Starhawk is an American feminist and author. She is known as a theorist of feminist neopaganism and ecofeminism. In 2013, she was listed in Watkins' Mind Body Spirit magazine as one of the 100 Most Spiritually Influential Living People.
"A Cyborg Manifesto" is an essay written by Donna Haraway and published in 1985 in the Socialist Review (US). In it, the concept of the cyborg represents a rejection of rigid boundaries, notably those separating "human" from "animal" and "human" from "machine." Haraway writes: "The cyborg does not dream of community on the model of the organic family, this time without the oedipal project. The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of returning to dust."
Socialist feminism rose in the 1960s and 1970s as an offshoot of the feminist movement and New Left that focuses upon the interconnectivity of the patriarchy and capitalism. However, the ways in which women's private, domestic, and public roles in society has been conceptualized, or thought about, can be traced back to Mary Wollstonecraft's A Vindication of the Rights of Woman (1792) and William Thompson's utopian socialist work in the 1800s. Ideas about overcoming the patriarchy by coming together in female groups to talk about personal problems stem from Carol Hanisch. This was done in an essay in 1969 which later coined the term 'the personal is political.' This was also the time that second wave feminism started to surface which is really when socialist feminism kicked off. Socialist feminists argue that liberation can only be achieved by working to end both the economic and cultural sources of women's oppression.
Charlene Spretnak is an American author who has written nine books on cultural history, social criticism, religion and spirituality, and art.
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns. Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s. Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront.
Val Plumwood was an Australian philosopher and ecofeminist known for her work on anthropocentrism. From the 1970s, she played a central role in the development of radical ecosophy. Working mostly as an independent scholar, she held positions at the University of Tasmania, North Carolina State University, the University of Montana, and the University of Sydney, and at the time of her death was Australian Research Council Fellow at the Australian National University. She is included in Routledge's Fifty Key Thinkers on the Environment (2001).
Ariel Salleh is an Australian sociologist who writes on humanity-nature relations, political ecology, social change movements, and ecofeminism.
Greta Gaard is an ecofeminist writer, scholar, activist, and documentary filmmaker. Gaard's academic work in the realms of ecocriticism and ecocomposition is widely cited by scholars in the disciplines of composition and literary criticism. Her theoretical work extending ecofeminist thought into queer theory, queer ecology, vegetarianism, and animal liberation has been influential within women's studies. A cofounder of the Minnesota Green Party, Gaard documented the transition of the U.S. Green movement into the Green Party of the United States in her book, Ecological Politics. She is currently a professor of English at University of Wisconsin-River Falls and a community faculty member in Women's Studies at Metropolitan State University, Twin Cities.
A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought.
Marti Kheel was a vegan ecofeminist activist scholar credited with founding Feminists for Animal Rights (FAR) in California in 1982. She authored several books in deep ecology and ecofeminism, including Nature Ethics: An Ecofeminist Perspective and several widely cited articles in college courses and related scholarship, such as "The Liberation of Nature: A Circular Affair", "From Heroic to Holistic Ethics: The Ecofeminist Challenge", and "From Healing Herbs to Deadly Drugs: Western Medicine's War Against the Natural World". She was a long-time vegan in diet, lifestyle, and philosophical commitments, working out her understanding of its implications in every area of our human relationships with nature and its constituents, and she found a wide audience for those deep reflections. Reportedly, she had pursued a raw vegan diet later in her life. Her pioneering scholarship in ecofeminist ethics is foundational for continuing work in these fields.
Ecofeminism is a branch of feminism and political ecology. Ecofeminist thinkers draw on the concept of gender to analyse the relationships between humans and the natural world. The term was coined by the French writer Françoise d'Eaubonne in her book Le Féminisme ou la Mort (1974). Ecofeminist theory asserts a feminist perspective of Green politics that calls for an egalitarian, collaborative society in which there is no one dominant group. Today, there are several branches of ecofeminism, with varying approaches and analyses, including liberal ecofeminism, spiritual/cultural ecofeminism, and social/socialist ecofeminism. Interpretations of ecofeminism and how it might be applied to social thought include ecofeminist art, social justice and political philosophy, religion, contemporary feminism, and poetry.
