Edward Higginbottom | |
---|---|
Born | Kendal [1] | 16 November 1946
Genres | Choral music |
Occupation(s) | Musicologists, Organist, Choirmaster |
Instrument | Pipe Organ |
Years active | 1970- |
Labels | Novum |
Edward Higginbottom (born 16 November 1946, Kendal) is a music scholar, organist, choirmaster and conductor. [2] Most of his career has been as organist at New College, Oxford, where he led their choir for more than 35 years and produced a large number of choral recordings.
Before moving on to St Mary's Church in Warwick, Edward was a chorister at his local parish church where he started playing the organ. [3] Edward completed his undergraduate and graduate training as organ scholar of Corpus Christi College, Cambridge, where he developed a particular interest in French baroque music [4] and became a Fellow of the Royal College of Organists. He toured regularly in France at that time as director of the Cambridge University Purcell Society. [2] As a graduate student, he spent time in France (1970–1972), studying the organ with Marie-Claire Alain while working on his doctoral thesis. [5]
He was appointed as the Organist and Director of Music at New College, Oxford in 1976. While the main role of the choir is to provide liturgical music for worship, Edward went further, organizing economically viable choir tours and a broad set of musical recordings. By doing so, he "has helped the cause of such institutions through a period when financial constraints and changes in social attitudes have threatened choral foundations". [1]
In 1990 he was made an officer, [1] and subsequently a Commandeur of the Ordre des Arts et des Lettres by the French Ministry of Culture for "his role in the revival of choir schools in France and support of French cultural activities". [2]
In 2010 he formed a new recording label for the Choir, novum, and the choir began experimenting with weekly webcasting of their Evensong services. [6]
Retiring from New College in 2014, he continues his musical career as a freelancer. [3] He is the principal conductor of an Oxford ensemble called Instruments of Time and Truth. [7] In spite of his retirement, however, he was named in March 2019 as the Director of Chapel Music at St Peter's College, Oxford for the 2019/20 academic year, pending the appointment of a successor to Jeremy Summerly in 2020. [8]
Edward and his wife Caroline have 7 adult children, [3] including his son (who was also a chorister) Orlando, better known professionally as Totally Enormous Extinct Dinosaurs, an animal chiropractor, a jeweller, a doctor, a teacher, a timpanist, and a writer.
An early episode of ITV's Inspector Morse featured a character based on Edward Higginbottom (although the suspect, and his obsession with Spangles and Trebor Mints, bears no similarity to the real Edward Higginbottom).
Recent recordings include:
Title | Composer | Performers | Year |
---|---|---|---|
Music for Salzburg Cathedral | Mozart | Choir of New College Oxford, Collegium Novum | 2013 |
Musique sacrée | Charpentier | Choir of New College Oxford, Oxford Baroque | 2013 |
Britten, The Sacred Choral Music | Benjamin Britten | Choir of New College Oxford | 2013 |
Haydn, Nelson Mass | Joseph Haydn | Choir of New College Oxford, New Century Baroque, Jonty Ward, Hugh Cutting, Nick Pritchard, Tom Edwards | 2012 |
Illumina: Music of Light | Mahler, Rutter, Bach and others | Choir of New College Oxford | 2012 |
Francois Couperin, Exultent superi | Francois Couperin | Soloists of the Choir of New College Oxford, Collegium Novum | 2011 |
W. A. Mozart, Requiem | Mozart | Choir of New College Oxford, Orchestra of the Age of Enlightenment | 2011 |
Claudio Monteverdi, Vespro della Beata Vergine 1610 | Claudio Monteverdi | Nicholas Mulroy, Thomas Hobbs, Thomas Raskin, Choir of New College Oxford, Charivari Agreable | 2010 |
J S Bach, Motets | Bach | Choir of New College Oxford | 2009 |
The Victorian and Edwardian Anthem | Elgar, Parry, Stainer and others | Choir of New College Oxford, Nicholas Wearne, David Newsholme | 2008 |
Nicholas Ludford, Missa Benedicta & antiennes votives | Nicholas Ludford | Choir of New College Oxford | 2008 |
Haydn, The Creation | Joseph Haydn | Lawson, Muller, Stout, Choir of New College Oxford, Oxford Philomusica | 2008 |
Evensong at New College Oxford | Harris, Coward, Stanford and others | Choir of New College Oxford, Nicholas Wearne, Robert Patterson, Jane Shaw | 2008 |
The Art of the Chorister | Mendelssohn, Couperin, Mozart and others | The Choristers of New College Oxford, Collegium Novum String Ensemble, Collegium Novum Baroque Strings | 2008 |
Poulenc and his French Contemporaries | Poulenc, Francis/Messiaen, Olivier/Villiette, Pierre | Choir of New College Oxford, David Newsholme, Nicholas Wearne | 2006 |
Macmillan and his British Contemporaries | Macmillan, Anderson, Dove and others | Choir of New College Oxford, Robert Patterson, Nicholas Wearne | 2006 |
Handel, Messiah (1751 Version) | Handel | Jenkinson, Jones, Brookes, Davies, Spence, Dougan, Choir of New College Oxford, The Academy of Ancient Music | 2006 |
Copland and his American Contemporaries | Copland, Hailstork, Stravinsky and others | Choir of New College Oxford | 2006 |
The Georgian Anthem | Wesley, Crotch, Battishill and others | Choir of New College Oxford | 2004 |
J S Bach, St John Passion | Bach | Gilchrist, Bernays, Dougan, Bowman, Beale, Baldy, Littlewood, Choir of New College Oxford, Collegium Novum | 2003 |
Edward Higginbottom has edited music by François Couperin and Michel Corrette, and written articles on French Baroque music. [1]
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The Choir of New College Oxford is part of the collegiate foundation of New College, Oxford, established by William of Wykeham in 1379. It is one of England's oldest choral foundations and is the oldest of its kind in Oxford and Cambridge, predating its sister college in Cambridge by more than sixty years. Consisting of approximately 16 boys and 14 men, it is one of the main choral foundations of the University of Oxford and is regarded as one of the leading choirs of the world. Under Edward Higginbottom, the choir was characterised by a robust sound that allowed individual voices to be heard, and has two Gramophone Awards to its name.