlexikon FILME von A-Z - Im Lauf der Zeit". www.zweitausendeins.de.
  10. Wolf Donner in Die Zeit, March 5, 1976
  11. Wakeman. p. 1171.
  12. Wakeman. 1172.
  13. Nick Harkin and Carly Leviton, "50 YEARS OF MEMORIES: HIGHLIGHTS FROM THE HISTORY OF THE CHICAGO INTERNATIONAL FILM FESTIVAL", Chicago International Film Festival , URL accessed 10 July 2016.
  14. Kings of the Road (DVD (region 2)). 2008. OCLC   276647247. German with English subtitles.
  15. Kings of the Road (VHS). 1987. OCLC   276647247. German language with English subtitles.
  16. Peter Sobczynski, "ON THE ROAD AGAIN: WIM WENDERS: THE ROAD TRILOGY COMES TO CRITERION BLU-RAY", RogerEbert.com , 1 June 2016, URL accessed 9 June 2016.