El Bagawat

Last updated
The El Bagawat Christian cemetery at Kharga Oasis Bagawat.jpg
The El Bagawat Christian cemetery at Kharga Oasis

El Bagawat, is an ancient Christian cemetery, and one of the oldest in the world, which functioned at the Kharga Oasis in southern-central Egypt from the 3rd to the 7th century AD. It is one of the earliest and best preserved Christian cemeteries from the ancient world.

Contents

Location

The Necropolis of El Bagawat is located in the Western Desert in Kharga Oasis. This is one of the largest oases in Egypt and is 34 m below sea level. [1]

History

The Church (Chapel 180), Bagawat BagawatChapel180.jpg
The Church (Chapel 180), Bagawat

The El Bagawat cemetery is reported to be pre-historic [2] and is one of the oldest Christian cemeteries in Egypt. [3] [2] Before Christianity was introduced into Egypt, it was a burial ground used by the non-Christians and later by the Christians. The chapels here are said to belong to both the eras. [4] Coptic frescoes of the 3rd to the 7th century are found on the walls. [5] There are 263 funerary chapels, of which the Chapel of the Exodus (first half of the 4th century) and Chapel of Peace (5th or 6th century) have the best-preserved frescoes, although fresco fragments can also be seen in Chapels 25, 172, 173, 175, and 210. [6]

Features

Dating between the 3rd century before Constantine and the legalization of Christianity up until the 7th century with the Islamic conquest of Egypt, the iconography adorning the chapels at El-Bagawat displays an evolution from the pre-Christian Judeo-Hellenic tradition seen in Jewish sites such as the Synagogue at Dura-Europos towards a unique Pharaonic-Coptic iconography where figures have large and expressive eyes and the integration of specific Egyptian symbolism, such as a peacock which visualizes immortality. [7]

Chapel 25 (Chapel of Exodus), Bagawat Flickr - Hanne7 - Kapelle 25 Bagawat (2).jpg
Chapel 25 (Chapel of Exodus), Bagawat

The El Bagawat cemetery has a very large number of tombs in the form of chapel domes. [8] They are built of mud bricks. The tombs have etchings of biblical stories, [8] and also of saints and “personifications of virtues”. [8]

In the Exodus Chapel, there is a depiction of the martyrdom of Isiah; [9] and also of Tekla postured with raised hands, in front of fire being doused by rain. In the Chapel of Peace, the illustrative fresco is of Thekla and Paul. [6]

There are paintings in the cemetery which show the ark of Noah in the form of an "Egyptian barque". Also notable are carved representations of Old Testament scriptures, including Adam and Eve, Daniel in the lion's den, the sacrifice of Abraham, and Jonah swallowed by a fish. [9]

The Church (Chapel 180)

This large chapel displays one of the earliest depictions of The Last Judgment, with Christ enthroned amid angels and the separation of the righteous and the damned, and Christ Pantocrator , portraying Christ as the omnipotent ruler holding the four Gospels. The church contains an altar, a large central dome, and several side chapels. [10]

Dome painting in Chapel 28 (Chapel of Peace) Facsimile of the Dome Painting of the Chapel of Peace, Bagawat Necropolis, Kharga Oasis MET eg30.4.228.jpg
Dome painting in Chapel 28 (Chapel of Peace)

Chapel 25 (Chapel of Exodus)

Considered one of the oldest chapels in the complex, the Chapel of Exodus displays frescoes depicting Moses Parting the Red Sea and The Gathering of Manna. In the Parting of the Red Sea, Moses is shown with arms outstretched, leading the Israelites through the parted waters, which are depicted as towering walls. The Gathering of Manna depicts Israelites collecting manna from heaven, with the figures arranged in a simple, linear composition. There are also scenes of Jonah and the Whale alongside The Annunciation with the angel Gabriel approaching Mary, and symbols such as the Greek Chi-Rho symbol, Coptic crosses and the Dove symbolizing the Holy Spirit. [11]

Chapel 28 (Chapel of Peace)

Some of the most well-preserved and detailed narrative iconography is housed in Chapel 28, including a depiction of the Three Hebrews in the Fiery Furnace and Daniel in the Lions’ Den and various saints from the Old and New Testament. [12]

