| "Down in the River to Pray" | |
|---|---|
 Sheet music cover | |
| Song | |
| Published | 1867 |
| Genre | Gospel music |
| Songwriter(s) | Traditional |
"Down in the River to Pray" (also known as "Down to the River to Pray," "Down in the Valley to Pray," "The Good Old Way," and "Come, Let Us All Go Down") is a traditional American song variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a Southern gospel song. The exact origin of the song is unknown.
The earliest known version of the song, titled "The Good Old Way," was published in Slave Songs of the United States in 1867. [1] The song (#104) was contributed to that book by George H. Allan of Nashville, Tennessee, who may also have been the transcriber. The lyrics printed in this collection are:
As I went down in the valley to pray,
Studying about that good old way,
When you shall wear the starry crown,
Good Lord, show me the way.
O mourner, let's go down, let's go down, let's go down,
O mourner, let's go down,
Down in the valley to pray
Another version, titled "Come, Let Us All Go Down," was published in 1880 in The Story of the Jubilee Singers; With Their Songs, a book about the Fisk Jubilee Singers. [2]
This version also refers to a valley rather than a river; the first verse is:
As I went down in the valley to pray,
Studying about that good old way;
You shall wear the starry crown,
Good Lord, show me the way.
By-and-by we'll all go down, all go down, all go down,
By-and-by we'll all go down,
Down in the valley to pray.
In some versions, "in the river" is replaced by "to the river". The phrase "in the river" is significant, for two reasons. The more obvious reason is that the song has often been sung at outdoor baptisms (such as the full-immersion baptism depicted in the 2000 film O Brother, Where Art Thou? ). [3] Another reason is that many songs sung by victims of slavery contained coded messages for escaping. When the enslaved people escaped, they would walk in the river because the water would cover their scent from the bounty-hunters' dogs. [4] Similarly, the "starry crown" could refer to navigating their escape by the stars. [5] And "Good Lord, show me the way" could be a prayer for God's guidance to find the escape route, commonly known as "the Underground Railroad."
Some sources mistakenly claim that the song was published in The Southern Harmony and Musical Companion in 1835, several decades before the effort to gather and publish Black spirituals gained momentum in the Reconstruction Era. [3] There is in fact a song called "The Good Old Way" in The Southern Harmony [6] (also found in the Sacred Harp ); that song, however, has completely different melody and lyrics (which likewise should not be confused with a Manx hymn tune of the same name and text, made famous by the Watersons). [7] Its lyrics begin as follows:
Lift up your heads, Immanuel's friends
And taste the pleasure Jesus sends
Let nothing cause you to delay
But hasten on the good old way
"Go Down Moses" is an African American spiritual that describes the Hebrew exodus, specifically drawing from Exodus 5:1: "And the LORD spoke unto Moses, Go unto Pharaoh, and say unto him, Thus saith the LORD, Let my people go, that they may serve me", where God commands Moses to demand the release of the Israelites from bondage in Egypt. As is common in spirituals, the song discusses freedom, referring both to the freedom of the Israelites, and that of runaway enslaved people. As a result of these messages, this song was outlawed by many enslavers.
Spirituals is a genre of Christian music that is associated with African Americans, which merged sub-Saharan African cultural heritage with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs," work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature of slavery for many. Many new derivative music genres emerged from the spirituals songcraft.
"When the Saints Go Marching In", often referred to as simply "The Saints", is a traditional black spiritual. It originated as a Christian hymn, but is often played by jazz bands. One of the most famous jazz recordings of "The Saints" was made on May 13, 1938, by Louis Armstrong and his orchestra.
"I'll Fly Away" is a hymn written in 1929 by Albert E. Brumley and published in 1932 by the Hartford Music company in a collection titled Wonderful Message. Brumley's writing was influenced by the 1924 secular ballad, "The Prisoner's Song".
A Christian child's prayer is Christian prayer recited primarily by children that is typically short, rhyming, or has a memorable tune. It is usually said before bedtime, to give thanks for a meal, or as a nursery rhyme. Many of these prayers are either quotes from the Bible, or set traditional texts.
