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"Down in Yon Forest" (or "Down in Yon Forrest"), also known as "All Bells in Paradise" and "Castleton Carol," [1] is a traditional English Christmas carol dating to the Renaissance era, ultimately deriving from the anonymous Middle English poem known today as the Corpus Christi Carol. [2] The song was originally associated with Good Friday or the Corpus Christi Feast rather than Christmas, but some more recent variants have additional verses which reference Christmas. [2] It is listed in the Roud Folk Song Index as number 1523.
Multiple audio recordings have been made of the song, particularly in the town of Castleton, Derbyshire, England, [3] [4] where the famous composer and folk song collector Ralph Vaughan Williams encountered and transcribed a version sung by a Mr. J Hall in 1908. [5] Like many English folk songs, it seems to have naturally made its way to the United States, where several traditional singers including Jean Ritchie have been recorded singing the song. [6]
The carol has been arranged in modern English by Ralph Vaughan Williams, Nicholas Maw, John Jacob Niles and John Rutter, among others. It has been recorded by artists including Kate Rusby (called Paradise on Angels and Men), Joan Baez (on Noël ), Martyn Bates with Max Eastley, The English Singers, Shirley Collins, The Albion Band, Bruce Cockburn (on Christmas ), Kemper Crabb, Burl Ives (on Christmas Day in the Morning ), John McCutcheon, Jean Ritchie (on Carols for All Seasons ), Joglaresa (on In Hoary Winter's Night), Stick in the Wheel, Bob Rowe, Andreas Scholl, Steeleye Span (on Winter ), Show of Hands (on Folk Music ), Wovenhand (on Consider the Birds ), Mark Lanegan, and the choir of Clare College, Cambridge.
Down in yon forest there stands a hall:
The bells of Paradise I heard them ring:
It's covered all over with purple and pall
And I love my Lord Jesus above anything.
In that hall there stands a bed:
The bells of Paradise I heard them ring:
It's covered all over with scarlet so red:
And I love my Lord Jesus above anything.
At the bed-side there lies a stone:
The bells of Paradise I heard them ring:
Which the sweet Virgin Mary knelt upon:
And I love my Lord Jesus above anything.
Under that bed there runs a flood:
The bells of Paradise I heard them ring:
The one half runs water, the other runs blood:
And I love my Lord Jesus above anything.
At the bed's foot there grows a thorn:
The bells of Paradise I heard them ring:
Which ever blows blossom since he was born:
And I love my Lord Jesus above anything.
Over that bed the moon shines bright:
The bells of Paradise I heard them ring:
Denoting our Saviour was born this night:
And I love my Lord Jesus above anything.
"Barbara Allen" is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
"Lord Randall", or "Lord Randal", is an Anglo-Scottish border ballad consisting of dialogue between a young Lord and his mother. Similar ballads can be found across Europe in many languages, including Danish, German, Magyar, Irish, Swedish, and Wendish. Italian variants are usually titled "L'avvelenato" or "Il testamento dell'avvelenato", the earliest known version being a 1629 setting by Camillo il Bianchino, in Verona. Under the title "Croodlin Doo" Robert Chambers published a version in his "Scottish Ballads" (1829) page 324.
"Foggy Dew" or "Foggy, Foggy Dew" is an English folk song with a strong presence in the South of England and the Southern United States in the nineteenth century. The song describes the outcome of an affair between a weaver and a girl he courted. It is cataloged as Laws No. O03 and Roud Folk Song Index No. 558. It has been recorded by many traditional singers including Harry Cox, and a diverse range of musicians including Benjamin Britten, Burl Ives, A.L. Lloyd and Ye Vagabonds have arranged and recorded popular versions of the song.
"The Cherry-Tree Carol" is a ballad with the rare distinction of being both a Christmas carol and one of the Child Ballads. The song itself is very old, reportedly sung in some form at the Feast of Corpus Christi in the early 15th century.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
"I Saw Three Ships (Come Sailing In)" is an English Christmas carol, listed as number 700 in the Roud Folk Song Index. The earliest printed version of "I Saw Three Ships" is from the 17th century, possibly Derbyshire, and was also published by William Sandys in 1833. The song was probably traditionally known as "As I Sat On a Sunny Bank", and was particularly popular in Cornwall.
