Jim Messina | |
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Background information | |
Birth name | James Messina |
Born | Maywood, California, U.S. | December 5, 1947
Genres | Country rock, folk rock, Latin rock, soft rock, jazz |
Occupation(s) | Musician, record producer |
Instrument(s) | Guitar, mandolin, dobro, vocals, Bass |
Years active | 1964–present |
Formerly of | Jim Messina and His Jesters Buffalo Springfield Poco Loggins and Messina |
Spouse(s) | Jenny Sullivan (1970-1980; divorced) Michaela Laza |
Website | Official website |
James Messina (born December 5, 1947) is an American musician, songwriter, singer, guitarist, recording engineer, and record producer. He was a member of the folk rock group Buffalo Springfield, a founding member of the pioneering country rock band Poco, and half of the soft rock duo Loggins and Messina with Kenny Loggins. [1]
James Messina was born in Maywood, California, in 1947, and raised in Harlingen, Texas until he was eight. He spent much of his childhood split between his father's home in California and his mother's home in Texas. [2]
His father was a guitarist and greatly influenced his son's musical career. Messina began playing the guitar at the age of five. [2] He later became interested in the music of Elvis Presley and Ricky Nelson.
When he was 16 years old, he recorded an LP with "His Jesters" titled The Dragsters, which was released in November 1964. One notable track was "The Jester", on which he played lead guitar; it was included on the 2003 CD Lost Legends of Surf Guitar Volume 1.
While with Buffalo Springfield, Messina served as a recording engineer, producer, and musician, replacing bass player Bruce Palmer on two songs from their final album, Last Time Around . [3] [2]
After Buffalo Springfield disbanded, Messina and Richie Furay, a founding member of Buffalo Springfield, formed Poco in 1968. Switching back from bass to guitar, Messina played lead guitar and supplied vocals and some songwriting to the band. After recording two studio albums and one live album, he left Poco due to exhaustion from touring and to focus on becoming a record producer. [3]
After Poco, Messina signed a contract with Columbia Records as an independent producer. Messina was first introduced to the idea of producing Kenny Loggins in the summer of 1970 while still performing on the road with Poco. Loggins first met Messina in December 1970 at Messina's home, where the two recorded several Loggins compositions in Messina's living room. When deciding how to produce Loggins' first solo album, Messina met with Clive Davis, then president of Columbia Records. Messina proposed to Davis that he be allowed to sit in with Loggins on his first solo album in the same way jazz artists had done in the past and stated that Loggins also needed more upbeat and diverse material to help him gain appeal as a pop music artist. After reluctantly agreeing, Davis pursued the "Sitting In" concept. With music trends moving away from folk, Messina presented Loggins with several songs that spilled over from his days with Poco and Buffalo Springfield. He felt Loggins could do both country rock and R&B styles exceptionally well, especially after hearing Loggins perform "Danny's Song." [4]
Among the material Messina contributed was "Listen to a Country Song" (which would be a hit single for Lynn Anderson when she recorded it the following year), "Nobody But You," "Same Old Wine," and "The Trilogy," which included "Peace of Mind". He provided the rehearsal space, amps, and instruments and lent his talents as an arranger, vocalist, and guitarist. Messina worked long hours with Loggins and encouraged him to purchase an electric guitar and play it on his solo debut album.
Messina assembled "The Kenny Loggins Band" by summoning old friends drummer Merel Bregante and bassist/singer Larry Sims (both formerly of The Sunshine Company), multireedist/violinist Al Garth, multireedist Jon Clarke (performing with the Don Ellis Jazz Band), and a friend of Loggins, keyboardist Michael Omartian, who played on the album but dropped out once the touring began. However, Omartian played on the next two albums, and the ensemble was also augmented on each of their studio releases by Los Angeles-based session percussionist Milt Holland.
Though the album was initially intended to be Loggins' first solo album, the two decided that Messina's contribution was so substantial that the album was finally released as Kenny Loggins with Jim Messina Sittin' In , in November 1971. Messina had been reluctant to perform and tour, having begun collaborating with the sole interest of producing. Nonetheless, by the end of 1972, the group, now renamed "Loggins and Messina", had toured extensively; they would eventually sell over 20 million albums.
After the release of Sittin' In, Messina went on to write, perform and produce seven more albums with Loggins. Those albums were Loggins and Messina (1972), Full Sail (1973), On Stage (1974), Mother Lode (1974), So Fine (1975, a covers album), Native Sons (1976, their last studio release) and Finale (1977, released by Columbia after the duo's split).
Loggins ultimately decided to strike out on his own, and in 1976 the duo split after a final concert in Hawaii. Both went on to solo careers.
In 1979, Messina met with Don Ellis (not to be confused with Don Ellis the jazz musician who recorded for the same label) of Columbia Records subsidiary A&R to plan his first solo album. He learned that Ellis did not like Messina's new musical direction, towards Latin jazz with a rock edge, because it did not sound like a Loggins and Messina album. Messina toured to support the debut LP, which sold 150,000 copies, about the same sales as Sittin' In. However, without the record company's support, the album stalled, peaking at #58 on the Billboard 200, and Messina asked Columbia Records president Bruce Lundvall for a release from the label. The album's single, "New and Different Way", slightly missed the Top 40 on the AC chart, peaking at #43. [5]
In 1981, Messina signed with Warner Bros. Records and recorded and released his second solo effort, Messina, which included folk, rock, Latin, and light jazz elements. The album featured singer Pauline Wilson, who sang a duet with Messina on "Stay the Night".
