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Company type | Nonprofit organization |
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Industry | Film Distribution |
Founded | 2010 |
Headquarters | , |
Products | Independent Film |
Website | http://www.thefilmcollaborative.org/ |
The Film Collaborative (TFC) is an American non-profit organization. Based in Los Angeles, The Film Collaborative services filmmakers worldwide by providing distribution guidance and support as well as theatrical, film festival and digital distribution of art house, independent and world cinema.
Launched in 2010, The Film Collaborative is a service-oriented, educational organization aimed at encouraging and enabling independent filmmakers to forge their own brands and directly reach audiences with their work. [1] TFC educates filmmakers about marketing and distribution options with the objective to eliminate unnecessary middlemen and break away from the restrictive contract terms that are prevalent in the film industry so that creators, rather than corporations, may profit from their own work. An ardent advocate of new media/digital distribution, TFC encourages filmmakers to use the global reach of the internet for digital marketing and forging an ongoing relationship with their audiences.
In 2010, TFC did festival distribution for films such as Eyes Wide Open, The Owls, Florent, A Small Act, The Adults in the Room, How to Start Your Own Country, An African Election and Undertow.
TFC's 2011 slate included August, Codependent Lesbian Space Alien Seeks Same, Facing Mirrors, Hit So Hard, The Invisible War, I Want Your Love, Leave It on the Floor, Mosquita y Mari, Revenge of the Electric Car, Shut Up Little Man!, Some Guy Who Kills People, Vito, Weekend, We Were Here and The Wise Kids.
TFC's 2012 slate included A Fierce Green Fire, Interior. Leather Bar., Jobriath A.D. , The New Black, A River Changes Course, Gayby, A Portrait of James Dean: Joshua Tree, 1951, Taking a Chance on God, Trans, United in Anger and Valley of Saints.
TFC's 2013 slate included I am Divine, Born This Way, G.B.F., Gore Vidal: The United States of Amnesia, The Happy Sad, Kink, Pit Stop and Valentine Road.
TFC's 2014 slate included Appropriate Behavior, Born to Fly, Boy Meets Girl, Cesar's Last Fast, Five Star, The Immortalists, Kidnapped For Christ, Out in the Night, Regarding Susan Sontag, Song From the Forest, (T)ERROR, To Be Takei and The Year We Thought About Love.
TFC's 2015 slate included All About E, All Eyes and Ears, The Amina Profile, The Armor of Light, The Bad Kids, The Hunting Ground, I Promise You Anarchy, Landfill Harmonic, Naz & Maalik, The New Man, Out to Win, Portrait of a Serial Monogamist, Racing Extinction, The Royal Road, Salero, Seed Money, Tab Hunter Confidential, Those People, Uncle Howard and While You Weren't Looking.
TFC's 2016 slate included AWOL, Boone, Cameraperson, Equal Means Equal, Forever Pure, Hooligan Sparrow, Hunky Dory, Icaros, Jewel's Catch One, The Last Laugh, Maya Angelou And Still I Rise, Out Run, A Song For You, Tower, Untouchable and Women Who Kill.
Film | Year | Director | World premiere | Major awards | Distribution / Services | Genre | Notes |
---|---|---|---|---|---|---|---|
Hooligan Sparrow | 2016 | Nanfu Wang | Sundance | Best Social Impact Film, Documentary Feature (Greenwich International Film Festival), Spirit Award, Peabody Award [2] | Festivals, theatrical | Documentary | |
195 Lewis | 2017 | Chanelle Aponte Pearson | Rotterdam | U.S. Grand Jury Prize—Narrative Special Mention Film (Outfest) | Festivals | Episodic | |
After Louie | 2017 | Vincent Gagliostro | BFI Flare | Festivals | Narrative | ||
All the Rage | 2017 | Michael Galinsky, David Beilinson, Suki Hawley | DOC NYC | Theatrical | Documentary | ||
A Bad Idea Gone Wrong | 2017 | Jason Headley | Festivals | Narrative | |||
Behind the Curtain: Todrick Hall | 2017 | Katherine Fairfax Wright | SXSW | Festivals | Documentary | ||
Bending the Arc | 2017 | Kief Davidson, Pedro Kos | Sundance | Best Documentary (Greenwich) [3] | Festivals | Documentary | |
