"Duane Barry" is the fifth episode of the second season and 29th episode overall of the science fiction television series The X-Files, premiering in the United States and Canada on October 14, 1994. The episode was written and directed by executive producer Chris Carter. "Duane Barry" received a Nielsen rating of 8.9 and was viewed by 8.5 million households. The episode received largely positive reviews from critics.
In 1985, at his home in Pulaski, Virginia, Duane Barry (Steve Railsback) is abducted by aliens. Nine years later, Barry has become a violent patient in a mental institution, refusing to take his medication and insisting that the aliens are coming back for him. He attacks a security guard and steals his gun, taking head psychiatrist Dr. Hakkie hostage before escaping. Barry seeks to return to his original abduction site with Dr. Hakkie, in the hopes that the aliens will take the doctor instead when they return. But since he can't remember where the abduction site is located, Barry heads to a travel agency and holds the three clerks hostage along with Dr. Hakkie.
Fox Mulder (David Duchovny) and Alex Krycek (Nicholas Lea) are summoned to the ensuing hostage situation by Agent Lucy Kazdin (CCH Pounder), since Barry insists that he is an alien abductee. Mulder contacts Dana Scully (Gillian Anderson) for assistance, asking her to look into Barry's history. Mulder acts as a hostage negotiator, calling Barry in order to earn his trust so that the standoff may be peacefully resolved. Barry quickly figures this out, causing Mulder to learn that he is a former FBI agent. A power outage occurs, frightening Barry and causing him to fire his gun, hitting one of the hostages. Mulder heads inside the travel agency with a paramedic. Barry releases the wounded hostage in exchange for Mulder, who is instructed to get Barry near the agency's front door so that snipers can fire on him.
Scully arrives and reveals that Barry's frontal cortex was damaged when he was shot in the head in 1982; she thinks this injury has made Barry a psychopathicpathological liar. Mulder talks to Barry, who claims that the aliens performed painful tests on him and put tracking devices in his body. Against Kazdin's orders, Mulder tells Barry that he believes his story, convincing him to release the remaining hostages. However, when Mulder questions whether Barry is lying, he becomes enraged. Mulder tricks Barry into approaching the front door where he is shot by a sniper.
The next day, Mulder visits Barry in the hospital. Kazdin appears, revealing that metal implants were found in Barry's body and that tiny holes were found in his teeth, in the same manner he had described. Mulder gives one of the implants to Scully, who has it reviewed by a ballistics expert; they find a microscopic barcode imprinted on it. Later, at a supermarket, Scully swipes the implant across a checkout scanner, causing the machine to malfunction while displaying a strange serial number. At her house, Scully leaves a message on Mulder's voicemail, suggesting that Barry had been "catalogued" by the implant. But just then, Barry—having escaped from the hospital—breaks in through Scully's window and kidnaps her.[1][2]
Production
Part of the episode was inspired by the true story of Phineas Gage.
Conception
"Duane Barry" was originally planned to be a standalone mythology episode, but the news of Gillian Anderson's pregnancy led to the creation of a two-part episode, since the production crew knew they needed Anderson to disappear until she had given birth. The follow-up episode, "Ascension", was written by Paul Brown.[3]
Much of Carter's inspiration for the episode came from reports of Phineas Gage, who underwent a personality change after a blasting accident drove an iron rod completely through his head[3] The aliens' use of a dental drill on Barry was inspired by a neighbour of Carter who said that he was abducted and that the aliens drilled holes into his teeth – which a dentist analyzed and said could not be done with any equipment he knew.[4]
The aliens seen at the start of the episode were portrayed by children. Carter wrote specifically the part of Barry with Steve Railsback in mind, saying, "I've resisted casting the marquee names only because it takes you out of the show; makes the show less believable. But there are certain actors who just call out for the part."[5] Originally, Railsback character was named Duane Garry, but it was changed after learning that a person within the FBI had the same name. Carter has mentioned that he disliked the new name at first but got used to it over time.[3]
Filming
"It was actually a good test of my skills. I kept communicating with directors for 30 episodes, telling them what I wanted. Now it was really a chance to show them what I wanted."