In 1983, Messina released his third solo album with Warner Bros., One More Mile. The album leaned more toward rock, and Messina used several young and upcoming studio musicians as his rhythm section. The album also featured Edie Laymen and Pauline Wilson singing background and harmony parts. In the song "The Island", he shows his influence of slack key, a Hawaiian style of playing the guitar.
In 1993, Brooks and Dunn recorded "Mexican Minutes" written by Messina and co-authored with Kent Robbins in Nashville.
In 1989, Poco's original lineup (consisting of Messina, Richie Furay, Rusty Young, George Grantham, and Randy Meisner) regrouped for a successful reunion tour. That same year, they released the album Legacy . Messina played guitar and mandolin on the album. He wrote and sang on three of the songs: "Follow Your Dreams", "Look Within" and "Lovin' You Every Minute." He also co-wrote the song "Call It Love, " sung by Rusty Young. That song reached number 18 on the Billboard Hot 100 in August 1989. [6]
In 2005, Messina and Loggins hit the road as a duo again. They had a successful nationwide tour that produced a CD and DVD entitled Live: Sittin' In Again at the Santa Barbara Bowl . [7] Messina also pulled from the vaults the original master analog recordings that he had produced and mixed for Loggins and Messina at Columbia Records, which were released as the 2005 digitally mastered compilation album The Best: Sittin' in Again . The duo reformed again in 2009 for an extensive tour.
In 2009, Messina released the CD Under a Mojito Moon-Part 1, on which the only guitar he played was his flamenco guitar. The Latin-based arrangements feature trumpet, percussion, drums, piano, and nylon acoustic guitar in melodies reminiscent of the music of Cuba and Spain.
In 2012, Messina released the CD and DVD Jim Messina LIVE at the Clark Center for the Performing Arts containing songs by Buffalo Springfield, Poco, Loggins & Messina, and his solo material.
He continues to work in publishing, production, and electronics as a recording and mixing engineer and as a recording studio owner, as well as performing on tour. [8] [9] [10]
He is both the creator and facilitator of "The Songwriters' Performance Workshop", wherein he leads 6-day intensive workshops for songwriters and singers at retreats, resorts, and hotels around the country.
In 1970, Messina married actress Jenny Sullivan; the marriage ended ten years later in 1980. They had no children. Messina has a son, recording engineer and musician Julian Messina (born 1992), from a relationship in the early 1990s. In 2001, Messina met his second wife, Michaela Laza Messina, an opera singer, and a music teacher. [2] They have a daughter, Josey (born 2006). Messina currently resides near Franklin, Tennessee.
Country rock is a music genre that fuses rock and country. It was developed by rock musicians who began to record country-flavored records in the late 1960s and early 1970s. These musicians recorded rock records using country themes, vocal styles, and additional instrumentation, most characteristically pedal steel guitars. Country rock began with artists like Buffalo Springfield, Michael Nesmith, Bob Dylan, Nitty Gritty Dirt Band, the Byrds, the Flying Burrito Brothers, The International Submarine Band and others, reaching its greatest popularity in the 1970s with artists such as Emmylou Harris, the Eagles, New Riders of the Purple Sage, Linda Ronstadt, Little Feat, Poco, Charlie Daniels Band, and Pure Prairie League. Country rock also influenced artists in other genres, including The Band, the Grateful Dead, Creedence Clearwater Revival, The Rolling Stones, and George Harrison's solo work, as well as playing a part in the development of Southern rock.
Buffalo Springfield was a rock band formed in Los Angeles by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966 to 1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house.
Al Perkins is an American guitarist known primarily for his steel guitar work. The Gibson guitar company called Perkins "the world's most influential Dobro player" and began producing an "Al Perkins Signature" Dobro in 2001—designed and autographed by Perkins.
Stephen Arthur Stills is an American musician, singer, and songwriter best known for his work with Buffalo Springfield, Crosby, Stills & Nash, and Manassas. As both a solo act and member of three successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stone's 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius".
Kenneth Clark Loggins is an American singer, guitarist and songwriter. His early songs were recorded with the Nitty Gritty Dirt Band in 1970, which led to seven albums recorded with Jim Messina as Loggins and Messina from 1972 to 1977. His early soundtrack contributions date back to A Star Is Born in 1976, and he is known as the King of the Movie Soundtrack. As a solo artist, Loggins experienced a string of soundtrack successes, including an Academy Award nomination for "Footloose" in 1985. Finally Home was released in 2013, shortly after Loggins formed the group Blue Sky Riders with Gary Burr and Georgia Middleman. He won a Daytime Emmy Award, two Grammy Awards and was nominated for an Academy Award, a Tony Award and a Golden Globe Award.