Moses George Hogan was an American composer and arranger of choral music. He was best known for his settings of spirituals. Hogan was a pianist, conductor, and arranger of international renown. His works are celebrated and performed by high school, college, church, community, and professional choirs today. Over his lifetime, he published 88 arrangements for voice, eight of which were solo pieces.
"Go Tell It on the Mountain" is an African-American spiritual song which was likely derived from the oral tradition, but was originally published by John Wesley Work Jr., although there is some debate whether he was actually the first to write it. This spiritual has been sung and recorded by many gospel and secular performers since considered a Christmas carol as its original lyrics celebrate the Nativity of Jesus:
Go tell it on the mountain, over the hills and everywhere;
go tell it on the mountain, that Jesus Christ is born.
"Michael, Row the Boat Ashore" is a traditional African-American spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. The best-known recording was released in 1960 by the U.S. folk band The Highwaymen; that version briefly reached number-one hit status as a single.
The Fairfield Four is an American gospel group that has existed for over 100 years, starting as a trio in the Fairfield Baptist Church, Nashville, Tennessee, in 1921. They were designated as National Heritage Fellows in 1989 by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts. The group won the 1998 Grammy for Best Traditional Soul Gospel Album. As a quintet, they featured briefly in the 2000 movie O Brother, Where Art Thou?.
Songs of the Underground Railroad were spiritual and work songs used during the early-to-mid 19th century in the United States to encourage and convey coded information to escaping slaves as they moved along the various Underground Railroad routes. As it was illegal in most slave states to teach slaves to read or write, songs were used to communicate messages and directions about when, where, and how to escape, and warned of dangers and obstacles along the route.
The 37th Annual GMA Dove Awards, also called the 37th Annual GMA Music Awards, were held on April 5, 2006 recognizing accomplishments of Christian musicians for the year 2005. The show was held at the Grand Ole Opry House in Nashville, Tennessee, and was hosted by Rebecca St. James and Kirk Franklin. This was the last year in which the awards were called the "GMA Music Awards", since they will change their names to "GMA Dove Awards".
Traditional Black gospel is music that is written to express either personal or a communal belief regarding African American Christian life, as well as to give a Christian alternative to mainstream secular music. It is a form of Christian music and a subgenre of Black gospel music.
The Isaacs are a bluegrass Southern gospel music group consisting of mother Lily Isaacs, daughters Becky and Sonya Isaacs and son Ben Isaacs, along with John Bowman as an instrumentalist and songwriter. Joe Isaacs, formerly a singer and banjo player in the group, has left since his 1998 divorce from Lily Isaacs. He now does solo work on a far more localized level.
("Give Me That") "Old-Time Religion" is a traditional Gospel song dating from 1873, when it was included in a list of Jubilee songs—or earlier. It has become a standard in many Protestant hymnals, though it says nothing about Jesus or the gospel, and covered by many artists. Some scholars, such as Forrest Mason McCann, have asserted the possibility of an earlier stage of evolution of the song, in that "the tune may go back to English folk origins". In any event, it was by way of Charles Davis Tillman that the song had incalculable influence on the confluence of black spiritual and white gospel song traditions in forming the genre now known as southern gospel. Tillman was largely responsible for publishing the song into the repertoire of white audiences. It was first heard sung by African-Americans and written down by Tillman when he attended a camp meeting in Lexington, South Carolina in 1889.
Marie Knight was an American gospel and R&B singer.
"Down by the Riverside" is an African-American spiritual. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as "Ain' go'n' to study war no mo'", "Ain't Gwine to Study War No More", "Down by de Ribberside", "Going to Pull My War-Clothes" and "Study war no more". The song was first recorded by the Fisk University jubilee quartet in 1920, and there are at least 14 black gospel recordings before World War II.
"Brethren, We Have Met Together", commonly known by the first line "Brethren, we have met to worship", is one of the oldest published American folk hymns. The lyrics were written by George Atkins and first published in 1819. The traditional tune, Holy Manna, is a pentatonic melody in Ionian mode originally published by William Moore in Columbian Harmony, a four-note shape-note tunebook, in 1829. Like most shape-note songs from that century, it is usually written in three parts.
"Stand by Me" should not be confused with "Stand by Me Father", by Sam Cooke and J. W. Alexander.