This episode marked Carter's directing debut. Being the first he had ever directed, David Nutter from the directing staff helped, tipped, and showed him what to do. With Nutter's help, Carter learned how to block entire scenes. When commenting on his experience, Carter told that he sometimes followed Nutter's advice down to "the letter". When directing the episode, Carter wanted to create a different feel for the episode, by focusing more on the performances given by the actors, than the mechanical set designs.[3] He declared that directing he learned about "things you take for granted as a writer and producer", that lead to "compromises" for things Carter could not do on-screen,[4] and compared the episode to a stage play as most is set in a single place, the travel agency.[6]
During the filming of Barry's abduction, they had a "film run out" which, according to Carter, gave the scene a "very eerie effect".[3] Shooting that scene was a "real test" according to Carter.[7] Carter was pleased with the outcome, saying he was able to show viewers what he wanted out of The X-Files, which he felt he was "very successful" at.[8] The visual effects crew had to hang a "giant light" over the house where Barry was being abducted. It took the course of forty-five minutes to shoot the scene. According to Carter, much teamwork was required to film that particular scene. As he puts it, he was actually forced to stay "behind the camera" to see the end results.[3] For the experiments, Railsback was put in a plaster model of his back as he was lifted by a hydraulic device, and had water squirted on his mouth for the dental drill.[9]
Reception
"Duane Barry" premiered on the Fox network on October 14, 1994.[10] This episode earned a Nielsen rating of 8.9, with a 16 share, meaning that roughly 8.9 percent of all television-equipped households, and 16 percent of households watching television, were tuned in to the episode.[11] It was viewed by 8.5 million households.[11] CCH Pounder and Chris Carter both earned Primetime Emmy nominations for "excellence in primetime television" for their work in this episode. Pounder was nominated in the category "Outstanding Guest Actress in a Drama Series", while Carter was nominated in the category "Outstanding Individual Achievement in Writing for a Drama Series".[12] The episode was also nominated in the categories "Outstanding Individual Achievement in Sound Editing for a Series" and "Outstanding Individual Achievement in Editing for a Series - Single Camera Production".[13] Director of Photography John Bartley also received a nomination for Outstanding Achievement Award for Episodic Television by the American Society of Cinematographers.[7]
The episode was well received by the cast and crew of The X-Files. Producer J.P. Finn praised the episode and Carter's directing, saying "We were all pretty nervous doing that one, because Chris Carter was a new director. It turned out that he directed very well...It was a great script, a great cast, and he ended up directing a home run. One of the charming things about it was the end, where we had these alien heads placed on young children. It was so endearing to see them on the set between takes, playing with Chris and everyone".[14] Actor David Duchovny said of Carter's directing: "Chris came in meticulously prepared, which is his nature. I think his first episode was great".[15] Carter himself described it as one of his favorite episodes because "it was a chance for me to sort of do it all, and it came out in ways better than I imagined it would".[4]
The episode received largely positive reviews from television critics. Matt Roush from USA Today said Railsback's performance as Barry rivaled that of his portrayal of Charles Manson in the 1976 television miniseries Helter Skelter.[16] An unnamed reviewer from the Contra Costa Times called the episode "seminal".[17]San Jose Mercury News said Railsback gave what was to be the "ultimate X-Files performance" in 2002 after the show had been cancelled.[18]Robert Shearman, in his book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, gave the episode a glowing review and rated it five stars out of five.[19] Shearman called it "a career best for Chris Carter" and praised his writing and directing, noting that both were "powerfully" and "passionately" done. Shearman also applauded the episode's simplicity, citing it as the factor that made the entry stand out from others.[19] Zack Handlen from The A.V. Club named it an "essential" episode of The X-Files. Furthermore, he praised Railsback's performance, writing that "there's a sweaty intensity to his best performances that makes him impossible to look away from; but you still can't accept anything he says at face value."[20]
1 2 3 4 Carter, Chris (2000). "Chris Carter Talks about Season 2: 'Duane Barry'". The X-Files: The Complete Second Season. Los Angeles: 20th Century Fox.
↑ "X-Files key players X-Files makes mark on TV Sci-Fi history Alien-spacey show re-establish genre during Skeptical Decade and Created Pop Catchphrases". San Jose Mercury News. May 19, 2002.
Shearman, Robert (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN978-0-9759446-9-1.
