Reception
Dopestylevsky received largely positive reviews. Jessica Monk of Tiny Mix Tapes called it "a solid album of consciousness-raising Jewish hip-hop, [although] not an exercise in genre-bending...we can believe the hype, and take it that this well-heeled genre has finally arrived chez K." [3] John Book of Skyscraper magazine said, "Eprhyme is a nice breath of clarity that isn’t the exception to any specific rule, just hip-hop music at its best." [4] Jay Michaelson of The Forward described it as "a more polished and more professional record" than his debut album, containing "less novelty, less preaching, but perhaps more potential to reach a wider audience with a Jewish flavor of hip-hop and rap." [5]
In a negative review, Mike Schiller of PopMatters wrote, "Eprhyme demonstrates an impressive grasp of rhythm and rhyme, but his words are mere sounds that give us something to hold onto; they’re not meaningful, they’re not really about anything, they’re just there...Dopestylevsky is a perfectly pleasant hip-hop album that won’t get on anyone’s nerves [but not] the transcendental experience its author promises, nor does it even begin to live up to the literary figure referenced by its title." [2]
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