The Death and Life of Marsha P. Johnson | 2017 | David France | Tribeca | 2017 Programming Award for Freedom—David France and Victoria Cruz (Outfest) | Festivals | Documentary | |
ELIÁN | 2017 | Tim Golden, Ross McDonnell | Tribeca | Festivals, Theatrical | Documentary | Gravitas | |
The Fabulous Allan Carr | 2017 | Jeffrey Schwarz | Seattle | Festivals | Documentary | ||
The Feels | 2017 | Jenée LaMarque | Seattle International | U.S. Narrative Jury Prize, Best Actress—Ever Mainard (Outfest) | Festivals | Narrative | |
A Good American | 2017 | Friedrich Moser | CPH:DOX / DOC NYC | Theatrical | Documentary | ||
I Dream in Another Language | 2017 | Ernesto Contreras | Sundance | Audience Award: World Cinema Dramatic (Sundance) [4] | Festivals | Documentary | FilmRise |
Legion of Brothers | 2017 | Greg Barker | Sundance | Theatrical | Documentary | Gravitas | |
The Light of the Moon [5] | 2017 | Jessica M. Thompson | SXSW | Audience Award, Narrative Feature (SXSW) [6] | Festivals, theatrical | Narrative | |
More Art Upstairs | 2017 | Jody Hassett Sanchez | Hot Docs | Sales | Documentary | ||
Motherland [7] | 2017 | Ramona S. Diaz | Sundance | World Cinema Documentary Special Jury Award: Commanding Vision (Sundance) [8] | Festivals, theatrical | Documentary | |
No Man's Land | 2017 | David Byars | Tribeca | Festivals | Documentary | ||
The Opposition | 2017 | Hollie Fifer | IDFA | Festivals | Documentary | ||
Pornocracy | 2017 | Ovidie | SXSW | Festivals | Documentary | ||
Quest | 2017 | Jonathan Olshefski | Sundance | Grand Jury Prizes (Full Frame, RiverRun, Dallas, Ashland), Human Rights Award (Full Frame), Honorable Mention (Cleveland) [9] | Festivals | Documentary | |
The Reagan Show | 2017 | Pacho Velez, Sierra Pettengill | Tribeca | Theatrical | Documentary | Gravitas | |
Romeo Is Bleeding [10] | 2017 | Jason Zeldes | San Francisco International | Winner of over 20 Film Festival Awards | Theatrical | Documentary | |
Score | 2017 | Matt Schrader | Hamptons International | The Music Movies Award (Cleveland International) [11] | Theatrical | Documentary | Gravitas |
Signature Move | 2017 | Jennifer Reeder | SXSW | U.S. Grand Jury Prize—Best Narrative Feature Film: Jennifer Reeder (Outfest) | Festivals | Narrative | |
Small Talk | 2017 | Hui-chen Huang | Golden Horse Film Festival, Berlinale | Teddy Award (Berlinale) [12] | Festivals | Documentary | |
A Suitable Girl | 2017 | Sarita Khurana, Smriti Mundhra | Tribeca | Albert Maysles New Documentary Director Award (Tribeca) [13] | Festivals | Documentary | |
Supergirl | 2017 | Jessie Auritt | Hamptons International | Festivals | Documentary | FilmRise | |
Sylvio | 2017 | Albert Birney, Kentucker Audley | SXSW | Sales | Narrative | ||
True Conviction | 2017 | Jamie Meltzer | Tribeca | Special Jury Mention, Best Documentary Feature (Tribeca) [14] | Festivals | Documentary | |
Unrest | 2017 | Jennifer Brea | Sundance | U.S. Documentary Special Jury Award: Editing (Sundance), Audience Award (RiverRun International), Grand Jury Prize (Nashville) [15] | Festivals | Documentary | |
The Untold Tales of Armistead Maupin | 2017 | Jennifer M. Kroot | SXSW | Audience Award Winner, Documentary Spotlight (SXSW), Best Documentary Jury Winner (Outshine Miami), Audience Award (Nashville) [16] | Festivals, Theatrical, Sales, Digital | Documentary | |
What Lies Upstream | 2017 | Cullen Hoback | Slamdance | Festivals | Documentary | ||
Women Who Kill [17] [18] | 2017, 2016 | Ingrid Jungermann | Tribeca | Best Screenplay (Outfest) | Theatrical, Festivals | Narrative | |
1985 | 2018 | Yen Tan | SXSW | Festivals | Narrative | ||
306 Hollywood | 2018 | Elan + Jonathan Bogarín | Sundance | Festivals | Documentary | ||
93Queen | 2018 | Paula Eiselt | HotDocs | Festivals | Documentary | ||
Angels Are Made of Light | 2018 | James Longley | TIFF | Festivals | Narrative | ||
Cherry Grove Stories | 2018 | Michael Fisher | Festivals | Narrative | |||
Crime + Punishment | 2018 | Stephen Maing | Sundance | U.S. Doc Special Jury Award For Social Impact Filmmaking (Sundance) | Festivals | Documentary | |
