"ECHO, Echo echo" | ||||
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Single by Don Lee | ||||
A-side | "Charmaine" | |||
B-side | "ECHO, Echo echo" | |||
Released | 1957 | |||
Genre | Pop, space age pop | |||
Label | Blue Chip Records 0013 | |||
Songwriter(s) | Bloomquist | |||
Don Lee singles chronology | ||||
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"ECHO, Echo echo" was a hit for Don Lee in 1957. With its reverb effect it is an early example of Space Age Pop.
The single was issued with "Charmaine" as the A side on Blue Chip Records, cat# 0013 in May 1957. [1] [2] With its happy arrangement and multi tracking of a harmonica, Cash Box said that it could be a big record and gave it a B+. The B side "Echo" was given a C+ with the review saying that the electronic trickery used in "Charmaine" was employed by Lee here in this snappy Affair. [3]
"ECHO, Echo echo" was an instrumental, and the accordion was used as the solo instrument with a steady backing from bass and piano. Ethelyn Sexton the music editor for the Lansing State Journal speculated that the solo effects by Lee with the accordion were the first to be used in this fashion. [4] In Australia it was given a brief mention by The Sydney Morning Herald who referred to it as "Electronic-tricks-with an accordion". It was released there on Prestige PSP 1061. [5]
In addition to being a hit and selling 140,000 copies in Chicago, it was used by a California disk jockey as the theme song on the radio show seven days a week. [6]
In July 1957, Jerry Blaine of Jubilee Records was quoted in Cash Box as saying "We've got nothing but hits" and Lee's single was among the ones he mentioned. [7] By August 19, 1957, it was indicated by The Billboard that the single was climbing steadily and heading for the charts. [8] By September 9, it was already being recognized as a hit. [9]
It became a hit for him in the summer of that year with a ten-week run in Chicago charts, peaking at No. 18. [10]
Ozark Jubilee is a 1950s United States network television program that featured country music's top stars of the day. It was produced in Springfield, Missouri. The weekly live stage show premiered on ABC-TV on January 22, 1955, was renamed Country Music Jubilee on July 6, 1957, and was finally named Jubilee USA on August 2, 1958. Originating "from the heart of the Ozarks", the Saturday night variety series helped popularize country music in America's cities and suburbs, drawing more than nine million viewers. The ABC Radio version was heard by millions more starting in August 1954.
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"Raunchy" is an instrumental by American rock and roll artist Bill Justis, co-written with Sidney Manker and produced by Sam Phillips. The tune, from the album Cloud 9, was released as a single on the record label Phillips International Records, a sub-label of Sun Records, on September 23, 1957.
This article contains information about albums and singles released by American R&B duo Ike & Tina Turner.
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Hecht-Lancaster & Buzzell Music, Inc. was an American music publishing company founded by film producer Harold Hecht, his brother-in-law Loring Buzzell, and Hecht's business partner, actor/producer Burt Lancaster. Hecht-Lancaster & Buzzell Music was solely associated with the American Society of Composers, Authors and Publishers (ASCAP). The three partners also founded the music publishing company Calyork Music, Inc., which was solely associated with Broadcast Music, Inc. (BMI). Hecht, Lancaster and Buzzell also briefly operated their own record label, Calyork Records, which was active in the late 1950s. Hecht-Lancaster & Buzzell Music, Calyork Music and Calyork Records were divisions of Hecht and Lancaster's film production corporation Norma Productions.
This article contains information about albums and singles released by of American musician and bandleader Ike Turner.
Don Lee was a country singer, song writer, producer and guitarist who recorded in the 1960s and 1970s. He had a hit on the country charts with "16 Lovin' Ounces to the Pound". He also wrote a couple more songs that became hits. One became a hit for Jerry Naylor.
Don Lee was an American accordionist, multi-instrumentalist, music teacher, music publisher, record label owner, studio owner and electronics enthusiast who is most remembered for his reverb effect instrumental hit "ECHO, Echo echo" in 1957. He also has a place in Space Age Pop history.
Loring Bruce Buzzell was an American music publisher and record label executive. Together with film producer Harold Hecht and actor Burt Lancaster, he formed a series of music publishing imprints in the middle and late 1950s. His music publishing companies, Hecht-Lancaster & Buzzell Music, Calyork Music, Leigh Music and Colby Music, were responsible for copyrighting, publishing and promoting the soundtracks and theme songs from such notable films as Marty, Trapeze, The Kentuckian, Sweet Smell of Success, Separate Tables, Cry Tough, Take a Giant Step and The Unforgiven. Buzzell's companies also published "May You Always", the recordings of which by The McGuire Sisters for Coral Records and Joan Regan for HMV Records, became the top-selling records and the second-best-selling sheet music in the United States and the United Kingdom for 1959. Calyork Records and Maine Records were two independent record labels operated by Buzzell in partnership with Hecht and Lancaster.