Five Star Final is a 1931 American pre-Code drama film about the excesses of tabloid journalism directed by Mervyn LeRoy and starring Edward G. Robinson, Aline MacMahon and Boris Karloff. The screenplay was by Robert Lord and Byron Morgan based on the 1930 play of the same name by Louis Weitzenkorn. The title refers to the practice of newspapers publishing a series of editions throughout the day, with their final-edition front page having five stars printed and the word "Final." "Five Star Final" is also a font introduced during World War I and then favored by newspapers for its narrow type.
Adolphe Jean Menjou was an American actor. His career spanned both silent films and talkies. He appeared in such films as Charlie Chaplin's A Woman of Paris, where he played the lead role; Stanley Kubrick's Paths of Glory with Kirk Douglas; Ernst Lubitsch's The Marriage Circle; The Sheik with Rudolph Valentino; Morocco with Marlene Dietrich and Gary Cooper; and A Star Is Born with Janet Gaynor and Fredric March, and was nominated for an Academy Award for The Front Page in 1931.
The Letter is a 1940 American crime melodrama directed by William Wyler, and starring Bette Davis, Herbert Marshall and James Stephenson. The screenplay by Howard E. Koch is based on the 1927 play of the same name by W. Somerset Maugham derived from his own short story. The play was first filmed in 1929, by director Jean de Limur. The story was inspired by a real-life scandal involving the wife of the headmaster of a school in Kuala Lumpur who was convicted in a murder trial after shooting dead a male friend in April 1911. She was eventually pardoned.
Morning Glory is a 1933 American Pre-Code drama film which tells the story of an eager would-be actress and her journey to stardom, and what she loses as a result. The picture stars Katharine Hepburn, Douglas Fairbanks Jr., and Adolphe Menjou, was adapted by Howard J. Green from a then-unproduced stage play of the same name by Zoë Akins, and was directed by Lowell Sherman. Hepburn won her first Academy Award for Best Actress for this movie. Morning Glory was remade in 1958 under the title Stage Struck.
No Exit is a 1944 existentialist French play by Jean-Paul Sartre. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. The play begins with three characters who find themselves waiting in a mysterious room. It is a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for eternity. It is the source of Sartre's especially famous phrase "L'enfer, c'est les autres" or "Hell is other people", a reference to Sartre's ideas about the look and the perpetual ontological struggle of being caused to see oneself as an object from the view of another consciousness.
Ossessione is a 1943 Italian film based on the 1934 novel The Postman Always Rings Twice by James M. Cain. Luchino Visconti’s first feature film, it is considered by many to be the first Italian neorealist film, though there is some debate about whether such a categorization is accurate.
State of the Union is a 1948 drama film directed by Frank Capra about a man’s desire to run for the nomination as the Republican candidate for President, and the machinations of those around him. The New York Times described it as "a slick piece of screen satire...sharper in its knife-edged slicing at the hides of pachyderm schemers and connivers than was the original." The film was written by Myles Connolly and Anthony Veiller and was based on the 1945 Russel Crouse, Howard Lindsay Pulitzer Prize-winning play of the same name.
The Milky Way is a 1936 American comedy film starring Harold Lloyd. Directed by comedy veteran Leo McCarey, the film was written by Grover Jones, Frank Butler and Richard Connell based on a play of the same name by Lynn Root and Harry Clork that was presented on Broadway in 1934.
Roxie Hart is a 1942 American comedy film directed by William A. Wellman, and starring Ginger Rogers, Adolphe Menjou and George Montgomery. A film adaptation of a 1926 play Chicago by Maurine Dallas Watkins, a journalist who found inspiration in two real-life Chicago trials she had covered for the press. The play had been adapted once prior, in a 1927 silent film. In 1975, a hit stage musical premiered, and was once more adapted as the Oscar-winning 2002 musical film.
The Marriage Circle is a 1924 American silent comedy film produced and directed by Ernst Lubitsch and distributed by Warner Bros. Based on the play Only a Dream by Lothar Schmidt, the screenplay was written by Paul Bern. The "circle" of the title refers to the ring of infidelities central to the plot.
Hi Diddle Diddle is a 1943 American comedy film made in directed by Andrew L. Stone and starring Adolphe Menjou, Martha Scott, Dennis O'Keefe, June Havoc, Billie Burke, and Pola Negri. The title is a play on the nursery rhyme "Hey Diddle Diddle" and the use of diddle as a word for confidence trick. The film features animated portions from Leon Schlesinger's studio with the fast moving screenplay frequently breaking the fourth wall.
A Farewell to Arms is a 1932 American pre-Code romance drama film directed by Frank Borzage and starring Helen Hayes, Gary Cooper, and Adolphe Menjou. Based on the 1929 semi-autobiographical novel A Farewell to Arms by Ernest Hemingway, with a screenplay by Oliver H. P. Garrett and Benjamin Glazer, the film is about a tragic romantic love affair between an American ambulance driver and an English nurse in Italy during World War I. The film received Academy Awards for Best Cinematography and Best Sound, and was nominated for Best Picture and Best Art Direction.
Forbidden is a 1932 American pre-Code melodrama film directed by Frank Capra and starring Barbara Stanwyck, Adolphe Menjou, and Ralph Bellamy. An original story inspired by the 1931 novel Back Street by Fannie Hurst, with a screenplay by Jo Swerling, the film is about a young librarian who falls in love with a married man while on a sea cruise.
The Housekeeper's Daughter is a 1939 comedy film directed and produced by Hal Roach. The film stars Joan Bennett, Adolphe Menjou and John Hubbard. The screenplay was written by Rian James, Gordon Douglas, Jack Jevne and Claude Martin, based on a novel by Donald Henderson Clarke.
Crime and Punishment is a 1935 American drama film directed by Josef von Sternberg for Columbia Pictures. The screenplay was adapted by Joseph Anthony and S.K. Lauren from Fyodor Dostoevsky's 1866 novel of the same title. The film stars Peter Lorre in the lead role of Raskolnikov.
Heartbeat is a 1946 American romantic drama film directed by Sam Wood and starring Ginger Rogers. It is a direct remake of the French romantic drama Battement de cœur, released in 1940.
Let Us Be Gay is a 1930 American pre-Code romantic comedy-drama film produced and distributed by MGM. It was directed by Robert Z. Leonard and stars Norma Shearer. It was filmed concurrently with and based upon the 1929 play by Rachel Crothers starring Tallulah Bankhead, which ran for 128 performances at London's Lyric Theater. Critics generally preferred Tallulah's rendition to Shearer's.
Cafe Metropole is a 1937 American romantic comedy film directed by Edward H. Griffith, released by 20th Century Fox and starring Loretta Young, Tyrone Power and Adolphe Menjou.
The Circus Queen Murder is a 1933 American pre-Code mystery film directed by Roy William Neill and starring Adolphe Menjou, Donald Cook and Greta Nissen. It is the sequel to the 1932 film The Night Club Lady in which Menjou had also starred as Thatcher Colt. The film is based on a story by "Anthony Abbott", a pseudonym used by Fulton Oursler.
