Dykes, Camera, Action! | |
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Directed by | Caroline Berler |
Produced by | Caroline Berler |
Starring | |
Cinematography | |
Music by | Gil Talmi |
Distributed by | Frameline Distribution |
Release date |
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Running time | 61 minutes |
Language | English |
Dykes, Camera, Action! is a 2018 American documentary film about the history of lesbian and queer cinema from the women who made it happen. The documentary is the first feature-length film of New York City based director and editor, Caroline Berler. [1] [2]
The film is the exploration of lesbian cinema from the 1970s to now. Filmmakers Barbara Hammer, Su Friedrich, Rose Troche, Cheryl Dunye, Yoruba Richen, Desiree Akhavan, Vicky Du, film critic B. Ruby Rich, Jenni Olson, and others share from their lives and discuss how they've expressed lesbian and queer identity through film.
Cast reflects on and gives tribute to many influential films and television series: [3]
Caroline Berler received the Outfest 2018 Programming Award for Emerging Talent. [4] [5]
Curve is a global lesbian media project. It covers news, politics, social issues, and includes celebrity interviews and stories on entertainment, pop culture, style, and travel.
Barbara Jean Hammer was an American feminist film director, producer, writer, and cinematographer. She is known for being one of the pioneers of the lesbian film genre, and her career spanned over 50 years. Hammer is known for having created experimental films dealing with women's issues such as gender roles, lesbian relationships, coping with aging, and family life. She resided in New York City and Kerhonkson, New York, and taught each summer at the European Graduate School.
Angela Robinson is an American film and television director, screenwriter and producer. Outfest Fusion LGBTQ People of Color Film Festival awarded Robinson with the Fusion Achievement Award in 2013 for her contribution to LGBTQ+ media visibility.
Jenni Olson is a writer, archivist, historian, consultant, and non-fiction filmmaker based in Berkeley, California. She co-founded the pioneering LGBT website PlanetOut.com. Her two feature-length essay films — The Joy of Life (2005) and The Royal Road (2015) — premiered at the Sundance Film Festival. Her work as an experimental filmmaker and her expansive personal collection of LGBTQ film prints and memorabilia were acquired in April 2020 by the Harvard Film Archive, and her reflection on the last 30 years of LGBT film history was published as a chapter in The Oxford Handbook of Queer Cinema from Oxford University Press in 2021. In 2020, she was named to the Out Magazine Out 100 list. In 2021, she was recognized with the prestigious Special TEDDY Award at the Berlin Film Festival. She also campaigned to have a barrier erected on the Golden Gate Bridge to prevent suicides.
Holger Bernhard Bruno Mischwitzky, known professionally as Rosa von Praunheim, is a German film director, author, producer, professor of directing and one of the most influential and famous queer activists in the German-speaking world. A pioneer of Queer Cinema and gay activist from the very beginning, von Praunheim was a key co-founder of the modern lesbian and gay movement in Germany and Switzerland. He was an early advocate of AIDS awareness and safer sex. His films center on queer-related themes and strong female characters, are characterized by excess and employ a campy style. They have featured such personalities as Keith Haring, Larry Kramer, Diamanda Galás, William S. Burroughs, Allen Ginsberg, Judith Malina, Jeff Stryker, Jayne County, Divine, Charlotte von Mahlsdorf and a row of Warhol superstars. In over 50 years, von Praunheim has made more than 150 films. His works influenced the development of LGBTQ+ movements worldwide.
Cheryl Dunye is a Liberian-American film director, producer, screenwriter, editor and actress. Dunye's work often concerns themes of race, sexuality, and gender, particularly issues relating to black lesbians. She is known as the first out black lesbian to ever direct a feature film with her 1996 film The Watermelon Woman. She runs the production company Jingletown Films based in Oakland, California.
The Watermelon Woman is a 1996 American romantic comedy-drama film written, directed, and edited by Cheryl Dunye. The first feature film directed by a black lesbian, it stars Dunye as Cheryl, a young black lesbian working a day job in a video store while trying to make a film about Fae Richards, a black actress from the 1930s known for playing the stereotypical "mammy" roles relegated to black actresses during the period.
