| Double Seven | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1974 | |||
| Recorded | Chalk Farm studio, London, England among other places | |||
| Genre | Reggae | |||
| Length | 39 min. | |||
| Label | Trojan | |||
| Producer | Lee Perry | |||
| The Upsetters chronology | ||||
| ||||
Double Seven is a studio album by The Upsetters.
| Double Seven | ||||
|---|---|---|---|---|
| | ||||
| Studio album by | ||||
| Released | 1974 | |||
| Recorded | Chalk Farm studio, London, England among other places | |||
| Genre | Reggae | |||
| Length | 39 min. | |||
| Label | Trojan | |||
| Producer | Lee Perry | |||
| The Upsetters chronology | ||||
| ||||
Double Seven is a studio album by The Upsetters.
All tracks composed by Lee Perry; except where indicated
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.
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Albert Valentine "Tony" Chin is a Jamaican guitarist, who has collaborated with many reggae artists including Bob Marley, Dennis Brown, Gregory Isaacs, Freddie McGregor, Bunny Wailer, Big Youth, U-Roy, Max Romeo, Don Carlos, Mikey Dread, Burning Spear, Johnny Clarke and many others.
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