The Devil We Know | 2018 | Stephanie Soechtig, Jeremy Seifert | Sundance | Best Call2Action Film (Boulder International) | Festivals | Documentary | |
Do You Trust This Computer? | 2018 | Chris_Paine | IREN Audience Award | Festivals | Documentary | ||
Dykes, Camera, Action! | 2018 | Caroline Berler | Emerging Talent Award: Caroline Berler (Outfest) | Festivals | Documentary | ||
Edie Windsor: To A More Perfect Union | 2018 | Donna Zaccaro | Festivals | Documentary | |||
Terrence McNally: Every Act of Life | 2018 | Jeff Kaufman | Tribeca | Audience Award—Best Documentary (Out CT), Jury Award—Best Documentary (Out CT), Festival Award for Best Documentary (FilmOut San Diego), Programming Award: Freedom Award—Terrence McNally (Film Out San Diego) | Festivals, Sales | Documentary | |
Freelancers Anonymous | 2018 | Sonia Sebastian | Festivals | Narrative | |||
Ideal Home | 2018 | Andrew Fleming | Festivals | Narrative | |||
Instructions on Parting | 2018 | Amy Jenkins | Best Documentary (Athens International Film + Video) | Festivals | Documentary | ||
The Judge | 2018 | Erika Cohn | Toronto | Audience Award (CUFF.Docs) | Festivals | Documentary | |
Jules of Light and Dark | 2018 | Daniel Laabs | Festivals | Narrative | |||
Living Proof | 2018 | Matt Embry | Toronto | Audience Award, Best Alberta Feature (Calgary) | Festivals | Documentary | |
Making Montgomery Clift | 2018 | Robert Clift, Hillary Demmon | Festivals, Sales | Documentary | |||
Man Made | 2018 | T Cooper | Best Documentary Jury Award (Atlanta), Best Documentary Feature (Translations: Seattle Transgender Film Festival), Best Documentary Feature Audience Award and Fox Inclusion Feature Award (Outfest) | Festivals | Documentary | ||
Mapplethorpe | 2018 | Ondi Timoner | Tribeca | Festivals | Narrative | ||
A Moment in the Reeds | 2017 | Mikko Makela | BFI London | Festivals, Digital, Sales | Narrative | ||
Punk Voyage | 2018 | Jukka Kärkkäinen, J-P Passi | Festivals, Digital | Documentary | |||
Rx: Early Detection | 2018 | Cathy Chermol Schrijver | Sundance | Festivals | Documentary | ||
Shakedown | 2018 | Leilah Weinraub | Berlin | Festivals | Documentary | ||
the T | 2018 | Deven Casey, Bea Cordelia, Daniel Kyri | Festivals | Episodic | |||
TransMilitary | 2018 | Gabriel Silverman, Fiona Dawson | SXSW | Audience Award, Documentary Competition (SXSW); Grand Jury Award (Florida Film Festival); Special Mention (Outfest) | Festivals | Documentary | |
Tucked | 2018 | Jamie Patterson | Best Narrative Audience Award and International Narrative Feature Grand Jury Prize (Outfest) | Festivals | Documentary | ||
White Rabbit | 2018 | Daryl Wein | Sundance | Festivals | Narrative | ||
Wild Nights with Emily | 2018 | Madeleine Olnek | SXSW | Guggenheim Fellowship, U.S. In Progress Award (Champs- Elysees), Best Narrative Film and Best Screenplay (Q Films Long Beach), Audience Award Best Film (Shout Alabama), Jury Humanitarian Award (Honolulu Rainbow), Best Narrative Film (Out Here Now Kansas City), Best Narrative Feature (Tied- Tampa Bay International GLFF), Festival Favorite (Palm Springs LGBT), Best Actress- Molly Shannon- Jury Award (Out on film, Atlanta LGBT FF), Best Director (Runner-up)- Madeleine Olnek- Jury Award (Out on film, Atlanta LGBT FF) | Festivals, Sales | Narrative | |
A Girl from Mogadishu | 2019 | Mary McGuckian | Edinburgh Int'l | Festivals, Global Impact VOD | Narrative | Showtime | |
Almost Love | 2019 | Mike Doyle | Inside Out Toronto, Frameline, Outfest | Festivals | Narrative | Vertical Entertainment / Netflix | |
Always in Season | 2019 | Jacqueline Olive | Sundance | U.S. Documentary Special Jury Award for Moral Urgency (Sundance) | Festivals, Community Conversations | Documentary | |
Artifishal | 2019 | Josh "Bones" Murphy | Tribeca | Festivals | Documentary | ||
Buoyancy | 2019 | Rodd Rathjen | Berlin | Prize of the Ecumenical Jury – Panorama (Berlin) | Fiscal Sponsorship | Narrative | Kino Lorber |
Carlos Almaraz | 2019 | Elsa Flores Almaraz, Richard Montoya | Palm Springs International | Fiscal Sponsorship | Documentary | Netflix | |