"We Wish You a Merry Christmas" is an English Christmas carol, listed as numbers 230 and 9681 in the Roud Folk Song Index. The famous version of the carol is from the English West Country.
"The Holly and the Ivy" is a traditional British folk Christmas carol, listed as number 514 in the Roud Folk Song Index. The song can be traced only as far as the early nineteenth century, but the lyrics reflect an association between holly and Christmas dating at least as far as medieval times. The lyrics and melody varied significantly in traditional communities, but the song has since become standardised. The version which is now popular was collected in 1909 by the English folk song collector Cecil Sharp in the market town of Chipping Campden in Gloucestershire, England, from a woman named Mary Clayton.
"The Raggle Taggle Gypsy" (Roud 1, Child 200), is a traditional folk song that originated as a Scottish border ballad, and has been popular throughout Britain, Ireland and North America. It concerns a rich lady who runs off to join the gypsies (or one gypsy). Common alternative names are "Gypsy Davy", "The Raggle Taggle Gypsies O", "The Gypsy Laddie(s)", "Black Jack David" (or "Davy") and "Seven Yellow Gypsies".
"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia.
"Lord Thomas and Fair Annet", also known as "Lord Thomas and Fair Eleanor", is an English folk ballad.
Here We Come A-wassailing, also known as Here We Come A-Christmasing,Wassail Song and by many other names, is a traditional English Christmas carol and New Year song, typically sung whilst wassailing, or singing carols, wishing good health and exchanging gifts door to door. It is listed as number 209 in the Roud Folk Song Index. Gower Wassail and Gloucestershire Wassail are similar wassailing songs.
"Blacksmith", also known as "A Blacksmith Courted Me", is a traditional English folk song listed as number 816 in the Roud Folk Song Index.
The "Sans Day Carol", also known as "St. Day Carol", "The Holly Bears a Berry" and "The Holly Tree" is a traditional Cornish carol named after the Cornish village of St Day, where it was found around the turn of the twentieth century. Some sources give it as a Christmas carol, while other sources give it as a carol for the period between Passiontide and Easter. The song, which is listed as no. 35 in the Oxford Book of Carols, is very closely related to the more famous carol "The Holly and the Ivy". According to the Roud Folk Song Index, the "Sans Day Carol" and "The Holly and the Ivy" are variants of the same song.
"The Trees They Grow So High" is a Scottish folk song. The song is known by many titles, including "The Trees They Do Grow High", "Daily Growing", "Long A-Growing" and "Lady Mary Ann".
Dives and Lazarus is traditional English folk song listed as Child ballad 56 and number 477 in the Roud Folk Song Index. It is considered a Christmas carol and based on the parable of the rich man and Lazarus. The song traditionally used a variety of tunes, but one particular tune, published by Lucy Broadwood in 1893 and used in other traditional songs, inspired many notable works and appeared in several pieces composed by Ralph Vaughan Williams.
The song "All Around my Hat" is of nineteenth-century English origin. In an early version, dating from the 1820s, a Cockney costermonger vowed to be true to his fiancée, who had been sentenced to seven years' transportation to Australia for theft and to mourn his loss of her by wearing green willow sprigs in his hatband for "a twelve-month and a day", the willow being a traditional symbol of mourning. The song was made famous by Steeleye Span, whose rendition may have been based on a more traditional version sung by John Langstaff, in 1975.
"The Farmer's Boy" is a traditional English folk song or ballad, listed as number 408 in the Roud Folk Song Index. It has been arranged as a military march.
Cob coaling, cob-a-coaling or cob calling was a traditional Bonfire Night custom practiced in the Yorkshire-Lancashire border region, which involved groups of people going door-to-door in groups and singing a song in return for Bonfire Night supplies. In more recent times, singers collected firewood and money for fireworks, but "coaling" refers to the coal that would previously have been collected. The Cob Coaling Song is listed as number 9234 in the Roud Folk Song Index.
"This Have I Done for My True Love", or "Tomorrow Shall Be My Dancing Day", Op. 34, no. 1 [H128], is a motet or part song composed in 1916 by Gustav Holst. The words are taken from an ancient carol, and the music is so strongly influenced by English folk music that it has sometimes been mistaken for a traditional folk song itself. It has often been described as a small masterpiece.