| Portrait of Lorenzo Cybo | |
|---|---|
 | |
| Artist | Parmigianino |
| Year | 1524 |
| Medium | Oil on panel |
| Dimensions | 126 cm× 104 cm(50 in× 41 in) |
| Location | Statens Museum for Kunst |
Portrait of Lorenzo Cybo (1524) is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Statens Museum for Kunst, Copenhagen, Denmark.
The painting is mentioned by late Renaissance art biographer Giorgio Vasari as among those that Parmigianino executed during his sojourn in Rome. Lorenzo Cybo was a captain of the papal guards and a brother of cardinal Innocenzo Cybo, and at the time was 23/24, as specified in an inscription in the lower part of the painting: "Laurentius Cybo Marchio Massa atque Comes Ferentilli anno M.D.XXIII". The date 1523 is generally considered to be a mistake of the unknown man who added the inscription, since at the time Parmigianino was still in Emilia.
The portrait is known since 1749, when it was part of the collections of cardinal Silvio Valenti Gonzaga, and is in fact included in a painting depicting his pictures by Giovanni Paolo Pannini. The whole collection was sold at Amsterdam in 1763 and in that occasion it was transferred to Denmark.
There are several known copies, including one at the Columbia University in New York City, which once belonged to countess Frenfanelli Cybo.
The Galleria Borghese is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V. The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a country villa at the edge of Rome.
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Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, as Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.
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Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy designed by Giovanni Antonio Medrano. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957.
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Armand Jean de Vignerot du Plessis, 2nd Duke of Richelieu, was a French naval officer and nobleman. His surname has also been spelled Vignerod Duplessis.
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Portrait of Galeazzo Sanvitale (1524) is a painting of the condottiero Gian Galeazzo Sanvitale by the Italian late Renaissance artist Parmigianino. It is housed in the National Museum of Capodimonte, Naples, Italy.
Self-portrait in a Convex Mirror is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.
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The Cybo-Soderini Chapel or the Chapel of the Crucifixion is a side chapel of the Basilica of Santa Maria del Popolo, Rome. Its most important works of art are the frescos of a Flemish artist, Pieter van Lint from c. 1636-37.
Monuments in the Basilica of Santa Maria del Popolo are tombs and funerary monuments ranging from the 15th to the 19th centuries. Since its rebuilding in the 1470s by Pope Sixtus IV the Basilica of Santa Maria del Popolo was one of the favourite burial places for members of the papal aristocracy, clergy and literati. Foreign artists were also buried in the church due to its location near their favourite quarter in Rione Campo Marzio. The high number of tombs and monuments makes the basilica a whole museum of sculpture as Jacob Burckhardt phrased it in his famous guide of Italian art in 1855. Besides the tombs in the side chapels and the choir there are many other funeral monuments in the aisles and the transept. During the centuries several monuments were demolished and others were relocated to give place to newer ones.
Portrait of a Young Man is an oil on panel painting by Parmigianino, executed c. 1530, now in the Uffizi in Florence, whose collection it entered on 27 October 1682. Three copies survive in the Museo di Capodimonte, Rome's Accademia di San Luca and the Galleria nazionale di Parma.
The Altoviti are a prominent noble family of Florence, Italy. Since the medieval period they were one of the most distinguished banking and political families appointed to the highest offices of the Republic of Florence, friends and patrons of Galileo Galilei, Vasari, Raphael, and Michelangelo. They had a close personal relationship with the papacy. Through a predominant endogamous marriage policy they established alliances with dynasties of principal and papal nobility as the Medici, Cybo, Rospigliosi, Sacchetti, Corsini, and Aldobrandini.
