Anastasia (1956 film)

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Anastasia
Anastasia322.jpg
Theatrical release poster
Directed by Anatole Litvak
Screenplay by Arthur Laurents
Based on Anastasia  [ fr ]
by Marcelle Maurette
Produced by Buddy Adler
Starring Ingrid Bergman
Yul Brynner
Helen Hayes
Cinematography Jack Hildyard
Edited by Bert Bates
Music by Alfred Newman
Production
company
Distributed by20th Century-Fox
Release date
  • December 13, 1956 (1956-12-13)
Running time
105 minutes
CountryUnited States
LanguagesEnglish
French
Budget$3.52 million [1]
Box office$4.3 million (US and Canada rentals) [2]

Anastasia is a 1956 American period drama film starring Ingrid Bergman, Yul Brynner, and Helen Hayes. The film was directed and written by Anatole Litvak and Arthur Laurents, adapting the 1952 play written by Guy Bolton and Marcelle Maurette. It was inspired by the story of Anna Anderson, one of the best known of the many Romanov Impostors who began to emerge after the Imperial family was murdered in July 1918.

Contents

Anastasia received two nominations at the 29th Academy Awards, with Bergman winning the Academy Award for Best Actress. At the 14th Golden Globe Awards, both Bergman and Hayes received nominations for Best Actress in a Motion Picture – Drama, with Bergman winning the category.

Plot

Though the last Tsar of Russia, Nicholas II, and his family were executed in July 1918, rumors spread that Nicholas's youngest daughter, Grand Duchess Anastasia Nikolaevna of Russia, and somehow escaped the Romanovs execution and survived.

During 1928, in Paris, France, an ailing woman named Anna Anderson, who resembles Anastasia, is brought to the attention of a former White Russian, General Bounine, then the proprietor of a successful Russian-themed nightclub. Bounine knows that, while in a mental asylum being treated for amnesia, Anna had told a nun there that she is Anastasia. Terrified after being approached by Bounine and addressed as the Grand Duchess, Anna flees to the River Seine and attempts to throw herself in, though she is stopped.

Bounine then meets with his associates, Boris Andreevich Chernov and Poitr Ivanovich Petrovin; he had already repeatedly raised funds from stockholders, eager to gain a share of £10 million that belonged to Anastasia held by an English bank- based on his claim that he had found her, which Bounine privately admits is a lie. Frustrated by his delays, the stockholders have lost their patience with Bounine and has given him eight days to produce Anastasia.

Bounine arranges for Anna to be intensively trained to pass as Anastasia. During this time, the pair begin to develop feelings for each other. Later, in a series of carefully arranged encounters with former familiars and members of the Imperial court, Anna begins to display a confidence and style that astonish people who doubted her.

L-R: Sacha Pitoeff, Ingrid Bergman, Akim Tamiroff and Yul Brynner Anastasia (1956) trailer 1.jpg
L-R: Sacha Pitoëff, Ingrid Bergman, Akim Tamiroff and Yul Brynner

Anna and Bounine soon arrive in Copenhagen, Denmark, to convince the skeptical Dowager Empress Maria Feodorovna, the Grand Duchess's paternal grandmother, of Anna being Anastasia. Meanwhile, Bounine becomes jealous of how much attention Prince Paul von Haraldberg, another fortune hunter, pays to Anna, who is able to convince the Dowager Empress that she is Anastasia. Later, at a ball in which the engagement of "Anastasia" and Prince Paul is to be announced, the Dowager Empress has a final private conversation with her. Although aware of Bounine's intentions, the Dowager Empress believes that Anna is truly her granddaughter. Realizing that Anna and Bounine were in love, the Dowager Empress allows them run away together. When told that she had left, a courtier explains to the others that the young woman wasn't Anastasia after all. But the Dowager Empress responds, "Wasn't she?"

Cast

Production

The film was adapted by Guy Bolton and Arthur Laurents from the play by Bolton and Marcelle Maurette. Some critics believed the film was bound too much to the static settings and theatrical "scenes" of the play, but additional, essentially decorative, ball scenes were added to open up the action.

The film does not explicitly reveal whether Anna is or isn't Anastasia, but suggests through subtle hints that she is, such as frequently coughing when she was frightened, which the Dowager Empress says that Anastasia did when she was a young girl. The gradual realization that Anna is the Grand Duchess is through Bounine's growing feelings for her.

The film marked Bergman's return to working for a Hollywood studio after several years of working in Italy with her husband, Roberto Rossellini. Their marriage had caused a scandal, as he divorced his then current wife, Marcella DeMarchis to be with her.

The film was also a comeback for Helen Hayes. She had suspended her career for several years due to the death of her daughter Mary, and her husband's failing health.

Locations

The film was shot on location in Copenhagen, London and Paris. Studio interiors were shot at MGM-British Studios at Borehamwood, England.

The Alexander Nevsky Russian Orthodox Cathedral in Paris, which was a center of worship for Russian aristocrats and other émigrés from St. Petersburg in the city, is featured in one of the early scenes. [4]

Title song

The theme song of the film, also titled "Anastasia", has been recorded by a number of artists. The most popular version was by Pat Boone, reaching number 3 (as a double-A-side with "Don't Forbid Me") on the Billboard Best Sellers in Stores chart for several weeks in early 1957.

Reception

Awards and nominations

AwardCategoryNominee(s)Result
Academy Awards Best Actress Ingrid Bergman Won
Best Music Score of a Dramatic or Comedy Picture Alfred Newman Nominated
British Academy Film Awards Best British Screenplay Arthur Laurents Nominated
David di Donatello Awards Best Foreign Actress Ingrid BergmanWon
Golden Globe Awards Best Actress in a Motion Picture – Drama Won
Helen Hayes Nominated
National Board of Review Awards Top Ten Films 8th Place
Best Actor Yul Brynner (also for The King and I and The Ten Commandments )Won
New York Film Critics Circle Awards Best Actor Nominated
Best Actress Ingrid BergmanWon
Photoplay Awards Most Popular Male StarYul BrynnerNominated

See also

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References

  1. Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN   978-0-8108-4244-1. p250
  2. Cohn, Lawrence (October 15, 1990). "All-Time Film Rental Champs". Variety . p. M144.
  3. "Anastasia (1956)".
  4. Anastasia