Indigenous Australian art includes art made by Aboriginal Australian and Torres Strait Islander peoples, including collaborations with others. It includes works in a wide range of media including painting on leaves, bark painting, wood carving, rock carving, watercolour painting, sculpting, ceremonial clothing and sand painting; art by Indigenous Australians that pre-dates European colonisation by thousands of years, up to the present day.
Fiona Foley is a contemporary Indigenous Australian artist from Badtjala, Fraser Island, Queensland. Foley is regarded for her activity as an academic, cultural and community leader and for co-founding the Boomalli Aboriginal Artists Co-operative. Her practice encompasses many media including painting, drawing, sculpture, photography, textiles and installation. Her work addresses contemporary political issues facing Indigenous Australians and is held in the public collections of many Australian state, national and university collections including the Cruthers Collection of Women's Art as well as the British Museum. Foley's work has toured internationally and featured in several major exhibitions including Global Feminisms at the Brooklyn Museum and Aboriginal Art in Modern Worlds at Russia's Hermitage Museum.
Giuseppe Penone is an Italian artist and sculptor, known for his large-scale sculptures of trees that are interested in the link between man and the natural world. His early work is often associated with the Arte povera movement. In 2014, Penone was awarded the prestigious Praemium Imperiale award. He currently lives and works in Turin, Italy.
Janet Laurence is an Australian artist, based in Sydney, who works in mixed media and installation. Her work has been included in major survey exhibitions, nationally and internationally and is regularly exhibited in Sydney, Melbourne and Japan.
Sydney rock engravings, or Sydney rock art, are a form of Australian Aboriginal rock art in the sandstone around Sydney, New South Wales, Australia, that consist of carefully drawn images of people, animals, or symbols. Many thousands of such engravings are known to exist in the Sydney region, although the locations of most are not publicised to prevent damage by vandalism, and to retain their sanctity, as they are still regarded as sacred sites by Indigenous Australians. There are two art environments in Sydney Basin, rock shelters and engraving sites.
The Apsley Falls are two waterfalls on the Apsley River in the Northern Tablelands region of New South Wales, Australia. The falls are located about 20 kilometres (12 mi) east of Walcha, and 1 kilometre off the Oxley Highway in a deep gorge, that is part of the Oxley Wild Rivers National Park. They are the first falls in a succession of dramatic drops in an area that has some of the most remarkable scenery in Eastern Australia. The first drop of the falls is about 65 metres (213 ft) in depth, and the second, which is about 800 metres (2,625 ft) further on, plummets 58 metres (190 ft) to the bottom of the gorge.
Nielsen Park is a heritage-listed historic site, park and nature reserve located at Greycliffe Avenue, Vaucluse in the Municipality of Woollahra local government area of New South Wales, Australia. The traditional lands of the Birrabirragal indigenous people, the park was designed by John Frederick Hilly, James Barnet and the Office of the New South Wales Government Architect. It is also known as Vaucluse Estate, Greycliffe Estate and Greycliffe House. It was added to the New South Wales State Heritage Register on 28 August 2017.
Nature Belle, a public artwork by American artist Roy Staab, was located in the middle of a round-about at the intersection of the Hank Aaron Trail and 25th Street, near Milwaukee, Wisconsin. A site-specific sculpture constructed from natural local materials, the finished bell was supported by a box elder tree and was approximately 45 ft. in height and 35 ft. in diameter. Located in the center of a busy traffic circle, it was viewed mostly by passing motorists. Like most of Staab's ephemeral sculptures, the work is no longer extant. It was completed on June 6, 2006 and destroyed by a storm on September 8, 2006.
Coca-Cola Place, originally known as The Ark, is a 21 level commercial office building located at 16-40 Mount St in North Sydney, Australia. It is jointly owned by Investa Property Group and Investa Commercial Property Fund and was designed by the architectural firm Rice Daubney. Major tenants include Coca-Cola Amatil, Coca-Cola South Pacific, Vodafone Hutchison Australia, AWE Limited and Regus.
The Frank E. Beach Memorial Fountain, officially titled Water Sculpture, is an abstract 1975 stainless steel fountain and sculpture by artist Lee Kelly and architect James Howell, installed in Washington Park's International Rose Test Garden in Portland, Oregon. The memorial commemorates Frank E. Beach, who christened Portland the "City of Roses" and proposed the Rose Festival. It was commissioned by the Beach family and cost approximately $15,000. Previously administered by the Metropolitan Arts Commission, the work is now part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council.
