A nuclear and radiation accident is defined by the International Atomic Energy Agency (IAEA) as "an event that has led to significant consequences to people, the environment or the facility. Examples include lethal effects to individuals, large radioactivity release to the environment, reactor core melt." The prime example of a "major nuclear accident" is one in which a reactor core is damaged and significant amounts of radioactive isotopes are released, such as in the Chernobyl disaster in 1986 and Fukushima nuclear disaster in 2011.
Cyril Stanley Smith was a British metallurgist and historian of science. He is most famous for his work on the Manhattan Project where he was responsible for the production of fissionable metals. A graduate of the University of Birmingham and Massachusetts Institute of Technology (MIT), Smith worked for many years as a research metallurgist at the American Brass Company. During World War II he worked in the Chemical-Metallurgical Division of the Los Alamos Laboratory, where he purified, cast and shaped uranium-235 and plutonium, a metal hitherto available only in microgram amounts, and whose properties were largely unknown. After the war he served on the Atomic Energy Commission's influential General Advisory Committee, and the President's Science Advisory Committee.
Herbert James Sanborn, Jr. is an American sculptor. He is best known for creating the encrypted Kryptos sculpture at CIA headquarters in Langley, Virginia.
The Soviet atomic bomb project was the classified research and development program that was authorized by Joseph Stalin in the Soviet Union to develop nuclear weapons during and after World War II.
The Bhabha Atomic Research Centre (BARC) is India's premier nuclear research facility, headquartered in Trombay, Mumbai, Maharashtra, India. It was founded by Homi Jehangir Bhabha as the Atomic Energy Establishment, Trombay (AEET) in January 1954 as a multidisciplinary research program essential for India's nuclear program. It operates under the Department of Atomic Energy (DAE), which is directly overseen by the Prime Minister of India.
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns. Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s. Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront.
Since the mid-20th century, plutonium in the environment has been primarily produced by human activity. The first plants to produce plutonium for use in cold war atomic bombs were at the Hanford nuclear site, in Washington, and Mayak nuclear plant, in Chelyabinsk Oblast, Russia. Over a period of four decades, "both released more than 200 million curies of radioactive isotopes into the surrounding environment – twice the amount expelled in the Chernobyl disaster in each instance".
Plutonium is a chemical element; it has symbol Pu and atomic number 94. It is an actinide metal of silvery-gray appearance that tarnishes when exposed to air, and forms a dull coating when oxidized. The element normally exhibits six allotropes and four oxidation states. It reacts with carbon, halogens, nitrogen, silicon, and hydrogen. When exposed to moist air, it forms oxides and hydrides that can expand the sample up to 70% in volume, which in turn flake off as a powder that is pyrophoric. It is radioactive and can accumulate in bones, which makes the handling of plutonium dangerous.
Nuclear Power and the Environment, sometimes simply called the Flowers Report, was released in September 1976 and is the sixth report of the UK Royal Commission on Environmental Pollution, chaired by Sir Brian Flowers. The report was dedicated to "the Queen's most excellent Majesty." "He was appointed "to advise on matters, both national and international, concerning the pollution of the environment; on the adequacy of research in this field; and the future possibilities of danger to the environment." One of the recommendations of the report was that:
"There should be no commitment to a large programme of nuclear fission power until it has been demonstrated beyond reasonable doubt that a method exists to ensure the safe containment of longlived, highly radioactive waste for the indefinite future."
Critical Assembly is a sculpture by American artist Jim Sanborn which was displayed at the Corcoran Gallery of Art in Washington, D.C. in 2003. It included several elements, some actual and some re-created, which were part of the first project at Los Alamos laboratories to design the first atomic bomb.
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations. Ecological art is a distinct genre from Environmental art in that it involves functional ecological systems-restoration, as well as socially engaged, activist, community-based interventions. Ecological art also addresses politics, culture, economics, ethics and aesthetics as they impact the conditions of ecosystems. Ecological art practitioners include artists, scientists, philosophers and activists who often collaborate on restoration, remediation and public awareness projects.