Dr. Dana Katherine Scully, M.D., is a fictional character and one of the two protagonists in the Fox science-fiction, supernatural television series The X-Files, played by Gillian Anderson. Scully is a Federal Bureau of Investigation (FBI) Special Agent and a medical doctor (MD), partnered with fellow Special Agent Fox Mulder for seasons one to seven and seasons 10 and 11, and with John Doggett in the eighth and ninth seasons. In the television series, they work out of a cramped basement office at FBI headquarters in Washington, DC to investigate unsolved cases labeled "X-Files." In 2002, Scully left government employment, and in 2008, she began working as a surgeon in Our Lady of Sorrows, a private Catholic hospital – where she stayed for seven years, until rejoining the FBI. In contrast to Mulder's credulous "believer" character, Scully is the skeptic for the first seven seasons, choosing to base her beliefs on what science can prove. She later on becomes a "believer" after Mulder's abduction at the end of season seven.
The first season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on September 10, 1993, and concluded on the same channel on May 13, 1994, after airing all 24 episodes.
The second season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on September 16, 1994, concluded on the same channel on May 19, 1995, after airing all 25 episodes. The series follows Federal Bureau of Investigation special agents Fox Mulder and Dana Scully, portrayed by David Duchovny and Gillian Anderson respectively, who investigate paranormal or supernatural cases, known as X-Files by the FBI.
The third season of the American science fiction television series The X-Files commenced airing on Fox in the United States on September 22, 1995, concluded on the same channel on May 17, 1996, and contained 24 episodes. The season continues to follow the cases of FBI special agents Fox Mulder and Dana Scully, portrayed by David Duchovny and Gillian Anderson respectively, who investigate paranormal or supernatural cases, known as X-Files by the FBI.
"Pilot" is the pilot episode of the science fiction television series The X-Files. The episode aired on September 10, 1993, on the Fox network in the United States and Canada. The episode was written by series creator Chris Carter, and directed by Robert Mandel. As the pilot, it would set up the mythology storyline for the series. The episode earned a Nielsen rating of 7.9 and was viewed by 7.4 million households and 12.0 million viewers. The episode itself was generally well received by fans and critics alike, which led to a growing cult following for the series before it hit the mainstream.
"Deep Throat" is the second episode of the first season of the American science fiction television series The X-Files. This episode premiered on the Fox network on September 17, 1993. Written by series creator Chris Carter and directed by Daniel Sackheim, the episode introduces several elements which became staples of the series' mythology.
"Fallen Angel" is the tenth episode of the first season of the American science fiction television series The X-Files, premiering on the Fox network on November 19, 1993. It was written by Howard Gordon and Alex Gansa, and directed by Larry Shaw. The episode saw Jerry Hardin reprise his role as Deep Throat. The episode explored the series' overarching mythology. The episode was mostly well received.
"Little Green Men" is the first episode of the second season of the science fiction television series The X-Files, premiering on the Fox network on September 16, 1994, in the United States and on BBC Two in the United Kingdom on August 28, 1995. The episode was written by Glen Morgan and James Wong, and directed by David Nutter. The episode helped explore the series' overarching mythology. "Little Green Men" earned a Nielsen household rating of 10.3, being watched by 9.8 million households in its initial broadcast. The episode received largely positive reviews from critics.
"Sleepless" is the 4th episode of the second season and 28th overall of the science fiction television series The X-Files, premiering on the Fox network on October 7, 1994. The episode was written by supervising producer Howard Gordon and directed by Rob Bowman. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology, although it features the first on-screen appearances of recurring characters X and Alex Krycek, who are central to the show's continuity. Its closing scene also sets the stage for the subsequent story arc of Scully's abduction. "Sleepless" earned a Nielsen rating of 8.6 and was viewed by 8.2 million households. The episode received mostly positive reviews from critics.
"Ascension" is the sixth episode of the second season of the American science fiction television series The X-Files. It premiered on the Fox network on October 21, 1994. It was written by Paul Brown, directed by Michael Lange, and featured guest appearances by Steve Railsback, Nicholas Lea, Steven Williams and Sheila Larken. The episode helped explore the series' overarching mythology.
"One Breath" is the eighth episode of the second season of the American science fiction television series The X-Files. It premiered on the Fox network on November 11, 1994. It was written by Glen Morgan and James Wong, directed by R. W. Goodwin, and featured guest appearances by Melinda McGraw, Sheila Larken and Don S. Davis. The episode helped to explore the series' overarching mythology. "One Breath" earned a Nielsen household rating of 9.5, being watched by 9.1 million households in its initial broadcast. The episode received mostly positive reviews from television critics.