Poco was an American country rock band originally formed in 1968 after the demise of Buffalo Springfield. Guitarists Richie Furay and Jim Messina, former members of Buffalo Springfield, were joined by multi-instrumentalist Rusty Young, bassist Randy Meisner, and drummer George Grantham. Meisner quit the band while they were recording their first album, Pickin' Up the Pieces, though his bass and backing vocal parts were kept in the final mix. He was replaced by Timothy B. Schmit in 1969, and Messina left in 1970 to be replaced by Paul Cotton. The line-up would change numerous times over the next several decades, with Rusty Young being the only constant member. A reunion of the founding members occurred in the late 1980s-early 1990s, and the band has continued in some form through 2021, though they retired from active touring in 2013, with Young citing health concerns as the primary cause of his retirement. Young died from a heart attack in April 2021.
Last Time Around is the third and final studio album by the Canadian-American folk rock band Buffalo Springfield, released in July 1968. The line-up at the time officially consisted of Neil Young, Stephen Stills, Richie Furay, Dewey Martin, Bruce Palmer, and Jim Messina, though the band itself was essentially broken up and the album was put together from previous recordings, some made up to a year earlier. Jim Messina acted as the album producer and mixing engineer, with input from Furay, as the two compiled the record to fulfil the band's last contractual obligation to its label. A number of guest musicians appeared on the album, notably pedal steel guitar player Rusty Young.
Paul Richard Furay is an American musician and Rock & Roll Hall of Fame member. He is best known for forming the bands Buffalo Springfield with Stephen Stills, Neil Young, Bruce Palmer, and Dewey Martin, and Poco with Jim Messina, Timothy B. Schmit, Rusty Young, George Grantham and Randy Meisner. His best known song was "Kind Woman," which he wrote for his wife, Nancy.
Loggins and Messina was an American pop rock duo consisting of Kenny Loggins and Jim Messina, who achieved major chart success during the early-mid 1970s. Among their well-known songs are "Danny's Song", "House at Pooh Corner", and "Your Mama Don't Dance". After selling more than 16 million records and becoming one of the leading musical duos of the 1970s, Loggins and Messina separated in 1976. Although Messina would find only limited popularity following the breakup, Loggins went on to achieve major chart success in the 1980s. In 2005 and again in 2009, Loggins and Messina reformed for tours in the United States.
Sittin' In is the first album by singer-songwriters Loggins and Messina, released in 1971.
On Stage is the fourth album by singer-songwriter duo Loggins and Messina, released in 1974. As their first live album, it was released as a double album and featured a side-long version of their hit song "Vahevala".
Finale is the second live double album by singer-songwriter duo Loggins and Messina, released in early 1977. Tracks on the album are from performances while touring in 1975 and 1976.
The Best: Sittin' In Again is the 10th release by singer-songwriter duo Loggins and Messina, a compilation album released in mid-2005. This release was timed to preview the duo's subsequent reunion tour. It contains most of their hits and provides a retrospective view of their music from 1971 to 1974. The 18 tracks appearing on the collection were personally selected by Loggins and Messina. Six of the tracks are from their debut album Sittin' In, six are from their 2nd release Loggins and Messina, four are off the 3rd album Full Sail, and two are featured on their 4th LP Mother Lode. No tracks from either of their last two studio albums are included.
Live: Sittin' in Again at Santa Barbara Bowl is a live compilation album by singer-songwriter duo Loggins and Messina, released in late 2005. It was recorded in Santa Barbara at one of the first performances of their reunion tour. The physical CD features thirteen tracks; however an online download-only version includes five additional tracks: "Sailin' the Wind", "Long Tail Cat", "Thinking of You", "Be Free", and "You Need a Man" which can also be heard on the DVD release of the concert.
Milton Holland was an American drummer, percussionist, ethnomusicologist, and writer in the Los Angeles music scene. He pioneered the use of African, South American, and Indian percussion styles in jazz, pop and film music, traveling extensively in those regions to collect instruments and learn styles of playing them.
"Your Mama Don't Dance" is a hit 1972 song by the rock duo Loggins and Messina. Released on their self-titled album Loggins and Messina, it reached number four on the Billboard pop chart and number 19 on the Billboard Easy Listening Chart as a single in early 1973.
Hearts & Flowers was an American, Los Angeles-based folk rock club band, perhaps most significant as one of the groups that launched the career of Eagles' founding member and guitarist-songwriter, Bernie Leadon. The line-up included Larry Murray, Dave Dawson, and Rick Cunha.
"House at Pooh Corner" is a song written by Kenny Loggins, based on the children's book of the same name. It was first performed by the Nitty Gritty Dirt Band on their 1970 album Uncle Charlie & His Dog Teddy.
"Danny's Song" is a song written by American singer-songwriter Kenny Loggins, as a gift for his brother Danny for the birth of his son, Colin. It first appeared on an album by Gator Creek and a year later on the album Sittin' In, the debut album by Loggins and Messina. The song is well remembered for both the Loggins and Messina original, as well as for Anne Murray's 1972 top-ten-charting cover.