"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"The Morning After" is a song written by Al Kasha and Joel Hirschhorn for the 1972 film The Poseidon Adventure, winning Best Original Song at the 45th Academy Awards. Following this success, Maureen McGovern recorded a single version that became a No. 1 hit in the US for two weeks during August 1973, with Gold record sales. Billboard ranked it as the No. 28 song for 1973.
"I Write the Songs" is a popular song written by Bruce Johnston. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976.
"Love Is Here and Now You're Gone" is a 1967 song recorded by the Supremes for the Motown label.
"Top of the World" is a 1972 song written and composed by Richard Carpenter and John Bettis and first recorded by American pop duo Carpenters. It was a Billboard Hot 100 No. 1 hit for the duo for two consecutive weeks in 1973.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"Don't Pull Your Love" is the debut single by Hamilton, Joe Frank & Reynolds which became a top ten hit single in 1971. The song was written by Brian Potter and Dennis Lambert.
"I Love Music" is a song by American R&B group The O'Jays. It was written by production team Gamble and Huff. The song appeared on The O'Jays 1975 album, Family Reunion. The single reached number five on the US US Billboard Hot 100 and number one on the soul singles chart. In the UK, the song peaked at number 13 in the Top 40 singles charts in March 1976. The single spent eight weeks at number one on the US Disco File Top 20 chart.
"Loves Me Like a Rock" is a song by the American singer-songwriter Paul Simon. It was the second single from his third studio album, There Goes Rhymin' Simon (1973), released on Columbia Records. It features background vocals from the Dixie Hummingbirds, a Southern black gospel group. Although the lyrics are not typically associated with gospel music, the Dixie Hummingbirds were eager to record the song with Simon, and they recorded their own version soon after for their 1973 album We Love You Like a Rock/Every Day and Every Hour.
"Ain't No Woman (Like the One I've Got)" is a song written by Dennis Lambert and Brian Potter, released as a single by the Four Tops on the ABC/Dunhill record label, from the album Keeper of the Castle. It peaked at number four on the U.S. Billboard Hot 100 the weeks of April 7 and 14, 1973, number one on the Cash Box Top 100 the latter of those two weeks, and became a gold record.
"Clean Up Woman" is a song by Betty Wright from her second studio album, I Love the Way You Love (1972). Written and produced by Clarence Reid and Willie Clarke, it was released in November 1971 in the U.S. as a 7" single with "I'll Love You Forever" on the B-side. The song's distinctive guitar lick was played by Willie "Little Beaver" Hale.
"I'd Really Love to See You Tonight" is a song written by Parker McGee and recorded by England Dan & John Ford Coley from their 1976 album Nights Are Forever. It eventually peaked at No. 2 on the Billboard Hot 100 chart for two weeks, behind Wild Cherry's "Play That Funky Music" and No. 1 on the Easy Listening chart. Billboard ranked it as the No. 21 song for 1976. It also reached No. 26 on the UK Singles Chart.
"When Will I Be Loved" is a popular song written by Phil Everly of the Everly Brothers, who had a US top-ten hit with it in 1960. Linda Ronstadt covered the song in 1975, and her version was an even bigger hit in the US, peaking at No. 2. Vince Gill also covered it in 1994 on the soundtrack of the film 8 Seconds.
"Love Won't Let Me Wait" is a hit 1975 single by Major Harris, a former member of R&B/soul group The Delfonics. Written by Vinnie Barrett and Bobby Eli, the single is considered to be a staple of classic soul playlists, and was Harris' only entry into the top five on both the soul and pop charts. The single hit number five on the pop chart, and also hit number one on the soul chart for one week. Billboard ranked it as the No. 24 song for 1975. It was awarded a gold disc by the R.I.A.A. on 25 June 1975.
"Too Late to Turn Back Now" is the 1972 follow-up single of Cornelius Brothers & Sister Rose to their debut hit "Treat Her Like a Lady". The single had previously been released in 1970 on the Platinum label.
"Do You Know What I Mean" is a song written and performed by Lee Michaels. It was produced by Michaels.
"The Things We Do for Love" is a song by British band 10cc, released as a single in 1976. It later featured on the album Deceptive Bends released in 1977 and was the group's first release after the departure of band members Kevin Godley and Lol Creme.
"On and On" is a song by American singer-songwriter Stephen Bishop. The song, from his debut album Careless, became a major hit, peaking at number 11 on the U.S. Billboard Hot 100 and spending 28 weeks on the chart. In Canada, the song peaked at number 6.
"Money Honey" is the title of a 1975 international hit single by the Bay City Rollers, taken from their album Rock n' Roll Love Letter and in the UK on their album Dedication. The power-pop recording was issued in the US as the album's lead single in January 1976, reaching number nine on the Hot 100 in Billboard magazine that March. "Money Honey" was the Bay City Rollers' second US Top 10 hit. It reached number seven on the Cash Box chart. The follow-up single was the album's title track, "Rock and Roll Love Letter". In the UK, "Money Honey" was released in November 1975 and reached number three, becoming the group's ninth Top 10 single.
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"