Chapel 28 (Chapel of Peace) Chapel of Peace at Bagawat (XIII).jpg
Chapel 28 (Chapel of Peace)
Interior view of Chapel 28 Chapel of Peace at Bagawat (X).jpg
Interior view of Chapel 28

Chapel 175

Depictions of Daniel in the Lions’ Den and geometric patterns. Daniel is depicted standing prayerfully among stylized lions against a minimalist backdrop. Other symbols such as the vine motif are also present. [13]

Chapel 181

Chapel 23 Dome & baptistry Bagawat (LI).jpg
Chapel 23 Dome & baptistry

Prominent frescoes of Noah’s Ark, where Noah is depicted inside the ark with pairs of animals. Noah is drawn within a box-like ark surrounded by paired animals, including clearly identifiable species such as lions and birds. [14]

Chapel 210

A fresco of the Three Hebrews in the Fiery Furnace from the Book of Daniel, accompanied by an angelic figure symbolizing divine protection. [15]

Chapel 23

Contains images of Moses Striking the Rock and The Good Shepherd. Christ is depicted carrying a lamb amidst his flock. [16]

Chapel 9

Contains frescoes of The Baptism of Christ and The Miracle of the Loaves and Fishes. The compositions are simple, with frontal, hieratic figures, and sparse background details. [17]

Chapel 94

Includes iconography of The Transfiguration and The Ascension as well as a vine motif, which is found in many of the chapels. [18]

Related Research Articles

<span class="mw-page-title-main">Coptic Orthodox Church</span> Oriental Orthodox Church

The Coptic Orthodox Church, also known as the Coptic Orthodox Patriarchate of Alexandria, is an Oriental Orthodox Christian church based in Egypt. The head of the church and the See of Alexandria is the pope of Alexandria on the Holy Apostolic See of Saint Mark, who also carries the title of Father of fathers, Shepherd of shepherds, Ecumenical Judge and the 13th among the Apostles. The See of Alexandria is titular. The Coptic pope presides from Saint Mark's Coptic Orthodox Cathedral in the Abbassia District in Cairo. The church follows the Coptic Rite for its liturgy, prayer and devotional patrimony. Adherents of the Coptic Orthodox Church make up Egypt's largest and most significant minority population, and the largest population of Christians in the Middle East and North Africa (MENA). They make up the largest share of the approximately 20 million Christians in Egypt.

<span class="mw-page-title-main">Depiction of Jesus</span> Christian icons or images depicting Jesus

The depiction of Jesus in pictorial form dates back to early Christian art and architecture, as aniconism in Christianity was rejected within the ante-Nicene period. It took several centuries to reach a conventional standardized form for his physical appearance, which has subsequently remained largely stable since that time. Most images of Jesus have in common a number of traits which are now almost universally associated with Jesus, although variants are seen.

<span class="mw-page-title-main">Early Christian art and architecture</span> Art produced by Christians before Byzantine times

Early Christian art and architecture is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. After 550, Christian art is classified as Byzantine, or according to region.

<span class="mw-page-title-main">Byzantine art</span> Art of the Byzantine Empire

Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward.

<span class="mw-page-title-main">Simon the Tanner</span> Coptic Orthodox saint associated with the story of moving Mokattam Mountain

Saint Simon the Tanner, also known as Saint Simon the Shoemaker, is the Coptic Orthodox saint associated with the story of the moving the Mokattam Mountain in Cairo, Egypt, during the rule of the Muslim Fatimid Caliph al-Muizz Lideenillah (953–975) while Abraham the Syrian was the Pope of the Coptic Orthodox Church of Alexandria.

<span class="mw-page-title-main">Kharga Oasis</span> Depression in Egypt

The Kharga Oasislit.'the outer'; Coptic: (ϯ)ⲟⲩⲁϩ ⲛ̀ϩⲏⲃ(di)wah enhib, "Oasis of Hib", (ϯ)ⲟⲩⲁϩ ⲙ̀ⲯⲟⲓ(di)wah empsoi "Oasis of Psoi") is the southernmost of Egypt's five western oases. It is located in the Western Desert, about 200 km to the west of the Nile valley. "Kharga" or "El Kharga" is also the name of a major town located in the oasis, the capital of New Valley Governorate. The oasis, which was known as the 'Southern Oasis' to the Ancient Egyptians, the 'outer' to the Greeks and Oasis Magna to the Romans, is the largest of the oases in the Libyan desert of Egypt. It is in a depression about 160 km long and from 20 km to 80 km wide. Its population is 67,700 (2012).