"The Blessing Way" is the first episode of the third season of the American science fiction television series The X-Files. It premiered on the Fox network on September 22, 1995. It was directed by R.W. Goodwin, and written by series creator Chris Carter. "The Blessing Way" featured guest appearances by Floyd Red Crow Westerman, Peter Donat and Jerry Hardin, and introduced John Neville as the Well-Manicured Man. The episode helped explore the overarching mythology, or fictional history of The X-Files. "The Blessing Way" earned a Nielsen household rating of 12.3, being watched by 19.94 million people in its initial broadcast. The episode received mixed-to-positive reviews from critics.
"The List" is the fifth episode of the third season of the science fiction television series The X-Files. It was first broadcast in the United States on the Fox network on October 20, 1995. "The List" was written and directed by series creator Chris Carter. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' larger mythology. "The List" received a Nielson household rating of 10.8, being watched by 16.72 million people on its initial broadcast, and received mixed to positive reviews from critics.
"Nisei" is the ninth episode of the third season of the American science fiction television series The X-Files. It premiered on the Fox network on November 24, 1995. It was directed by David Nutter, and written by Chris Carter, Frank Spotnitz and Howard Gordon. "Nisei" featured guest appearances by Steven Williams, Raymond J. Barry and Stephen McHattie. The episode helped explore the series' overarching mythology. "Nisei" earned a Nielsen household rating of 9.8, being watched by 16.36 million people in its initial broadcast. The episode received largely positive reviews from critics.
"731" is the tenth episode of the third season of the American science fiction television series The X-Files. It premiered on the Fox network on December 1, 1995. It was directed by Rob Bowman, and written by Frank Spotnitz. "731" featured guest appearances by Stephen McHattie, Steven Williams and Don S. Williams. The episode helps explore the series' overarching mythology. "731" earned a Nielsen household rating of 12, being watched by 17.68 million people in its initial broadcast.
"Max" is the eighteenth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 23, 1997. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Max" featured guest appearances by Joe Spano, Tom O'Brien and Scott Bellis, and saw the final appearance of Brendan Beiser as special agent Pendrell. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Max" earned a Nielsen household rating of 11.6, being watched by 18.34 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
Volume 1 of The X-Files Mythology collection is a DVD release containing selected episodes from the first to the third seasons of the American science fiction television series The X-Files. The episodes collected in the release form the beginning of the series' mythology, and are centred on alien abduction at the hands of "colonists". Several of the elements introduced in the collected episodes arose through necessity during production, as working around the pregnancy of lead actress Gillian Anderson led to both the creation of unifying plot thread and the introduction of several recurring characters.
"Conduit" is the fourth episode of the first season of the American science fiction television series The X-Files. It premiered on the Fox network on October 1, 1993. It was written by Alex Gansa and Howard Gordon, directed by Daniel Sackheim, and featured a guest appearance by Carrie Snodgress as the mother of an abducted teenager.
"This Is Not Happening" is the fourteenth episode of the eighth season and the 175th episode overall of the science fiction television series The X-Files. The episode first aired in the United States on February 25, 2001, on the Fox Network, and subsequently aired in the United Kingdom. It was written by executive producers Chris Carter and Frank Spotnitz, and directed by Kim Manners, and forms part of the series' overarching mythology. The episode received a Nielsen household rating of 9.7 and was watched by 16.9 million viewers, making it the highest-rated episode of the season. "This Is Not Happening" was received positively by television critics.
The mythology of The X-Files, sometimes referred to as its "mytharc" by the show's staff and fans, follows the quest of FBI Special Agents Fox Mulder, a believer in supernatural phenomena, and Dana Scully, his skeptical partner. Their boss, FBI Assistant Director Walter Skinner, was also often involved. Beginning with season 8, another skeptic named John Doggett, and Monica Reyes, a believer like Mulder, were also introduced. The overarching story, which spans events as early as the 1940s, is built around a government conspiracy to hide the truth about alien existence and their doomsday plan. Not all episodes advanced the mythology plot, but those that did were often set up by Mulder or Scully via an opening monologue.
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