Changing the Game | 2019 | Michael Barnett | Tribeca | AT&T Audience Award—Best Documentary (Frameline43) | Festivals, Community Conversations | Documentary | Hulu |
Drag Kids | 2019 | Megan Wennberg | Festivals | Documentary | Gravitas | ||
The Euphoria of Being | 2019 | Réka Szabó | Locarno | Grand Prize of the Critics' Week (Locarno), Human Rights Award (Sarajevo) | Festivals | Documentary | |
The Garden Left Behind | 2019 | Flavio Alves | SXSW | Audience Award—Visions (SXSW), Audience Award—Narrative Feature (Wicked Queer Boston), Audience Award for Best Feature Narrative (Translations), Best of the Fest (Bentonville), Best Drama Feature Jury Award (North Carolina Gay & Lesbian Film Festival), Best Supporting Performance—Miriam Cruz, Best Lead Performance—Carlie Guevara, and Best Director—Flavio Alves (North Louisiana Gay and Lesbian Film Festival), Grand Jury Prize—New Director's Feature (Nashville), Audience Award (Louisville LGBT), Richard Propes' Social Impact Award for Best Narrative Film (Heartland), QueerScope Prize (Hamburg LGBT) | Festivals | Narrative | Dark Star |
Gay Chorus Deep South | 2019 | David Charles Rodrigues | Tribeca | GLAAD Media Award for Outstanding Documentary, Audience Award—Documentary (Tribeca), Audience Award for Best Documentary and Best Music Documentary (NorthwestFest), Audience Award—Best Documentary (Pink Apple Zurich) | Festivals | Documentary | MTV Films |
He Dreams of Giants | 2019 | Keith Fulton, Lou Pepe | AFI FEST, DOC NYC | Best UK Feature (Raindance) | Festivals | Documentary | |
Midnight Traveler | 2019 | Hassan Fazili | Sundance | World Cinema Documentary Special Jury Award for No Borders (Sundance), Special Mention, Panorama Jury Prize (Berlinale), Second Place, Panorama Audience Award (Berlinale), Special Mention, Peace Prize (Berlinale), Best International Feature (Doc Edge New Zealand), Best of Fest (Doc Edge New Zealand) | Festivals, Community Conversations | Documentary | Oscilloscope |
Mr. Toilet | 2019 | Lily Zepeda | Hot Docs | Student Choice Awards (Hot Docs) | Festivals | Documentary | Journeyman |
Our Time Machine | 2019 | Yang Sun, S. Leo Chiang | Tribeca | Best Cinematography—Documentary (Tribeca), Grand Jury Award—International Documentary Feature (Los Angeles Asian Pacific), Best Documentary (CAAMFest), Best International Director: S. Leo Chiang & Yang Sun (Doc Edge New Zealand), All In The Family (Doc Edge New Zealand), Jury Award for Best Documentary (Indie Street), Jury Award for Best Documentary (Pordenone Docs Fest) | Festivals | Documentary | Passion River |
The River and the Wall | 2019 | Ben Masters | SXSW | Festivals, Community Conversations | Documentary | Gravitas | |
Test Pattern | 2019 | Shatara Michelle Ford | Best Female Lead Nominee, Best First Feature Nominee, Best First Screenplay Nominee (Film Independent Spirit Awards) | Fiscal Sponsorship | Narrative | Film Movement | |
Unsettled | 2019 | Tom Shepard | SFFILM | Audience Award for Documentary Feature (TLVFest), Grand Jury Award for Best Documentary (Outfest), Award of Excellence Special Mention: Documentary Feature, Award of Merit Special Mention: Cinematography, and Award of Excellence: LGBT (Impact Doc Awards) | Festivals | Documentary | |
Vision Portraits | 2019 | Rodney Evans | SXSW | Outstanding Documentary Jury Award (Frameline43) | Festivals | Documentary | |
Women, War & Peace II | 2019 | Eimhear O'Neill, Gini Reticker, Geeta Gandbhir, Sharmeen Obaid-Chinoy | PBS Series | Fiscal Sponsorship | Documentary | PBS | |
Ahead of the Curve | 2020 | Jen Rainin | Frameline, Outfest | Audience Award—Best Documentary (aGLIFF) | Festivals, Fiscal Sponsorship | Documentary | Wolfe |
At the Ready | 2020 | Maisie Crow | Sundance | Festivals | Documentary | Gravitas | |
Breaking Fast | 2020 | Mike Mosallam | Cinequest | Festivals | Narrative | Vertical | |
Cicada | 2020 | Matthew Fifer | BFI London | Festivals | Narrative | Strand | |
Cured | 2020 | Bennett Singer, Patrick Sammon | Outfest | AT&T Audience Award: Best Documentary (Frameline44), Audience Award for Documentary Feature (Newfest) | Festivals, Community Conversations | Documentary | |
