The Doria Madonna is an oil on panel painting by Parmigianino, from c. 1525. It is held in the Galleria Doria-Pamphili, in Rome. Its shape and dimensions show it to form a diptych with the Nativity with Angels , kept in the same gallery. [1] A smaller autograph version also exists in the Uffizi, in Florence. [2]
Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, as Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy designed by Giovanni Antonio Medrano. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957.
Cupid Making His Bow is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.
Portrait of Galeazzo Sanvitale (1524) is a painting of the condottiero Gian Galeazzo Sanvitale by the Italian late Renaissance artist Parmigianino. It is housed in the National Museum of Capodimonte, Naples, Italy.
Turkish Slave, also called Portrait of a Young Woman, is a painting by the Italian Mannerist artist Parmigianino. The painting was executed around 1533. It is housed in the Galleria nazionale di Parma.
Portrait of Camilla Gonzaga and Her Three Sons is a painting attributed to the Italian Mannerist artist Parmigianino and his workshop, executed c. 1539-1540. It is housed in the Museo del Prado, in Madrid. It forms a pair with another painting in the Prado, the Portrait of Pier Maria Rossi di San Secondo, Camilla's husband, a painting which is unanimously assigned to Parmigianino.
The Conversion of Saint Paul is an oil painting on canvas of 1527 by Parmigianino, now in the Kunsthistorisches Museum, in Vienna.
The Mystic Marriage of St Catherine is a c.1529 oil on panel painting of the mystical marriage of Saint Catherine by Parmigianino, now in the National Gallery, London, who acquired it in 1974. It was engraved by Giulio Bonasone.
Mystic Marriage of Saint Catherine is an unfinished c.1529 oil on panel painting of the mystical marriage of Saint Catherine by Parmigianino.
Holy Family with the Infant Saint John the Baptist is a painting by Parmigianino, executed c. 1528. It was in the Palazzo Farnese in Rome until 1662, when it moved to Parma. There it hung in the Palazzo del Giardino and later in the Galleria Ducale - the 'Descrizione' of the latter in 1725 called it one of the finest works on display there. It and the rest of the Farnese collection were later moved to Naples and the work was exhibited for a few years in the Palazzo Reale before moving to its present home in the National Museum of Capodimonte. Two early copies remain in the Galleria Nazionale and Palazzo Comunale in Parma.
Mystic Marriage of Saint Catherine or Mystic Betrothal of Saint Catherine is a c.1524 oil on canvas painting by the Italian Renaissance painter Parmigianino. The work is now in the Galleria nazionale di Parma. Art historians argue that the work may be attributed to the period in which Parmigianino was painting his first works in the church of San Giovanni Evangelista, as also emerges from a recent restoration, which has shown that its technique is near-identical to that of Parmigianino - "no underdrawing, pigment use, descriptive speed, drafting of final shadows, using fingers and brush-ends as tools".
Saint Barbara is an oil on panel painting by the Italian Mannerist painter Parmigianino, created c. 1523, now in the Museo del Prado, in Madrid. Copies of it are in the Mauritshuis, Pomona College and Chatsworth House.
Portrait of a Man in a Red Beret or Self-Portrait in a Red Beret is an oil on paper painting attributed to Parmigianino or Michelangelo Anselmi, executed c. 1540. It is held in the collection of the National Gallery of Parma.
Adoration of the Magi is an oil on panel painting by Parmigianino, executed c. 1529, now in San Domenico church in Taggia.
Boy with a Finger in His Mouth is a c.1530 oil on panel painting by Parmigianino, now in a private collection. In his right hand he holds a tablet with his ABC. Arturo Quintavalle argued it was a copy after Parmigianino, but most other art historians argue it to be an autograph work.
Nativity with Angels is a c.1525 oil on panel painting by Parmigianino, now in the Galleria Doria-Pamphili, in Rome. Its shape and dimensions show it to form a diptych with the Doria Madonna in the same gallery.
Female Martyr with Two Angels is an oil on panel painting by Parmigianino, from c. 1523-1524. It is held in the Städel Museum, in Frankfurt, to which it was donated in 1913 by Baroness Emilie Margarethe Beaulieu-Marconnay, member of a family of bankers and art patrons in the city.
Man Holding a Book or Man with a Book is an oil on panel painting by Parmigianino, executed c. 1529, now in the Kunsthistorisches Museum in Vienna.
Madonna of the Rose is a 1530 oil on panel painting by Parmigianino, now in the Gemäldegalerie in Dresden.
The Santa Margherita Madonna is an oil on panel painting by Parmigianino, from 1529-1530. It is held in the Pinacoteca Nazionale di Bologna.
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