Outfest is an LGBTQ-oriented nonprofit that produces two film festivals, operates a movie streaming platform, and runs educational services for filmmakers in Los Angeles. Outfest is one of the key partners, alongside the Frameline Film Festival, the New York Lesbian, Gay, Bisexual, & Transgender Film Festival, and the Inside Out Film and Video Festival, in launching the North American Queer Festival Alliance, an initiative to further publicize and promote LGBT film.
The Frameline Film Festival began as a storefront event in 1976. The first film festival, named the Gay Film Festival of Super-8 Films, was held in 1977. The festival is organized by Frameline, a nonprofit media arts organization whose mission statement is "to change the world through the power of queer cinema". It is the oldest LGBTQ+ film festival in the world.
Su Friedrich is an American avant-garde film director, producer, writer, and cinematographer. She has been a leading figure in avant-garde filmmaking and a pivotal force in the establishment of Queer Cinema.
The Teddy Award is an international film award for films with LGBT topics, presented by an independent jury as an official award of the Berlin International Film Festival. For the most part, the jury consists of organisers of gay and lesbian film festivals, who view films screened in all sections of the Berlinale; films do not have to have been part of the festival's official competition stream to be eligible for Teddy awards. Subsequently, a list of films meeting criteria for LGBT content is selected by the jury, and a 3,000-Euro Teddy is awarded to a feature film, a short film and a documentary.
Catherine Crouch is an American film director, screenwriter, producer, cinematographer, and actor. She has been active in independent film-making for over two decades. Most of her work explores gender, race, and class in lesbian and queer lives. She is known for Stranger Inside (2001), Stray Dogs (2002), and The Gendercator (2007).
Thomas Allen Harris is a critically acclaimed, interdisciplinary artist who explores family, identity, and spirituality in a participatory practice. Since 1990, Harris has remixed archives from multiple origins throughout his work, challenging hierarchy within historical narratives through the use of pioneering documentary and research methodologies that center vernacular image and collaboration. He is currently working on a new television show, Family Pictures USA, which takes a radical look at neighborhoods and cities of the United States through the lens of family photographs, collaborative performances, and personal testimony sourced from their communities..
Michelle Handelman is an American contemporary artist, filmmaker, and writer who works with live performance, multiscreen installation, photography and sound. Coming up through the years of the AIDS crisis and Culture Wars, Handelman has built a body of work that explores the dark and uncomfortable spaces of queer desire. She confronts the things that provoke collective fear and denial – sexuality, death, chaos. She directed the ground-breaking feature documentary on the 1990s San Francisco lesbian S/M scene BloodSisters: Leather, Dykes & Sadomasochism(1995), described by IndieWire as “a queer classic ahead of its time, a vital archive of queer history.” Her early work included 16mm black and white experimental films combined with performance. She is also known for her video installations Hustlers & Empires (2018), Irma Vep, The Last Breath (2013-2015), and Dorian, A Cinematic Perfume(2009-2011). In 2011, she was awarded a John Simon Guggenheim Memorial Fellowship for her film and video work.
Aerlyn Weissman is a two-time Genie Award-winning Canadian documentary filmmaker and political activist on behalf of the lesbian community.
Wu Tsang is a filmmaker, artist and performer based in New York and Berlin, whose work is concerned with hidden histories, marginalized narratives, and the act of performing itself. In 2018, Tsang received a MacArthur "genius" grant.
Shari Frilot is an artist, filmmaker, and chief curator of the New Frontier program at the Sundance Film Festival. She is the director of two short films, and one documentary feature. Frilot has been chief curator of the New Frontier program since 2007, where she leads programming of new experimental American film and has developed an exhibition space at the Sundance Film Festival which hosts "digital artworks, media installations, and multimedia performance," including cinematic and artistic projects that make use of virtual reality technology. In her role as chief curator of New Frontier, the integration of new technologies has included an international open call for VR-based projects, integration of haptic technologies, and the platforming of projects that made use of artificial intelligence in their creation. Frilot has described the work of New Frontier by saying, "We wanted to cultivate an artistic and social environment to disarm people when they entered the space. It was a way of unlocking inhibitions and encouraging audiences to think about opening themselves up to the new rules and cinematic suggestions which the New Frontier artists are inviting you to consider."
Rhys Ernst is an American film producer and director. A trans man, his work explores transgender identity. He is best known for his work on transgender-related television shows, serving as an associate producer on Transparent and the director of its documentary spin-off This is Me. He is also known for his controversial debut feature film Adam.