Disclosure: Trans Lives on Screen | 2020 | Sam Feder | Sundance | Festivals | Documentary | Netflix | |
First Vote | 2020 | Yi Chen | Festivals, Community Conversations | Documentary | C35 Films | ||
Kill Chain: The Cyber War on America's Elections | 2020 | Simon Ardizzone, Russell Michaels, Sarah Teale | HBO Max Original | Fiscal Sponsorship | Documentary | HBO | |
Landfall | 2020 | Cecilia Aldarondo | Tribeca | Nominee, Truer Than Fiction, Film Independent Spirit Awards 2021 | Festivals, Community Conversations | Documentary | |
Missing in Brooks County | 2020 | Lisa Molomot, Jeff Bemiss | Hot Springs Documentary | Festivals | Documentary | Giant Pictures | |
Mogul Mowgli | 2020 | Bassam Tariq | Berlin | Fiscal Sponsorship | Narrative | Strand | |
My Darling Vivian | 2020 | Matt Riddlehoover | SXSW | Festivals | Documentary | Giant Pictures | |
No Ordinary Man | 2020 | Aisling Chin-Yee, Chase Joynt | Toronto Int'l | Best Canadian Film (Inside Out Toronto) | Festivals | Documentary | Oscilloscope |
On The Record | 2020 | Kirby Dick, Amy Ziering | Sundance | Festivals | Documentary | HBO | |
P.S. Burn This Letter Please | 2020 | Michael Seligman, Jennifer Tiexiera | Tribeca | Festivals | Documentary | Discovery+ | |
Red Heaven | 2020 | Lauren DeFilippo, Katherine Gorringe | SXSW | Festivals | Documentary | Utopia | |
Rock Camp: The Movie | 2020 | Doug Blush | Cleveland Int'l | Festivals | Documentary | Gravitas | |
The Dilemma of Desire | 2020 | Maria Finitzo | SXSW | Festivals | Documentary | Utopia | |
The Magnitude of All Things | 2020 | Jennifer Abbott | Vancouver International, IDFA | Fiscal Sponsorship | Documentary | National Film Board of Canada | |
The New Corporation: The Unfortunately Unnecessary Sequel | 2020 | Joel Bakan, Jennifer Abbott | Toronto Int'l | Festivals | Documentary | ||
The Weight of Gold | 2020 | Brett Rapkin | HBO Max Original | Fiscal Sponsorship | Documentary | HBO | |
Through the Night | 2020 | Loira Limbal | Tribeca | Festivals, Community Conversations | Documentary | PBS | |
Welcome to Chechnya | 2020 | David France | Sundance | U.S. Documentary Special Jury Award for Editing: Tyler H. Walk (Sundance), Panorama Audience Award for Best Documentary (Berlin), Teddy ACTIVIST Award (Berlin) | Festivals | Documentary | HBO |
White Noise | 2020 | Daniel Lombroso | Festivals, Community Conversations | Documentary | The Atlantic | ||
Women in Blue | 2020 | Deirdre Fishel | Tribeca | Festivals, Community Conversations | Documentary | ||
18 1⁄2 | 2021 | Dan Mirvish | Woodstock | Fiscal Sponsorship | Narrative | ||
2 Timers | 2021 | Tim Aslin, Shane Cibella | Pasadena Int'l | Fiscal Sponsorship | Narrative | ||
Bitterbrush | 2021 | Emelie Mahdavian | Teluride | Fiscal Sponsorship | Documentary | Magnolia Pictures | |
BOULEVARD! A Hollywood Story | 2021 | Jeffrey Schwarz | Outfest | Festivals, Sales | Documentary | Passion River | |
Building a Bridge | 2021 | Evan Mascagni, Shannon Post | Tribeca | Festivals | Documentary | AMC Plus Documentaries | |
End of the Line | 2021 | Shannon Kring | Sundance | Festivals | Documentary | ||
Firebird | 2021 | Peeter Rebane | BFI Flare | Festivals | Narrative | Lionsgate | |
Gemmel & Tim | 2021 | Michiel Thomas | Outfest | Festivals, Sales | Documentary | Passion River | |
It's Not a Burden | 2021 | Michelle Boyaner | Fiscal Sponsorship | Documentary | Gravitas | ||
Like a Rolling Stone | 2021 | Suzanne Kai | Tribeca | Fiscal Sponsorship | Documentary | Netflix | |
Mission Joy | 2021 | Louie Psihoyos, Peggy Callahan | Tribeca | Festivals, Global Impact VOD | Documentary | Giant Pictures | |
My Name Is Lopez | 2021 | P. David Ebersole, Todd Hughes | AmDocs, Palm Springs Int'l | Fiscal Sponsorship | Documentary | Cinedigm | |
No Straight Lines | 2021 | Vivian Kleiman | Tribeca | Festivals | Documentary | ||
Not Going Quietly | 2021 | Nicholas Bruckman | SXSW | Audience Award Winner—Documentary Feature (SXSW); Special Jury Recognition—Humanity in Social Action, Documentary Feature (SXSW) | Festivals | Documentary | Greenwich Entertainment |
