Donovan King | |
---|---|
Born | 1972 |
Nationality | Canadian |
Occupation | Acting Teaching Directing Dramaturgy |
Known for | Experimental theatre artist |
Donovan King is a professional actor, teacher, historian, and tour guide from Montreal, Quebec. As the founder of Haunted Montreal, a company that researches ghost stories and offers haunted tours, King hires professional actors to lead the tours and publishes a new ghost story every month on the Haunted Montreal Blog. King is also a performance activist and experimental theatre artist who juggles acting, teaching, directing, dramaturgy, and theory to create dramatic projects that challenge systemic oppression. [1] Known for his commitment to education and community, King assisted with the establishment of the Montreal Fringe Festival in 1991, is the author of Doing Theatre in Montreal and he set up the Montreal Infringement Festival in 2004. [2]
King holds a Masters of Fine Arts degree in Theatre Studies from the University of Calgary, a Bachelor of Fine Arts in Drama in Education from Concordia University, a Bachelor of Education from McGill University and a Diplome d’Études Collegiales in Acting from John Abbott College. [1] He is the author of Optative Theatre: A Critical Theory, and he facilitates various activist campaigns and drama classes in Montreal. [3] He has been known to collaborate with other theatre activists internationally such as Augusto Boal, Andrew Boyd of the Billionaires for Bush, Reverend Billy, Stephen Duncombe, Larry Bogad, Kathryn Blume, Kurt Schneiderman, Jason C. McLean, Gary St. Laurent, and many others. [1] [4]
As the co-founder of the Optative Theatrical Laboratories (OTL) King strives to revitalise theatre as an agent for social change through experimental practice, critical theory, and sustained performance. [3] [5] [6] The OTL designs interconnected theatrical campaigns such as Car Stories, [7] [8] that target instances of oppression, and employs a diversity of cutting-edge activist performance techniques: culture-jamming, Viral Theatre, Sousveillance Theatre, meme-warfare, Electronic Disturbance Theater, and Global Invisible Theatre, to name a few. [3]
In 2006, King took issue with racism inherent in what has been called "Canada’s First Play" – the 1606 The Theatre of Neptune (Le Théâtre de Neptune) by Marc Lescarbot. [3] [9] OTL staged a counter-performance called "Sinking Neptune" in Annapolis Royal on the day of the "400th Theatre Anniversary" (November 14, 2006), [10] [11] in order to protest the original. [12] [13]
In 2012, Donovan King was invited to the first World Fringe Congress in Edinburgh, Scotland, a gathering of Fringe administrators from round the world. Participating with a critical eye to corporate manipulation at Fringe Festivals, King published an article following the Congress called " World Fringe Congress to welcome infringement festival" that examines some of the more contentious issues, such unethical corporate sponsorship, pay-to-play fees and the trademarking of the word "Fringe" in Canada. [14]
King was invited back to the 2nd World Fringe Congress in 2014, again in Edinburgh, to deliver a workshop called "A World Fringe Philosophy" where he called on stakeholders to create policies at Fringe festivals to protect artists, spectators and communities from excessive corporate manipulation. [15]
The 3rd World Fringe Congress in 2016 was moved to Montreal and hosted by the Canadian Association of Fringe Festivals (CAFF), [16] an organization that trademarked the word "Fringe" in Canada. King responded by moving the Montreal Infringement Festival from June to November, to coincide with the World Fringe Congress and also created the World Infringement Congress, held immediately after the original event, to examine issues being ignored, such as the "Fringe" trademark.
This time, all potential World Fringe Congress delegates had to apply to participate. The applications of King along with other organizers at the Montreal and Buffalo Infringement Festivals were rejected without explanation, raising questions about exclusion and censorship at Canadian Fringe Festivals. [17] Buffalo burlesque artist Cat McCarthy wrote an article in Buffalo's The Daily Public denouncing the decision and calling for a resolution to the conflict. King responded by inviting CAFF representatives to a Canadian Parliamentary-style debate at the World Infringement Congress regarding their trademark on the word "Fringe". [18]
More recently, King has been challenging systemic racism and discrimination in Montreal's tourism industry, specifically at Tourisme Montréal, the Institut de tourisme et d'hôtellerie du Québec, the A.P.G.T. (Association professionnelle des guides touristiques) and the City of Montreal, which has by-Law G-2 that prohibits tour guides outside a cartel of mostly white guides. [19]
King has also been busy as a Director of the Montreal Irish Monument Park Foundation trying to preserve local Irish-Montreal heritage from erasure and desecration. [20] [21]
Canada's contemporary theatre reflects a rich diversity of regional and cultural identities. Since the late 1960s, there has been a concerted effort to develop the voice of the 'Canadian playwright', which is reflected in the nationally focused programming of many of the country's theatres. Within this 'Canadian voice' are a plurality of perspectives - that of the First Nations, new immigrants, French Canadians, sexual minorities, etc. - and a multitude of theatre companies have been created to specifically service and support these voices.
