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Dougie Padilla | |
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| Born | July 28, 1948 |
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| Years active | 1960s–present |
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Dougie Padilla (born July 28, 1948) [1] is a Chicano poet, multimedia visual artist, and activist of Norwegian and Mexican descent. [2] [3] He works in Minneapolis, Minnesota, and Pepin, Wisconsin. [4] [5] Padilla has been active since the late 1960s and is associated with Chicano cultural activism and community-based art initiatives in the Upper Midwest.
He is a co-founder of Art-a-Whirl, an annual open-studio event in Northeast Minneapolis, and a founding member of the traveling art collective Grupo Soap del Corazón. [6] [7] His work spans poetry, visual art, and collaborative projects, and often engages with themes of identity, ritual, and community history.
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Padilla was tutored by his mother and played piano and French horn as a youth. [8]
He attended Lake Forest College for two years, where he became involved in activism through marches, picketing, and protests. During this time, he connected with Chicano poet and activist Corky Gonzales and other Chicano leaders. In the late 1960s, he trained with Reies Tijerina’s Alianza in New Mexico, furthering his involvement in the Chicano Movement. [9]
In 1968, Padilla moved to California, where he became involved in the social and cultural movements emerging in San Francisco and Berkeley. He studied spirituality under Ram Dass, [10] Swami Muktananda, and Suzuki Roshi. Following his first heart failure at the age of 20, Padilla’s interest in spirituality deepened. [8]
Padilla is self-taught in the visual arts. [11] He initially worked in music and poetry before expanding into mask-making and drawing, and later into painting, ceramics, and printmaking. [12]
His work draws inspiration from Día de los Muertos traditions and from ritual practices he studied with Native American and African spiritual practitioners. [13] Padilla has also cited the Mexican tradition of ofrendas as an influence. [14] [2] His visual art frequently features calaveras (skull imagery), referencing long-standing Mexican cultural representations of death. [15]
In 2000, Padilla and Xavier Tavera co-created the community art group Grupo Soap del Corazón, which aimed to further the "Latinization of Minnesota and the upper Midwest of the USA". The group includes artists from various ethnic backgrounds and origins: Latinx, Native American, African, and Euro-American. [16] [17] [18] The collective is mobile and focuses on artwork that is easily transported and translated into different community contexts. As of 2024, they represent almost 90 local, national, and international artists. [19]
In 2006, the group showcased two exhibitions in Valparaíso, Chile, including "El Otro Americano (The Other American)" at El Instituto Chileno Norteamericano de Cultura. [19] The exhibition aimed to foster connections across identities and cultures, and support relationships among North and South Americans. Locally, the group has worked on the "Pepin Portrait Project" [20] photographing residents of rural Pepin, Wisconsin. [9] In 2021, Grupo Soap del Corazón published a zine, Fabulista 2, featuring political cartoons and poetry by Padilla along with the work of other artists in the collective. This zine features themes related to the struggles of Chicanxs and Latinxs and addresses the political uprising of the summer of 2020. [21]
In 2024, Tavera and Padilla, alongside the Grupo Soap del Corazón, curated an exhibit with fifteen Latinx visual artists at the Minnesota Museum of American Art. The exhibit, "Hilo de la Sangre" (Thread of the Blood), featured topics such as blood as the "foundation of life," complex lineage, and the cultural symbols of sacrifice and atonement. [16]
Padilla returned to poetry in 2019, publishing River Town [22] and Pepin Diaries [23] with Luna Brava Press.
As of 2021 [update] , Padilla lives in the Northeast Minneapolis Arts District, which he co-created, and commutes to his studio, Dougieland Pepin, in Pepin. [24]