"Down on Me" | ||||
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Single by Janis Joplin with Big Brother and the Holding Company | ||||
from the album Big Brother & the Holding Company | ||||
B-side | "Call on Me" | |||
Released | 1967 | |||
Recorded | 1967 | |||
Genre | Psychedelic rock | |||
Length | 2:08 | |||
Label | Mainstream | |||
Songwriter(s) | traditional, arr Joplin | |||
Janis Joplin with Big Brother and the Holding Company singles chronology | ||||
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"Down on Me" is a traditional freedom song from the 1920s or earlier that became popular following its remake by Janis Joplin and Big Brother and the Holding Company. [1] [2] [3]
Several early recordings and field recordings exist: [4]
The lyrics of the freedom song are darker than the later Joplin lyrics. For example, the second stanza of jazz versions [5] and Dock Reed's version run: [6]
2. Mary and Martha, Luke and John, All God's prophets dead and gone. Looks like everybody in this world round down on me.
Janis Joplin rearranged the song and created new lyrics. The song was originally released in the summer of 1967 and was featured on the band's debut album Big Brother & the Holding Company . The song would reach #42 on the charts, barely missing the Top 40 mark. [7] A live, more aggressive version is featured on the posthumously released live album In Concert and the 1973 collection Janis Joplin's Greatest Hits . This version was also released as a single, reaching #91 on the charts in 1972.
The third and final stanza of Joplin's version ends with a positive message: [8]
3. Believe in your brother, have faith in man, / Help each other, honey, if you can / Because it looks like everybody in this whole round world / Is down on me.
Joplin's version was covered by Jeany Reynolds in 1970.
Janis Lyn Joplin was an American singer and songwriter. One of the most iconic and successful rock performers of her era, she was noted for her powerful mezzo-soprano vocals, as well as her "electric" stage presence.
Bertrand Russell Berns, also known as Bert Russell and (occasionally) Russell Byrd, was an American songwriter and record producer of the 1960s. His songwriting credits include "Twist and Shout", "Piece of My Heart", "Here Comes the Night", "Hang on Sloopy", "Cry to Me" and "Everybody Needs Somebody to Love", and his productions include "Baby, Please Don't Go", "Brown Eyed Girl" and "Under the Boardwalk".
Willie Mae "Big Mama" Thornton, was an American singer and songwriter of blues and R&B.
"Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster. A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971.
Big Brother and the Holding Company are an American rock band that was formed in San Francisco in 1965 as part of the same psychedelic music scene that produced the Grateful Dead, Quicksilver Messenger Service, and Jefferson Airplane. After some initial personnel changes, the band became well known with the lineup of vocalist Janis Joplin, guitarists Sam Andrew and James Gurley, bassist Peter Albin, and drummer Dave Getz. Their second album Cheap Thrills, released in 1968, is considered one of the masterpieces of the psychedelic sound of San Francisco; it reached number one on the Billboard charts, and was ranked number 338 in Rolling Stone's the 500 greatest albums of all time. The album is also listed in the book 1001 Albums You Must Hear Before You Die.
"Mercedes Benz" is an a cappella song written by the American singer Janis Joplin with Bob Neuwirth and the poet Michael McClure. The song was originally recorded by Joplin. A straightforward reading of the song lyrics indicate that the song is about the desire for possessions and pleasure, but at least one writer considers it to be a rejection of consumerism.
"Cocaine Blues" is a Western swing song written by Troy Junius Arnall, a reworking of the traditional song "Little Sadie." Roy Hogsed recorded a well known version of the song in 1947.
"In My Time of Dying" is a gospel music song by Blind Willie Johnson. The title line, closing each stanza of the song, refers to a deathbed and was inspired by a passage in the Bible from Psalms 41:3 "The Lord will strengthen him upon the bed of languishing, thou wilt make all his bed in his sickness". Numerous artists have recorded variations, including Bob Dylan and Led Zeppelin.
"Piece of My Heart" is a romantic soul song written by Jerry Ragovoy and Bert Berns, originally recorded by Erma Franklin in 1967. Franklin's single peaked in December 1967 at number 10 on the Billboard Hot Rhythm & Blues Singles chart in the United States.
"Go Tell It on the Mountain" is an African-American spiritual song and Christmas carol which was likely derived from the oral tradition, but was originally published by John Wesley Work Jr., although there is some debate over whether he was actually the first to write it. It has been sung and recorded by many gospel and secular performers.
"Michael, Row the Boat Ashore" is a traditional spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. The best-known recording was released in 1960 by the U.S. folk band The Highwaymen; that version briefly reached number-one hit status as a single.
"Wade in the Water" is an African American jubilee song, a spiritual—in reference to a genre of music "created and first sung by African Americans in slavery."
Live at Winterland '68 is an album by Janis Joplin with her band Big Brother and the Holding Company. It was recorded at the Winterland Ballroom on April 12 and 13, 1968, and includes live renditions of songs from their studio albums.
"Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, "Gospel Plow," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof.
"Gospel Plow" is a traditional African American spiritual. It is listed in the Roud Folk Song Index, number 10075. The title is biblical, based on Luke 9:62.
Janis is a compilation album by Janis Joplin, released in 1993. The album features a broad overview of her career from her first recording in December 1962, to the last songs she recorded during the sessions for Pearl just a few days before her death in October 1970.
"Green Grass and High Tides" is a song by American Southern rock band Outlaws. It is the tenth and final track on the band's debut album, Outlaws. The song is one of their best known, and has received extensive play on album-oriented radio stations, although it was never released as a single. The song is notable for having two extended guitar solos that stretch the song to nearly 10 minutes.
"Down by the Riverside" is an African-American spiritual. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as "Ain' go'n' to study war no mo'", "Ain't Gwine to Study War No More", "Down by de Ribberside", "Going to Pull My War-Clothes" and "Study war no more". The song was first recorded by the Fisk University jubilee quartet in 1920, and there are at least 14 black gospel recordings before World War II.
"Rock and Roll Heaven" is a song written by Alan O'Day and Johnny Stevenson, popularized by The Righteous Brothers. It is a paean to several deceased singers such as Jimi Hendrix, Janis Joplin, and Otis Redding, and has been rewritten a number of times to include other singers. The song was first recorded by the band Climax in 1973, but it failed to chart. It was then covered by The Righteous Brothers in 1974 and reached number three on the U.S. Billboard Hot 100.
"Ain't Gonna Let Nobody Turn Me 'Round" is a freedom song based on the spiritual "Don't You Let Nobody Turn You Round" and became an American civil rights era anthem. It was sung during demonstrations for civil rights in the United States including during the Memphis sanitation worker strike in 1967. The song's lyrics are adaptable to situations and locations.