<span class="mw-page-title-main">Pope of the Coptic Orthodox Church</span> Leader of the Coptic Orthodox Church of Alexandria, Egypt

The Pope, also known as the Bishop of Alexandria, or Patriarch of Alexandria, is the leader of the Coptic Orthodox Church, with ancient Christian roots in Egypt. The primacy of the Patriarch of Alexandria is rooted in his role as successor to Saint Mark, who was consecrated by Saint Peter, as affirmed by the Council of Nicaea. It is one of three Peterine Sees affirmed by the council alongside the Patriarch of Antioch and the Patriarch of Rome. The current holder of this position is Pope Tawadros II, who was selected as the 118th pope on November 18, 2012.

<span class="mw-page-title-main">Basilica of Sant'Apollinare in Classe</span> Byzantine-style minor basilica in Ravenna, Italy

The Basilica of Sant'Apollinare in Classe is a church in Classe, Ravenna, Italy, consecrated on 9 May 549 by the bishop Maximian and dedicated to Saint Apollinaris, the first bishop of Ravenna and Classe.

<span class="mw-page-title-main">Santa Pudenziana</span> Church in Rome, Italy

Santa Pudenziana is a church of Rome, a basilica built in the 4th century and dedicated to Saint Pudentiana, sister of Praxedes and daughter of Pudens. It is one of the national churches in Rome, associated with Filipinos.

<span class="mw-page-title-main">Castelseprio (archaeological park)</span>

Castelseprio was the site of a Roman fort in antiquity, and a significant Lombard town in the early Middle Ages, before being destroyed and abandoned in 1287. It is today preserved as an archaeological park in the modern comune of Castelseprio, near the modern village of the same name. It is in the north of Italy, in the Province of Varese, about 50 km northwest of Milan.

<span class="mw-page-title-main">Architecture of Egypt</span> Overview of the architectural history of Egypt

There have been many architectural styles used in Egyptian buildings over the centuries, including Ancient Egyptian architecture, Greco-Roman architecture, Islamic architecture, and modern architecture.

<span class="mw-page-title-main">Coptic art</span> Christian art of the Byzantine-Greco-Roman Egypt and of Coptic Christian Churches

Coptic art is the Christian art of the Byzantine-Greco-Roman Egypt and of Coptic Christian Churches. Coptic art is best known for its wall-paintings, textiles, illuminated manuscripts, and metalwork, much of which survives in monasteries and churches. The artwork is often functional, as little distinction was drawn between artistry and craftsmanship, and includes tunics and tombstones as well as portraits of saints. The Coptic Museum in Coptic Cairo houses some of the world's most important examples of Coptic art.

<span class="mw-page-title-main">Monastery of Saint Anthony</span> Monastery in Egypt

The Monastery of Saint Anthony is a Coptic Orthodox monastery standing in an oasis in the Eastern Desert of Egypt, in the northern part of the Red Sea Governorate close to the border with the Suez Governorate.

<span class="mw-page-title-main">Abu Tig</span> City in Asyut, Egypt

Abu Tig is a city in the Asyut Governorate of Egypt. Located on the west bank of the Nile, it has a population of 70,969 inhabitants (2006).

<span class="mw-page-title-main">Hanging Church</span> Church in Babylon, Egypt

Saint Virgin Mary's Coptic Orthodox Church, also known as the Hanging Church, is one of the oldest churches in Egypt which dates to the third century. It belongs to the Coptic Orthodox Church of Alexandria.

<i>Exodus</i> (poem)

Exodus is the title given to an Old English alliterative poem in the 10th century Junius manuscript. Exodus is not a paraphrase of the biblical book, but rather a re-telling of the story of the Israelites' flight from Egyptian captivity and the Crossing of the Red Sea in the manner of a "heroic epic", much like Old English poems Andreas, Judith, or even Beowulf. It is one of the densest, most allusive and complex poems in Old English, and is the focus of much critical debate.

