| Down in L.A. | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | October 1968 | |||
| Recorded | A&M | |||
| Genre | Folk-rock | |||
| Length | 29:30 | |||
| Label | A&M | |||
| Producer | Allen Stanton & Jerry Riopelle | |||
| Brewer & Shipley chronology | ||||
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Down in L.A. is the debut album released in 1968 by Brewer & Shipley. [1] The album was reissued in 2012 on the label Now Sounds.
Mike Brewer said that Allen Stanton started out as the original producer for the pair's album, but that "he just didn't get the concept we were going for", and we "realized that it just wasn't working". Brewer elaborated that a "lot of our songs were in modal tuning and he just didn’t get the concept of modes, and the orchestrations he had would sound like scary music". Brewer said they had to discard the majority of what had been produced by Stanton. [2] Stanton then turned them over to Jerry Riopelle, who took them to finish the album at Leon Russell's Skyhill Studios, where Russell ended up playing all of the keyboards for the album. [lower-alpha 1] [2]
Brewer said the first song on the album Truly Right, was inspired by Tom Mastin. [lower-alpha 2] He went on to say that Mastin "was just a tormented soul", and "you have to listen to the lyrics and draw your own conclusions". [2] Truly Right was also The Nitty Gritty Dirt Band's second single. [2] When asked about the inspiration behind the track, Keeper of the Keys, Brewer replied that, " The Lord of The Rings trilogy was really big at the time", and there was also a "little political commentary", because of the Civil Rights movement and the Vietnam War. Shipley, who wrote most of the lyrics for the song agreed, stating; "I didn't realize this until later but it was really inspired by what I had just gone through reading the Tolkien trilogy". [2] Shipley, who wrote the song Time and Changes, said "it was about young lust", and he was "inspired by the song Wild Thing by the Troggs". [2]
American music editor John Haskins wrote in his review for the The Kansas City Star that a "constant drum and twangy guitar background blends easily with the constantly twangy voices of Brewer and Shipley in this album that seems a total loss of time and effort". He described the harmony as being patterned after "early Beatle harmony-but not in the least original". He also noted that nearly all of the tracks "are set up on the same melody basis; the same harmony; the same tempo and one could go on with the sameness of the album", but admits that "there are those who appreciate redundancy". [4]
Barney Glazer wrote in the Anaheim Bulletin , that the duo "draws from the seeds of grass roots folk and applied their progressive spirits to provide music strong in honestly and style and direct in its communication". He praised the pair for being "able lyricists and that their lyrics in these tracks provide the kind of communication that is personal in origin, universal in comment". [5]
Wayne Harada said in The Honolulu Advertiser , that the album "introduces a duo who not only sing, but compose what is sophisticated folk-rock with a twist of pop". He highlighted the tracks Truly Right and An Incredible State of Affairs as being "best bets". [6] Richie Unterberger from AllMusic gave it a rating of 
, and said their "first album was gentle late-'60s folk-rock with touches of pop and country", and that "it's pleasant but on the bland side, bearing some superficial resemblances to early Simon & Garfunkel in the duo's vocal harmonies". [7]
Upon its reissue in 2012, Luke Torn wrote in Uncut Magazine , that the album " was instantly forgotten upon release, but ... the duo's dazzling vocal arrangements - intricate, soulful, brotherly - coincide with a pristine studio effort to startling effect". He praised the pairs "hypnotic songwriting that burns through". He also noted the reissue included bonus material: extensive notes, with photos and commentary from both Brewer & Shipley. He rated the album 9/10. [8]
All tracks composed by Mike Brewer and Tom Shipley, except where indicated
The Electric Prunes are an American psychedelic rock band, formed in Los Angeles, California, in 1965. Much of the band's music was, as music historian Richie Unterberger described it, possessed of "an eerie and sometimes anguished ambiance." Their most successful material was by songwriters Annette Tucker and Nancie Mantz, though the group also penned their own songs. Incorporating psychedelia and elements of embryonic electronic rock, the band's sound was marked by innovative recording techniques with fuzz-toned guitars and oscillating sound effects. In addition, guitarist Ken Williams' and singer James Lowe's concept of "free-form garage music" provided the band with a richer sonic palette and exploratory lyrical structure than many of their contemporaries.
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ST11261 (1974) was the sixth album released by Brewer & Shipley.
Brewer & Shipley are an American folk rock duo who enjoyed their peak success in the late 1960s through the 1970s. The duo consisted of singer-songwriters, Mike Brewer and Tom Shipley. They were known for their intricate guitar work, vocal harmonies, and socially conscious lyrics which reflected the concerns of their generation – especially the Vietnam War, and the struggles for personal and political freedom. Their greatest commercial success was the song "One Toke Over the Line" from their 1970 album Tarkio. They had two other singles on the Billboard charts: "Tarkio Road" (1970) and "Shake Off The Demon" (1971). They continue to perform, both separately and together, usually in the Midwest United States.
Michael Brewer is an American musician. He and Tom Shipley were the popular music duo Brewer & Shipley.
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H. P. Lovecraft II is the second album by the American psychedelic rock band H. P. Lovecraft and was released in September 1968 on Philips Records. As with their debut LP, the album saw the band blending psychedelic and folk rock influences, albeit with a greater emphasis on psychedelia than on their first album. H. P. Lovecraft II failed to sell in sufficient quantities to reach the Billboard Top LPs chart or the UK Albums Chart, despite the band being a popular act on the U.S. psychedelic concert circuit. Legend has it that the album was the first major label release to have been recorded by musicians who were all under the influence of LSD.
The Children of Lir is the debut album by Irish folk rock/progressive folk group Loudest Whisper. It is the studio adaption of the musical of the same name that was performed in Fermoy, Ireland in 1973. The album was released on LP record in Ireland by Polydor Records in 1974 in a limited edition of 500 copies.
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