Paul Dood's Deadly Lunch Break | 2021 | Nick Gillespie | SXSW | Final Draft Screenwriters Award (SXSW) | Festivals | Narrative | |
See You Then | 2021 | Mari Walker | SXSW | Festivals | Narrative | Breaking Glass Pictures | |
Son of Monarchs | 2021 | Alexis Gambis | Sundance | Alfred P. Sloan Feature Film Prize (Sundance), Grand Jury Prize / New American Competition (Seattle International) | Festivals | Narrative | |
Storm Lake | 2021 | Jerry Risius, Beth Levison | Full Frame | Festivals | Documentary | PBS | |
Swan Song | 2021 | Todd Stephens | SXSW | Festivals | Narrative | Magnolia | |
The Story of Looking | 2021 | Mark Cousins | Sheffield DOC/FEST | Closing Night (Sheffield) | Fiscal Sponsorship | Documentary | |
Tigre Gente | 2021 | Elizabeth Unger | Tribeca | Festivals | Documentary | ||
Try Harder | 2021 | Debbie Lum | Sundance | Festivals | Documentary | Greenwich Entertainment | |
In 2011, TFC launched a free suite of online resources for filmmakers called Distripedia and have been expanding it ever since. Distripedia includes ResourcePlace, the Digital Distribution Guide, TFC Case Studies, the TFC Blog, [Distributor ReportCard] and the :20 in '22 interview series. The Digital Distribution Guide is a platform-focused listing of digital streaming platforms across the globe. It also provides links to platform-specific news items dating back to 2010. Analytical film distribution TFC Case Studies, which are released on an ongoing basis, highlight the distribution journeys of a variety of films—those of different genres, subject matters, levels of success, etc.—and cover topics ranging from sales agents, distributors, and self-distribution to reaching an online audience, creating impact campaigns with calls-to-action, and being pigeonholed in one's film niche. ResourcePlace provides a wide array of online services on topics that are essential to today's filmmaker. The Film Collaborate maintains this list of vendors and services via recommendations from filmmakers and other industry folks and/or our own first-hand experience with them. The TFC Blog, written by the TFC staff and a select industry guest writers, focuses on what's new in distribution and the digital distribution world. Topics include educational distribution, blockchain, digital strategy, fair use, and more. Distributor ReportCard, which will ultimately include at least 40 forthcoming distributors, is a "Zagat"-like guide anonymously collates filmmakers' real experiences with distribution companies, in their own words. It gives filmmakers the opportunity to learn from their fellow filmmakers, allowing them to understand and avoid some of the pitfalls of traditional distribution, while simultaneously helping them choose the best fit for their film. The short video interview series, entitled :20 in '22, features members of the TFC team as they engage in informal 20-minute chats with filmmakers, programmers, distributors, exhibitors, distribution experts, and other industry professionals on pressing film-distribution-related topics in these tumultuous and unpredictable times.
TFC offers distribution and marketing education to independent filmmakers seeking to reach traditionally underserved audiences. Via its membership and digital distribution programs, TFC guides filmmakers through the distribution process and helps them develop a custom strategy suitable for their film.
In 2012, TFC launched a Fiscal Sponsorship program, enabling filmmakers to contract with TFC to extend tax-exempt status to their specific projects, rather than attempting to secure tax-exempt status on their own.
In late 2010, The Film Collaborative spearheaded the theatrical release of Javier Fuentes-León's ghostly love story Undertow (Contracorriente), which was Peru's Official Selection to the Academy Awards for Best Foreign Language Film that year. In 2012, they released Jonathan Lisecki's alternative parenting romantic comedy-drama Gayby and Aurora Guerrero's coming-of-age film Mosquita y Mari.
