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Drops are breakdancing techniques that allow b-boys to transition down to the floor and begin performing downrock. Drops may be designed to look flashy, painful, or both. A wide variety of other movements can serve the same purpose, and others such as the kip-up can work in reverse, moving the breaker up from the floor.
Some of the most common drops are listed below.
This drop makes the breaker seem to kick himself and fall painfully down onto his knee. From a standing position, the left leg lifts backwards. The left foot kicks quickly forward so that it slams into the back of the right knee in a "figure-four" position. As the right leg collapses, the breaker falls forward (not to either side!). Ideally unseen by observers, the left foot actually sticks out just to the right of the collapsing knee, and the toes should be pulled up hard. Instead of landing on the knee, the breaker lands on the toes of the left foot.
The breaker drops as one leg sweeps out around in a wide arc. As all the weight shifts to the left leg, the right leg kicks backwards. The left leg bends so that the body sinks toward the floor, and meanwhile, the right leg swings around toward the front of the body. The right (sweeping) leg remains straight throughout. By the time the right leg has swung around to point directly ahead, the left knee should be fully bent and the hands are ready to hit the floor and bear the body's weight. The swinging momentum continues into a 6-step or any other move.
A Coin Drop is a transition made from Toprock directly into a Backspin, or more commonly into Windmills. It requires that the dancer shifts his/her weight from the left leg to the right leg, leans onto his/her right hand and then moves the weight onto his/her left hand/forearm - shoulder while his/her feet leave the ground. The momentum generated from performing a Coin Drop sends the dancer into a spin onto his/her back.
A kick is a physical strike using the leg, in unison usually with an area of the knee or lower using the foot, heel, tibia (shin), ball of the foot, blade of the foot, toes or knee. This type of attack is used frequently by hooved animals as well as humans in the context of stand-up fighting. Kicks play a significant role in many forms of martial arts, such as savate, taekwondo, MMA, sikaran, karate, Pankration, Kung Fu, Vovinam, kickboxing, Muay Thai, Yaw-Yan, capoeira, silat and kalaripayattu. Kicks are a universal act of aggression among humans.
In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated.
Contortion is a performance art in which performers called contortionists showcase their skills of extreme physical flexibility. Contortion acts often accompany acrobatics, circus acts, street performers and other live performing arts. Contortion acts are typically performed in front of a live audience. An act will showcase one or more artists performing a choreographed set of moves or poses, often to music, which require extreme flexibility. The physical flexibility required to perform such acts greatly exceeds that of the general population. It is the dramatic feats of seemingly inhuman flexibility that captivate audiences.
Because ballet became formalized in France, a significant part of ballet terminology is in the French language.
Professional wrestling throws are the application of professional wrestling techniques that involve lifting the opponent up and throwing or slamming them down. They are sometimes also called "power" maneuvers, as they are meant to emphasize a wrestler's strength. Many of these moves are used as finishers by many wrestlers. Many maneuvers are known by several different names. Professional wrestlers frequently give their "finisher" new names that reflect their gimmick. Moves are listed under general categories whenever possible.
Professional wrestling holds include a number of set moves and pins used by performers to immobilize their opponents or lead to a submission. This article covers the various pins, stretches and transition holds used in the ring. Some wrestlers use these holds as their finishing maneuvers, often nicknaming them to reflect their character or persona. Moves are listed under general categories whenever possible.
Strikes are offensive moves in professional wrestling, that can sometimes be used to set up an opponent for a hold or for a throw. There are a wide variety of strikes in pro wrestling, and many are known by several different names. Professional wrestlers frequently give their finishers new names. Occasionally, these names become popular and are used regardless of the wrestler performing the technique.
In professional wrestling double-team maneuvers are executed by multiple wrestlers instead of one and typically are used by tag teams in tag team matches. Many of these maneuvers are combination of two throws, or submission holds. Most moves are known by the names that professional wrestlers give their "finishing move" names. Occasionally, these names become popular and are used regardless of the wrestler performing the technique. Moves are listed under general categories whenever possible.
The front kick in martial arts is a kick executed by lifting the knee straight forward, while keeping the foot and shin either hanging freely or pulled to the hip, and then straightening the leg in front of the practitioner and striking the target area. It is desirable to retract the leg immediately after delivering the kick, to avoid the opponent trying to grapple the leg and to return to stable fighting stance.
A backbreaker refers to professional wrestling moves which see a wrestler dropping an opponent so that the opponent's back impacts or is bent backwards against a part of the wrestler's body, usually the knee. The standard version of the move sees the wrestler scoop their opponent horizontally before dropping to one knee, slamming the opponent's back on their other knee.
In professional wrestling, a neckbreaker is any throw or slam that focuses its attack on the opponent's neck. One type of neckbreaker involves the wrestler slamming an opponent's neck against a part of the wrestler's body, usually the knee, head or shoulder. The other type of neckbreaker is a slam technique in which the wrestler throws an opponent to the ground by twisting the opponent's neck. This also refers to a "back head slam" where a wrestler drops to the mat while holding an opponent by their neck.
Kimarite are winning techniques in a sumo bout. For each bout in a Grand Sumo tournament, a sumo referee, or gyōji, will decide and announce the type of kimarite used by the winner. It is possible for the judges to modify this decision later. Records of the kimarite are kept and statistical information on the preferred techniques of different wrestlers can be deduced easily. For example, a pie chart of the kimarite used by each sekitori in the past year can be found on the Japan Sumo Association webpage.
The flare is an acrobatic move in which the performer alternates balancing the torso between either arm while swinging the legs beneath in continuous circles. It is a fundamental b-boying power move, and in gymnastics it may be performed on a pommel horse or during the floor exercise. The move is commonly spelled flair in gymnastics and further may be called a "Thomas flair" after its originator, Kurt Thomas.
A spin is a b-boying move that involves rotation of the breaker's body about some axis in contact with the ground. It is possible to perform a spin on virtually any part of the body, but bare skin often causes painful and spin-killing friction with the floor. To solve this problem, many breakers employ pieces of cloth or wear long clothing, pads, or caps. When the dancer uses his hands to aid in speeding up the spin, it is called tapping. A dancer may tap for a few rotations and then glide for subsequent rotations. Spins form an integral part of many breakers' routines, while others eschew them in favor of more complex-looking repeated movements, back and forth, after each rotation in a given direction.
Locking is a style of funk dance, which is today also associated with hip hop. The name is based on the concept of locking movements, which basically means freezing from a fast movement and "locking" in a certain position, holding that position for a short while and then continuing at the same speed as before. It relies on fast and distinct arm and hand movements combined with more relaxed hips and legs. The movements are generally large and exaggerated, and often very rhythmic and tightly synced with the music. Locking is performance oriented, often interacting with the audience by smiling or giving them a high five, and some moves are quite comical.
Crossovers are a basic stroking technique in figure skating for gaining impetus while skating along a curve or circle. They may be performed while skating either forwards or backwards.
A pin, or fall, is a victory condition in various forms of wrestling that is met by holding an opponent's shoulders or scapulae on the wrestling mat for a prescribed period of time. This article deals with the pin as it is defined in amateur wrestling.
Stances are a highly fundamental part of all Chinese Martial Arts. Wushu is characterized by low, wide stances designed for mobility and protection. Stability is another key concern of Chinese martial arts, and the wushu stances reflect this sensibility. There are five key stances utilized in both contemporary wushu and traditional wushu. Many others exist, and different styles of wushu prescribe a particular protocol for "correct" stance.