<span class="mw-page-title-main">Ascension of Jesus in Christian art</span> Frequent subject in Christian art

The Ascension of Jesus to Heaven as stated in the New Testament has been a frequent subject in Christian art, as well as a theme in theological writings.

<span class="mw-page-title-main">Finding of Moses</span> The finding in the River Nile of Moses as a baby by the daughter of Pharao

The Finding of Moses, sometimes called Moses in the Bulrushes, Moses Saved from the Waters, or other variants, is the story in chapter 2 of the Book of Exodus in the Hebrew Bible of the finding in the River Nile of Moses as a baby by the daughter of Pharaoh. The story became a common subject in art, especially from the Renaissance onwards.

<span class="mw-page-title-main">Icon of Christ and Abbot Mena</span> 8th-century Coptic painting

The Icon of Christ and Abbot Mena a Coptic painting which is now in the Louvre museum, in Paris. The icon is an encaustic painting on wood and was brought from the Apollo monastery in Bawit, Egypt. The icon measures about 57 by 57 centimetres and is 2 centimetres thick. The icon has been damaged over the years with some of the pigment missing and it has two vertical cracks running through the image, but it can still be readily made out.

<span class="mw-page-title-main">Catacombs of Domitilla</span> Catacomb in Rome, Italy

The Catacombs of Domitilla are an underground Christian cemetery named after the Domitilla family that had initially ordered them to be dug. Located in Rome, Italy, are the human-made subterranean passageways used for cemeteries and religious practice. They are among the largest catacombs in Rome, spreading out 17 km, largely along the ancient Via Ardeatine, laid out on four levels, and housing approximately 15,000 bodies underground. The Catacombs of Domitilla are the only catacombs in Rome that have an underground Basilica and are of one only five Roman catacombs open to the public. Constructed during the second and third centuries, this labyrinth of underground passages contains frescoes and a wealth of Christian iconography while also presenting masterful engineering skills and innovative architectural techniques.

References

  1. Stoppato 2003, p. 135.
  2. 1 2 Egitto. 7000 Anni Di Storia. Ediz. Inglese. Casa Editrice Bonechi. 1 January 2007. pp. 247–. ISBN   978-88-476-1867-1.
  3. Richardson 2003, p. 544.
  4. Meinardus 1977, p. 483.
  5. Gianfagna 2013, p. 25.
  6. 1 2 Wire & Chaney 2004, p. 234.
  7. Kurt Weitzmann, *The Monastery of Saint Catherine at Mount Sinai: The Icons Volume One: From the Sixth to the Tenth Century*, Princeton University Press, 1976, pp. 45–47.
  8. 1 2 3 Egitto. 7000 Anni Di Storia. Ediz. Inglese. Casa Editrice Bonechi. 1 January 2007. pp. 247–. ISBN   978-88-476-1867-1.
  9. 1 2 Coptic Church Review. Coptic Church Review. 2000. pp. 119, 125.
  10. Cormack, Robin. *Writing in Gold: Byzantine Society and Its Icons*. Oxford University Press, 1985, pp. 98-101.
  11. Weitzmann, Kurt. *The Monastery of Saint Catherine at Mount Sinai: The Icons Volume One: From the Sixth to the Tenth Century*. Princeton University Press, 1976, pp. 45-47.
  12. Lowden, John. *Early Christian and Byzantine Art*. Phaidon, 1997, pp. 63-65.
  13. Jensen, Robin M. *Understanding Early Christian Art*. Routledge, 2000, pp. 115-117.
  14. Finney, Paul Corby. *The Invisible God: The Earliest Christians on Art*. Oxford University Press, 1994, pp. 145-147.
  15. Mathews, Thomas F. *The Art of Byzantium: Between Antiquity and the Renaissance*. Princeton University Press, 1998, pp. 53-55.
  16. Grabar, André. *Christian Iconography: A Study of Its Origins*. Princeton University Press, 1968, pp. 89-91.
  17. Wilkinson, John. *Egeria’s Travels*. Aris & Phillips, 1999, pp. 123-125.
  18. Mango, Marlia Mundell. *The Art of the Byzantine Empire 312-1453: Sources and Documents*. University of Toronto Press, 1986, pp. 77-80.
Bibliography

25°29′10″N30°33′18″E / 25.486°N 30.555°E / 25.486; 30.555