In 2014, The Film Collaborative's theatrical releases included Switzerland's Official Selection to the 2015 Academy Awards for Best Foreign Language Film, The Circle (Der Kreis), Born to Fly: Elizabeth Streb vs. Gravity, [19] Catherine Gund's documentary about the life and work of choreographer and action architect Elizabeth Streb, LGBT film historiographer-director Jeffrey Schwarz's I am Divine, [20] about the international drag superstar and John Waters' leading lady Divine, Darius Clark Monroe's Evolution of a Criminal [21] and The Hand that Feeds. [22]
In 2015, The Film Collaborative's theatrical releases included Jeffrey Schwarz's Tab Hunter Confidential, [23] Lyric R. Cabral and David Felix Sutcliffe's (T)ERROR, [24] which won the Special Jury Award for Breakout First Feature at the 2015 Sundance Film Festival. TFC also released Parvez Sharma's A Sinner in Mecca, Song from the Forest, and 1971, which focuses on a break-in of an FBI office that occurred that year in Media, Pennsylvania to steal over 1000 classified documents.
Requiem for the American Dream, featuring famed historian Noam Chomsky, began its release on January 29, 2016. [25] TFC released Nanfu Wang's documentary about a Chinese activist, entitled Hooligan Sparrow, on July 22, 2016. [26] The Film Collaborative, along with Emerging Pictures, will handle theatrical distribution for Landfill Harmonic (2016). [27] The film will open theatrically in North America on September 9, 2016. TFC partnered with Gravitas Ventures to release For the Love of Spock theatrically on Sept. 9, 2016.
In November 2016, The Film Collaborative launched Collaborative Releasing as a new distribution initiative that combines film sales and licensing with a hybrid release plan. [28] TFC also rebranded its Theatrical Releasing services under the Collaborative Releasing umbrella.
Collaborative Releasing handled the 2018 North American theatrical release of The Song of Sway Lake, directed by Ari Gold.
In 2011, The Film Collaborative helped negotiate a deal for Andrew Haigh's Weekend. [29] In 2012, TFC launched a new foreign sales initiative for LGBT titles with Peccadillo (UK), Outplay (France), Pro-Fun (Germany), ABC/Cinemien (Benelux) to share resources and launch films simultaneously in multiple territories when possible to maximize awareness and limit piracy. [30] In 2016, The Film Collaborative was a key player in orchestrating a splits right deal for the film Landfill Harmonic involving Vimeo (Digital), HBO Latino (Television), Tugg (Educational) and FilmRise (DVD). [31] [32]
Filmmaker Magazine, November 4, 2022 "We Had Made This Film Against All Odds... Why Not Take On This Last Chapter of the Film's Journey Ourselves?": You Resemble Me Producer Elizabeth Woodward on Embracing Self-Distribution
Screen Daily, November 23, 2016 At the Film Bazaar in Goa, India, Orly Ravid from The Film Collaborative advises filmmakers to use grassroots outreach and social media marketing.
Variety, November 14, 2016 The Film Collaborative Launches Collaborative Releasing
The Slamdance Film Festival is an annual film festival focused on emerging artists. The annual week-long festival takes place in Los Angeles, CA, in late February and is the main event organized by the year-round Slamdance organization, which also hosts a screenplay competition, workshops, screenings throughout the year and events with an emphasis on independent films with budgets under US$1 million.
PBS Distribution (PBSd), formerly known as PBS Ventures, PBS Home Video, and Public Media Distribution, is the home distribution unit of the American television network PBS. The company manages streaming channels, video on demand releases, and sells home videos of PBS series and movies and PBS Kids series in various formats, as well as programming from other public television distributors such as American Public Television and the National Educational Telecommunications Association.
The UK Film Council (UKFC) was a non-departmental public body set up in 2000 to develop and promote the film industry in the UK. It was constituted as a private company limited by guarantee, owned by the Secretary of State for Culture, Media and Sport, and governed by a board of 15 directors. It was funded from various sources including The National Lottery. John Woodward was the Chief Executive Officer of the UKFC.
Limited theatrical release is a film distribution strategy of releasing a new film in a few theaters across a country, typically art house theaters in major metropolitan markets. Since 1994, a limited theatrical release in the United States and Canada has been defined by Nielsen EDI as a film released in fewer than 600 theaters.
Jon Reiss is a film producer and director, and an author. He has made the feature film Cleopatra's Second Husband (1998) and the documentaries Better Living Through Circuitry (1999) and Bomb It (2007). He has directed music videos for artists, including Nine Inch Nails, Slayer, Danzig, and the Black Crowes.
Sundance Institute is a non-profit organization founded by actor Robert Redford committed to the growth of independent artists. The institute is driven by its programs that discover and support independent filmmakers, theatre artists and composers from all over the world. At the core of the programs is the goal to introduce audiences to the artists' new work, aided by the institute's labs, granting and mentorship programs that take place throughout the year in the United States and internationally.
