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Dougie Padilla | |
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| Born | July 28, 1948 |
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| Years active | 1960s–present |
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Dougie Padilla (born July 28, 1948) [1] is a Chicano poet, multimedia visual artist, and activist of Norwegian and Mexican descent. [2] [3] He works in Minneapolis, Minnesota, and Pepin, Wisconsin. [4] Padilla has been active since the late 1960s and is associated with Chicano cultural activism and community-based art initiatives in the Upper Midwest.[ citation needed ]
Padilla is a co-founder of Art-a-Whirl, an annual open-studio event in Northeast Minneapolis, and is a founding member of the traveling art collective "Grupo Soap del Corazón." [5] [6] His work includes poetry, visual art, and collaborative projects, and he engages with themes of identity, ritual, and community history.
Padilla was tutored by his mother and played piano and French horn as a youth. [7]
Padilla attended Lake Forest College for two years, where he became involved in activism through marches, picketing, and protests. During this time, he connected with Chicano poet and activist Corky Gonzales and other Chicano leaders. In the late 1960s, he worked with Reies Tijerina’s Alianza in New Mexico, furthering his involvement in the Chicano Movement. [8]
In 1968, Padilla moved to California, where he became involved in the social and cultural movements emerging in San Francisco and Berkeley. Following his first heart failure at the age of 20, Padilla’s interest in spirituality deepened [7] and he studied under spiritual teachers Ram Dass, [9] Swami Muktananda, and Suzuki Roshi.
Padilla is self-taught in the visual arts. [10] He initially worked in music and poetry before expanding into mask-making and drawing, and later branched into painting, ceramics, and printmaking. [11]
His work draws inspiration from traditions surrounding Día de los Muertos and ritual practices he studied with Native American and African spiritual practitioners. [12] Padilla has also cited the Mexican tradition of ofrendas as an influence. [13] [2] His visual art frequently features calaveras, referencing long-standing Mexican cultural representations of death. [14]
In 2000, Padilla and Xavier Tavera co-created the community art group Grupo Soap del Corazón, which aimed to further the "Latinization of Minnesota and the upper Midwest of the USA." The group includes artists from various ethnic backgrounds and origins: Latino, Native American, African, and Euro-American. [15] [16] [17] The collective is mobile and focuses on artwork that is easily transported and translated into different community contexts. As of 2024, they represent almost 90 local, national, and international artists. [18]
In 2006, the group showcased two exhibitions in Valparaíso, Chile, including "El Otro Americano (The Other American)" at El Instituto Chileno Norteamericano de Cultura. [18] The group also worked on the "Pepin Portrait Project," [19] photographing residents of rural Pepin, Wisconsin. [8] In 2021, Grupo Soap del Corazón published a zine, Fabulista 2, featuring political cartoons and poetry by Padilla along with the work of other artists in the collective. This zine features themes related to the struggles of Chicano and Latinx and addresses the political uprising of the summer of 2020 following the murder of George Floyd. [20]
In 2024, Tavera and Padilla, alongside the Grupo Soap del Corazón, curated an exhibit with fifteen Latinx visual artists at the Minnesota Museum of American Art. The exhibit, "Hilo de la Sangre" (Thread of the Blood), featured topics such as blood as the "foundation of life," complex lineage, and the cultural symbols of sacrifice and atonement. [15]
In 2019, Padilla published poetry chapbooks River Town [21] and Pepin Diary [22] with Luna Brava Press.
As of 2021, Padilla lives in the Northeast Minneapolis Arts District and commutes to his studio, Dougieland Pepin, in Pepin, Wisconsin. [23]