Sexecology, also known as ecosexuality, is a radical form of environmental activism based around nature fetishism, the idea of the earth as a lover. It invites people to treat the earth with love rather than see it as an infinite resource to exploit. It was founded by Elizabeth Stephens and Annie Sprinkle, who describe themselves as "two ecosexual artists-in-love", whose manifesto is to make environment activism "more sexy, fun, and diverse". Sexecology employs absurdist humor, performance art and sex-positivity, which Stephens claims "may produce new forms of knowledge that hold potential to alter the future by privileging our desire for the Earth to function with as many diverse, intact and flourishing ecological systems as possible." The couple promote education, events such as the ecosex symposium, and activism, such as protecting the Appalachian Mountains from mountain top removal.
Vegetarian ecofeminism is an activist and academic movement which states that all types of oppression are linked and must be eradicated, with a focus on including the domination of humans over nonhuman animals. Through the feminist concept known as intersectionality, it is recognized that sexism, racism, classism, and other forms of inter human discrimination are all connected. Vegetarian ecofeminism aims to include the domination of not only the environment but also of nonhuman animals to the list. Vegetarian ecofeminism is part of the academic and philosophical field of ecofeminism, which states that the ways in which the privileged dominates the oppressed should include the way humans dominate nature. A major theme within ecofeminism is the belief that there is a strong connection between the domination of women and the domination of nature, and that both must be eradicated in order to end oppression.
Gloria Feman Orenstein is a feminist art critic, pioneer in the field of the women of Surrealism and scholar of ecofeminism in the arts. Orenstein's Reweaving the World is considered a seminal ecofeminist text which has had "a crucial role in the development of U.S. ecofeminism as a political position".
Fern Shaffer is an American painter, performance artist, lecturer and environmental advocate. Her work arose in conjunction with an emerging Ecofeminism movement that brought together environmentalism, feminist values and spirituality to address shared concern for the Earth and all forms of life. She first gained widespread recognition for a four-part, shamanistic performance cycle, created in collaboration with photographer Othello Anderson in 1985. Writer and critic Suzi Gablik praised their work for its rejection of the technocratic, rationalizing mindset of modernity, in favor of communion with magic, the mysterious and primordial, and the soul. Gablik featured Shaffer's Winter Solstice (1985) as the cover art for her influential book, The Reenchantment of Art, and wrote that the ritual opened "a lost sense of oneness with nature and an acute awareness of ecosystem" that offered "a possible basis for reharmonizing our out-of-balance relationship with nature."
Catriona Sandilands is a Canadian writer and scholar in the environmental humanities. She is most well known for her conception of queer ecology. She is currently a Professor in the Faculty of Environmental Studies at York University. She was a Canada Research Chair in Sustainability and Culture between 2004 and 2014. She was a Fellow of the Pierre Elliott Trudeau Foundation in 2016. Sandilands served as president of the Association for the Study of Literature and Environment in 2015. She is also a past President of the Association for Literature, Environment, and Culture in Canada (ALECC) and the American Society for Literature and the Environment (ASLE).
Françoise d'Eaubonne et l'écoféminisme is a book written by Caroline Goldblum and published in 2019 by Passager Clandestin. The book appeared in the context of renewed interest in ecofeminism in France and the republishing of essays by Françoise d'Eaubonne, including “Écologie et féminisme, révolution ou mutation ?" in 2018 and “Le Féminisme ou la mort" in 2020. It aims to understand the foundation of d’Eaubonne's conception of ecofeminism and is the first book dedicated exclusively to the subject.
Ecofeminism generally is based on the understanding that gender as a concept is the basis of the human-environment relationships. Studies suggest that there's a difference between men and women when it comes to how they treat nature, for instance, women are known to be more involved with environmentally friendly behaviors. Socially there's an important claim in the ecofeminism theoretical framework that the patriarchy is linked to discrimination against women and the degradation of the environment. In Canada the United Nations Special Rapporteur on Human Rights and Toxics in 2020 shows that ineffective environmental management and mismanagement of hazardous waste is affecting different age groups, genders, and socioeconomic status in different ways, while three years before that, Canadian Human Rights Commission in 2017 submitted another report, warning the government about how the exposure to environmental hazards is a different experience for minorities in Canada. There have been ecofeminist movements for decades all over Canada such as Mother's Milk Project, protests against Uranium mining in Nova Scotia, and the Clayoquot Sound Peace Camp. Ecofeminism has also appeared as a concept in the media, such as books, publications, movies, and documentaries such as the MaddAddam trilogy by Margaret Atwood and Fury for the Sound: the women at Clayoquot by Shelley Wine. Ecofeminism in the Canadian context has been subject to criticism, especially by the Indigenous communities as they call it cultural appropriation, non-inclusive, and inherent in colonial worldviews and structures.