The Sundance Film Festival is an annual film festival organized by the Sundance Institute. It is the largest independent film festival in the United States, with 423,234 combined in-person and online viewership in 2023. The festival takes place every January in Park City, Utah; Salt Lake City, Utah; and at Sundance Resort, and acts as a showcase for new work from American and international independent filmmakers. The festival consists of competitive sections for American and international dramatic and documentary films, both feature films and short films, and a group of out-of-competition sections, including NEXT, New Frontier, Spotlight, Midnight, Sundance Kids, From the Collection, Premieres, and Documentary Premieres. Many films premiering at Sundance have gone on to be nominated and win Oscars such as Best Picture, Best Director and Best Actor in a Leading Role.
Karol Martesko-Fenster is an American media executive.
The 27th annual Sundance Film Festival took place from January 20, 2011 until January 30, 2011 in Park City, Utah, with screenings in Salt Lake City, Utah, Ogden, Utah, and Sundance, Utah.
The 2011 Slamdance Film Festival was a film festival held in Park City, Utah from January 20 to January 27, 2011. It was the 17th iteration of the Slamdance Film Festival, an alternative to the more mainstream Sundance Film Festival.
New Media Film Festival is an event held annually that celebrates "the interactivity of new technologies and formats for Media and Cinema with global consciousness". According to the organizers, the festival honors "Stories Worth Telling that are created by people of All Ages-All Cultures-All Media". It showcases 3D and animated shorts, web series, mobile media, apps, and music videos, awarding over $45,000 in prizes and offering distribution to non-traditional and web-based filmmakers of the digital era.
New Video is an American independent entertainment distributor and collector of independent digital content. The company works with independent producers, filmmakers and television networks to curate content for many types of distribution platforms, including digital, cable, video on demand, Blu-ray, DVD, and theatrical releases.
Bleecker Street Media LLC is an independent American film company that specializes in film distribution. The company is based in New York City and named after 65 Bleecker Street, the street address of founder Andrew Karpen's prior company Focus Features. Founded in 2014, the studio was established with the goal to distribute "smart house" films that combine the entertainment of studio blockbusters with the artistic indie allure.
Indie Rights, Inc. is an American distributor of independent films, based in Los Angeles, California. Indie Rights is a subsidiary of Nelson Madison Films and was incorporated in 2007 to act as distributor for other independent filmmakers. The corporation began as a private MySpace group where the makers of independent films could get information about the changing face of film distribution; founders Linda Nelson and Michael Madison created Indie Rights so that distribution contracts could be signed by a legal entity. The corporation distributes films largely through video on demand services, though more recently it has overseen such theatrical releases as We Are Kings and Fray, both in 2014.
The 2016 Sundance Film Festival took place from January 21 to January 31, 2016. The first lineup of competition films was announced on December 2, 2015. The opening night film was Norman Lear: Just Another Version of You, directed by Heidi Ewing and Rachel Grady. The closing night film was Louis Black and Karen Bernstein's Richard Linklater: Dream Is Destiny.
Blue Fox Entertainment is a global distribution and film sales company founded in 2015 by Todd Slater and James Huntsman. In the spring of 2017, Blue Fox freemasons merged with independent film distributor, Level 33 Entertainment, led by Andreas Olavarria. The company now operates under the Blue Fox Entertainment banner. Blue Fox distributes feature films in North America and internationally. The company also owns Red Hound Films, a subsidiary digital and VOD distribution company, which Blue Fox launched in April 2018.
Nanfu Wang is a Chinese-born American filmmaker. Her debut film Hooligan Sparrow premiered at the 2016 Sundance Film Festival and was shortlisted for the Academy Award for Best Documentary Feature in 2017. Her second film, I Am Another You, premiered at SXSW Film Festival in 2017 and won two special jury awards, and her third film, One Child Nation, won the Grand Jury Prize for Documentary Feature at the 2019 Sundance Film Festival. Wang is the recipient of a 2021 Vilcek Prize for Creative Promise in Filmmaking, from the Vilcek Foundation.
Apollo 11 is a 2019 American documentary film edited, produced, and directed by Todd Douglas Miller. It focuses on the 1969 Apollo 11 mission, the first spaceflight to land humans on the Moon. The film consists solely of archival footage, including 70 mm film previously unreleased to the public, and does not feature narration, interviews, or modern recreations. The Saturn V rocket, Apollo 11 crew, and Apollo program Earth-based mission operations engineers are prominently featured in the film.
Time is a 2020 American documentary film produced and directed by Garrett Bradley. It follows Sibil Fox Richardson and her fight for the release of her husband, Rob, who was serving a 60-year prison sentence for engaging in an armed bank robbery.
Giant Pictures is an American independent film distribution company founded by Nick Savva and Jeff Stabenau with offices in New York City and Los Angeles. The company releases feature films, documentaries and series on streaming platforms, with an emphasis on flexibility and customization for filmmakers. Giant Pictures owns and operates specialty theatrical label, Drafthouse Films. Giant is the distribution and technology partner of the Tribeca Festival.