The Black Rider: The Casting of the Magic Bullets is a self-billed "musical fable" in the avant-garde tradition created through the collaboration of theatre director Robert Wilson, musician Tom Waits, and writer William S. Burroughs. Wilson, in the original production, was largely responsible for the design and direction. Burroughs wrote the book, while Waits wrote the music and most of the lyrics. The project began in about 1988 when Wilson approached Waits. The story is based on a German folktale called "Der Freischütz", which had previously been made into an opera by Carl Maria von Weber. It premiered at Hamburg's Thalia Theatre on 31 March 1990, and was performed at Paris's Théâtre du Châtelet on 9 October 1990. November Theatre produced its world English-language premiere in 1998 at the Edmonton International Fringe Festival in Canada. Det Norske Teatret in Oslo staged a Norwegian (Nynorsk) version in 1998, with Lasse Kolsrud as Pegleg. Only the dialogue was translated by the dramaturg and key collaborator of the entire creative process, Wolfgang Wiens; the songs were performed in English.
Marc Lescarbot was a French author, poet and lawyer. He is best known for his Histoire de la Nouvelle-France (1609), based on his expedition to Acadia (1606–1607) and research into French exploration in North America. Considered one of the first great books in the history of Canada, it was printed in three editions, and was translated into German. Lescarbot also wrote numerous poems. His dramatic poem Théâtre de Neptune was performed at Port Royal as what the French claim was the first European theatrical production in North America outside of New Spain. Bernardino de Sahagún, and other 16th-century Spanish friars in Mexico, created several theatrical productions, such as Autos Sacramentales.
Darren O'Donnell is a Canadian novelist, essayist, performance artist, playwright, director, actor and urban planner.
The infringement Festival is an international, interdisciplinary critical arts festival that features theatre, music, film, culture jamming, street performance and visual arts, with an emphasis on activist art and work that challenges the commodification of culture.
Rebecca Northan is a Canadian actor, improviser, theatre director, and creative artist. She is known for playing the hippie mother Diane Macleod on the CTV & The Comedy Network sitcom Alice, I Think. She was born and raised in Calgary, Alberta. She is a graduate of the University of Calgary, and an alumna of the Loose Moose Theatre Company where she did her improv training with Keith Johnstone.
The Calgary Fringe Festival is an annual Fringe theatre festival in Calgary, Alberta.
A comedy festival is a celebration of comedy with many shows, venues, comedy performers and is held over a specific block of time. Normally, each festival has a diverse range of comedy themes and genres.
Montreal was referred to as "Canada's Cultural Capital" by Monocle Magazine. The city is Canada's centre for French-language television productions, radio, theatre, film, multimedia, and print publishing. The Quartier Latin is a neighbourhood crowded with cafés animated by this literary and musical activity. Montreal's many cultural communities have given it a distinct local culture.
November Theatre is a Canadian theatre company that started in Edmonton, Alberta but is now based in Vancouver, British Columbia. The company's Artistic Producer is Michael Scholar, Jr.
Alberta Rosemarie Katherina Mayne is a Canadian actress, theatre producer and social activist from Calgary, Alberta. In 2000, she ran a theatre company out of Vancouver. In 2006, she started to focus on film and television, landing roles in television movies such as The Ties that Bind. In 2007, she was part of two films that premiered in the Toronto International Film Festival; she was featured in Battle in Seattle and a supporting lead in The Soft Revolution. She then went to land guest star roles in The L Word, Fringe, Psych, as well as supporting roles in television movies and feature films. Most recently she had a leading role in The Bouquet starring Danny Glover and Kristy Swanson, with theatrical released in 2013.
Jason C. McLean is a Montreal-based writer, journalist, actor, theatre activist and a co-founder of the Forget the Box Media Collective where he currently serves as the Editor-in-Chief of the group's principal site ForgetTheBox.net.
RiP!: A Remix Manifesto is a 2008 open-source documentary film about "the changing concept of copyright" directed by Brett Gaylor.
Sean Michaels is a Canadian novelist, music critic, and blogger. Based in Montreal, Quebec, he has written about music for publications such as The Guardian, McSweeney's, The Believer, Pitchfork, Maisonneuve, The Observer, The Wire and The National Post. His weekly music column, Heartbeats, debuted in The Globe & Mail in 2015.
Adam Kelly Morton (1973-), also known as Adam Kelly, is a Canadian actor, writer, producer and teacher.
Robert K. Cousins is a contemporary American playwright and founding contributor to phenomenalism, a neo-existential 'post post modern' approach to theatre that has grown out of the experimental performance work staged by Odd Act Theatre Group.
She Has a Name is a play about human trafficking written by Andrew Kooman in 2009 as a single act and expanded to full length in 2010. It is about the trafficking of children into sexual slavery and was inspired by the deaths of 54 people in the Ranong human-trafficking incident. Kooman had previously published literature, but this was his first full-length play. The stage premiere of She Has a Name was directed by Stephen Waldschmidt in Calgary, Alberta in February 2011. From May to October 2012, She Has a Name toured across Canada. In conjunction with the tour, A Better World raised money to help women and children who had been trafficked in Thailand as part of the country's prostitution industry. The first performances of She Has a Name in the United States took place in Folsom, California in 2014 under the direction of Emma Eldridge, who was a 23-year-old college student at the time.
Théâtre de Neptune was performed at Port Royal as the first theatrical production in North America. Marc Lescarbot wrote the play and is best known for his Histoire de la Nouvelle-France (1609), based on his expedition to Acadia (1606–1607) and research into French exploration.
The Canadian Association of Fringe Festivals (CAFF) is an international body that promotes and safeguards the ideals and principles of fringe theatre in North America.