Ogier the Dane is a legendary paladin of Charlemagne who appears in many Old French chansons de geste. In particular, he features as the protagonist in La Chevalerie Ogier, which belongs to the Geste de Doon de Mayence. The first part of this epic, the enfance[s] of Ogier, is marked by his duel against a Saracen from whom he obtains the sword Cortain, followed by victory over another Saracen opponent from whom he wins the horse Broiefort. In subsequent parts, Ogier turns into a rebel with cause, seeking refuge with the King of Lombardy and warring with Charlemagne for many years, until he is eventually reconciled when a dire need for him emerges after another Saracen incursion.
Renaudde Montauban was a legendary hero and knight which appeared in a 12th-century Old French chanson de geste known as The Four Sons of Aymon. The four sons of Duke Aymon are Renaud, Richard, Alard and Guiscard, and their cousin is the magician Maugris. Renaud possesses the magical horse Bayard and the sword Froberge.
Mark of Cornwall was a sixth-century King of Kernow (Cornwall), possibly identical with King Conomor. He is best known for his appearance in Arthurian legend as the uncle of Tristan and the husband of Iseult who engages with Tristan in a secret liaison, giving Mark the epithet "Cuckold King".
Sir Launfal is a 1045-line Middle English romance or Breton lay written by Thomas Chestre dating from the late 14th century. It is based primarily on the 538-line Middle English poem Sir Landevale, which in turn was based on Marie de France's lai Lanval, written in a form of French understood in the courts of both England and France in the 12th century. Sir Launfal retains the basic story told by Marie and retold in Sir Landevale, augmented with material from an Old French lai Graelent and a lost romance that possibly featured a giant named Sir Valentyne. This is in line with Thomas Chestre's eclectic way of creating his poetry.
Maugris or Maugis was one of the heroes of the chansons de geste and romances of chivalry and the Matter of France that tell of the legendary court of King Charlemagne. Maugis was cousin to Renaud de Montauban and his brothers, son of Beuves of Aygremont and brother to Vivien de Monbranc. He was brought up by Oriande the fairy, and became a great enchanter. He won the magical horse Bayard and the sword Froberge which he later gave to Renaud.
Libeaus Desconus is a 14th-century Middle English version of the popular "Fair Unknown" story, running to about around 2,200 lines, attributed to Thomas Chestre. It is a version or an adaptation of Renaut de Beaujeu's Le Bel Inconnu though comparatively much shorter.
Lanval is one of the Lais of Marie de France. Written in Anglo-Norman, it tells the story of Lanval, a knight at King Arthur's court, who is overlooked by the king, wooed by a fairy lady, given all manner of gifts by her, and subsequently refuses the advances of Queen Guinevere. The plot is complicated by Lanval's promise not to reveal the identity of his mistress, which he breaks when Guinevere accuses him of having "no desire for women". Before Arthur, Guinevere accuses Lanval of shaming her, and Arthur, in an extended judicial scene, demands that he reveal his mistress. Despite the broken promise, the fairy lover eventually appears to justify Lanval, and to take him with her to Avalon. The tale was popular, and was adapted into English as Sir Landevale, Sir Launfal, and Sir Lambewell.
"Guigemar" is a Breton lai, a type of narrative poem, written by Marie de France during the 12th century. The poem belongs to the collection known as The Lais of Marie de France. Like the other lais in the collection, Guigemar is written in the Anglo-Norman language, a dialect of Old French, in rhyming octosyllabic couplets.
"Les Deux Amants" is a Breton lai, a type of narrative poem, written by Marie de France sometime in the 12th century. The poem belongs to what is collectively known as The Lais of Marie de France. Like the other lais in the collection, "Les Deux Amants" is written in Old French, in rhyming octosyllabic couplets. This lai tells the tragic story of two lovers.
"Milun" is a Breton lai by the medieval poet Marie de France,. Milun is the ninth lai in the collection known as the Lais of Marie de France. Like the other lais (lays) in this collection, Milun is written in the Anglo-Norman dialect of Old French, in couplets of eight syllables in length.
Trot is an anonymous Breton lai. It tells the story of a knight who happens upon maidens riding through the forest, and from them, he learns the importance of love.
Tyolet is an anonymous Breton lai that takes place in the realm of King Arthur. It tells the tale of a naïve young knight who wins the hand of a maiden after a magical adventure.
Melion is an anonymous Breton lai that tells the story of a knight who transforms into a werewolf for the love of his wife who betrays him.
The Karlamagnús saga, Karlamagnussaga or Karlamagnus-saga was a late-thirteenth-century Norse prose compilation and adaptation, made for Haakon V of Norway, of the Old French chansons de geste of the Matter of France dealing with Charlemagne and his paladins. In some cases, the Karlamagnús saga remains the only source for otherwise-lost Old French epics.
Strengleikar is a collection of twenty-one Old Norse prose tales based on the Old French Lais of Marie de France. It is one of the literary works commissioned by King Haakon IV of Norway for the Norwegian court, and is counted among the Old Norse Chivalric sagas. The collection is anonymous. It has been attributed to Brother Robert, a cleric who adapted several French works into Norse under Haakon, the best known of which is Tristrams saga ok Ísöndar, but there is also reason to think that the collection may be a gathering of the work of several different translators. Unlike many medieval translations, the Strengleikar are generally extremely close in sense to the Old French originals; the text which differs most is Milun, which is abridged to half its original length.
The Four Sons of Aymon, sometimes also referred to as Renaud de Montauban is a medieval tale spun around the four sons of Duke Aymon: the knight Renaud de Montauban, his brothers Guichard, Allard and Richardet, their magical horse Bayard, their adventures and revolt against the emperor Charlemagne. The story had a European success and echoes of the story are still found today in certain folklore traditions.
Sir Eglamour of Artois is a Middle English verse romance that was written sometime around 1350. It is a narrative poem of about 1300 lines, a tail-rhyme romance that was quite popular in its day, judging from the number of copies that have survived – four manuscripts from the 15th century or earlier and a manuscript and five printed editions from the 16th century. The poem tells a story that is constructed from a large number of elements found in other medieval romances. Modern scholarly opinion has been critical of it because of this, describing it as unimaginative and of poor quality. Medieval romance as a genre, however, concerns the reworking of "the archetypal images of romance" and if this poem is viewed from a 15th-century perspective as well as from a modern standpoint – and it was obviously once very popular, even being adapted into a play in 1444 – one might find a "romance [that] is carefully structured, the action highly unified, the narration lively."
The Thief of Baghdad is a 1961 film directed by Arthur Lubin and starring Steve Reeves.
Graelent is an Old French Breton lai, named after its protagonist. It is one of the so-called anonymous lais.
The Horse Lurja is a Georgian folktale published by Georgian folklorist Mikhail Chikovani. It tells the story about the friendship between a princess and a magic horse, which sacrifices itself for her after it rescues her from great peril. Although the tale appears in Georgia, some scholars recognize similar narratives in Central Asia and across Europe.