The Overseas Passenger Terminal (OPT), known officially as the Sydney Cove Passenger Terminal, is a public passenger terminal servicing cruise ships and ocean liners located in Circular Quay, Sydney, Australia. Whilst commercial shipping operations on and around the site date from 1792, the current primary structure and waterfront promenade date from 1958, with subsequent on-going alterations and land reclamation throughout the latter part of the 20th century. The current design retains the black steel portal frame trusses of the original 1958 structure, with major additions completed in 1988 in the Post-War International Style through the collaboration of Sydney architects Lawrence Nield and Peter Tonkin.
Veil of Trees is an art installation within the grounds of the Royal Botanical Gardens in Sydney. The work was designed by Janet Laurence and Jisuk Han as part of the Sydney Sculpture Walk Program in 1999, to highlight the indigenous botanical history of the site. It consists of 21 glass panels among one hundred red forest gums which run along a one hundred metre grassed ridge between two parallel roads.
Loggan Rock is a heritage-listed residential building located at 111 Whale Beach Road, Avalon Beach, Northern Beaches Council, New South Wales, Australia. It was designed in 1929 by Alexander Stewart Jolly in the Californian Bungalow style, with a 1953 modern extension designed by Max Collard. The house was built from 1929 to 1953. The house is also known as Cabin Avalon and Log and Rock; and it was added to the New South Wales State Heritage Register on 15 August 2008.
Wentworth Memorial Church is a heritage-listed former Anglican church building located at 32B Fitzwilliam Road, Vaucluse in the Municipality of Woollahra local government area of New South Wales, Australia. It was designed by Clarke Gazzard and Partners and built by Monteith Constructions, with Miller Milston and Ferris as engineers. The property is privately-owned; and was formerly owned by the Anglican Diocese of Sydney. It was added to the New South Wales State Heritage Register on 25 September 2012.
Mail Coach Inn is a heritage-listed former inn and residence at 24 Jellore Street, Berrima, Wingecarribee Shire, New South Wales, Australia. It was built from 1833 to 1841. It is also known as the Royal Mail Coach Inn. It traded in recent times as a now-closed bed and breakfast known as the Coach and Horses Inn; however, that name historically referred to a different Berrima hotel. It was added to the New South Wales State Heritage Register on 2 April 1999.
Iloura Reserve is a heritage-listed public reserve on the site of a former timber yard at 10-20 Weston Street, Balmain East, Inner West Council, Sydney New South Wales, Australia. Following the resumption of the timber yard for public space in the 1960s, the present reserve was designed and laid out by landscape architect Bruce Mackenzie and constructed in two stages: stage one in 1970 and stage two in 1981. It is also known as Peacock Point and Illoura. The reserve is owned by the Inner West Council. It was added to the New South Wales State Heritage Register on 29 November 2013.
Jenner House is a heritage-listed residence located at 2 Macleay Street in the inner city Sydney suburb of Potts Point in the City of Sydney local government area of New South Wales, Australia. It was designed by Edmund Blacket and built in 1871, with an 1877 third-floor addition designed by Thomas Rowe. It has also been known as Fleet Club, Stramshall, Jenner Private Hospital, Kurragheen and Lugano. It was added to the New South Wales State Heritage Register on 2 April 1999.
Jonathan Jones is a Sydney-based Indigenous artist who has made extensive contributions to the contemporary Aboriginal art scene in Australia. The Art Gallery of NSW and the National Gallery of Victoria have acquired works by Jones.
Barbara Cooper is an American artist whose practice encompasses abstract sculpture, public and installation art, drawing and set design. She is most known for her sculpture, which emphasizes process, handcraft, and its basis in natural forms and processes of transformation, such as growth, protection and regeneration. Critic Polly Ullrich writes that "Cooper's hand-intensive art is an art of condensation" that takes "the flow of time and growth as a subject"; that quality often leads writers to align Cooper with postminimalism. John Brunetti describes her work as "sinuous, tactile sculptures [that] quietly juxtapose conceptual and formal dichotomies, among them the organic and man-made, the feminine and the masculine, movement and stasis."