Nuclear ethics is a cross-disciplinary field of academic and policy-relevant study in which the problems associated with nuclear warfare, nuclear deterrence, nuclear arms control, nuclear disarmament, or nuclear energy are examined through one or more ethical or moral theories or frameworks. In contemporary security studies, the problems of nuclear warfare, deterrence, proliferation, and so forth are often understood strictly in political, strategic, or military terms. In the study of international organizations and law, however, these problems are also understood in legal terms. Nuclear ethics assumes that the very real possibilities of human extinction, mass human destruction, or mass environmental damage which could result from nuclear warfare are deep ethical or moral problems. Specifically, it assumes that the outcomes of human extinction, mass human destruction, or environmental damage count as moral evils. Another area of inquiry concerns future generations and the burden that nuclear waste and pollution imposes on them. Some scholars have concluded that it is therefore morally wrong to act in ways that produce these outcomes, which means it is morally wrong to engage in nuclear warfare.
ART/MEDIA was a social sculpture project in the form of series of socio-political public art events that took place in 1986 in Albuquerque and Santa Fe New Mexico. This groundbreaking artist forum featured artworks presented to the public through the mass media in a series of artist-designed billboards, television, radio and print media, and in museum exhibitions, a lecture series, and performance art series. Through this extended format, the artwork and ideas of contemporary artists were made accessible to a large public audience outside of the traditional art audience.
Kate Brown is a Professor of Science, Technology and Society at Massachusetts Institute of Technology. She is the author of Manual for Survival: A Chernobyl Guide to the Future (2019), Dispatches from Dystopia (2015), Plutopia (2013), and A Biography of No Place (2004). She was a member of the faculty at the University of Maryland, Baltimore County (UMBC) from 2000 to 2018. She is the founding consulting editor of History Unclassified in the American Historical Review.
Andrea Polli is an environmental artist and writer. Polli blends art and science to create widely varied media and technology artworks related to environmental issues. Her works are presented in various forms, she uses interactive websites, digital broadcasting, mobile applications, and performances, which allows her to reach a wider audience.
The International Uranium Film Festival was founded in 2010 in Rio de Janeiro, and has traveled to Germany, Portugal, India and the United States. This educational event merges art, ecology, environmentalism and environmental justice, to inform the public about uranium mining and milling, nuclear power issues, nuclear weapons and the nuclear fuel cycle from "cradle to grave" life-cycle assessment - and the effects of radioactivity on humans and other species. The festival founders and principal organizers are Norbert Suchanek and Marcia Gomes de Oliveira. The legal organizer of the International Uranium Film Festival is the arts and education non-profit "Yellow Archives". The organizers and the festival participants seek to educate and activate the international public on these issues through the dynamic media of film and video.
Ecofeminist art emerged in the 1970s in response to ecofeminist philosophy, that was particularly articulated by writers such as Carolyn Merchant, Val Plumwood, Donna Haraway, Starhawk, Greta Gaard, Karen J. Warren, and Rebecca Solnit. Those writers emphasized the significance of relationships of cultural dominance and ethics expressed as sexism (Haraway), spirituality (Starhawk), speciesism, capitalist values that privilege objectification and the importance of vegetarianism in these contexts (Gaard). The main issues Ecofeminism aims to address revolve around the effects of a "Eurocentric capitalist patriarchal culture built on the domination of nature, and the domination of woman 'as nature'. The writer Luke Martell in the Ecology and Society journal writes that 'women' and 'nature' are both victims of patriarchal abuse and "ideological products of the Enlightenment culture of control." Ecofeminism argues that we must become a part of nature, living with and among it. We must recognize that nature is alive and breathing and work against the passivity surrounding it that is synonymous with the passive roles enforced upon women by patriarchal culture, politics, and capitalism.
Nuclear labor issues exist within the international nuclear power industry and the nuclear weapons production sector worldwide, impacting upon the lives and health of laborers, itinerant workers and their families.
Ree Morton was an American visual artist who was closely associated with the postminimalist and feminist art movements of the 1970s.
Erika Wanenmacher is a sculptor and installation artist from Santa Fe, New Mexico, a self-described "maker of things." She has said, "I believe objects that are made with intent carry resonance that can shift energy, power, and beliefs. They're about magic and changing consciousness." Wanenmacher's work has been shown nationally and internationally. Her sculptures incorporate many materials and techniques including forged steel, carved and painted wood, cast aluminum, and large-scale installations. She is represented in Los Angeles, CA by Blythe Projects.
