El Muerto | |
---|---|
Directed by | Brian Cox |
Screenplay by | Brian Cox |
Based on | Comic Book: Javier Hernandez |
Produced by | Javier Hernandez Marc Ambrose Bruno Leone Dan Leone Richard Leone Susan R. Rodgers Larry Rattner Wilmer Valderrama |
Starring |
|
Cinematography | Steve Yedlin |
Edited by | Chris Wright |
Music by | Tony Humecke Martin Espino |
Distributed by | Echo Bridge Home Entertainment (USA) Bleiberg Entertainment |
Release date |
|
Running time | 90 minutes |
Country | United States |
Language | English |
Budget | $1,000,000 (estimated) [1] [ better source needed ] |
El Muerto (alternatively, The Dead One, El Muerto: The Dead One, The Dead One: El Muerto, The Dead One: An American Legend) is a 2007 American independent superhero film based on the comic book series, El Muerto: The Aztec Zombie created by Javier Hernandez. The film was written and directed by Brian Cox with Javier Hernandez serving as Associate-Producer. It stars Wilmer Valderrama, Angie Cepeda, Joel David Moore, Billy Drago, Tony Plana, Michael Parks, María Conchita Alonso and Tony Amendola. The film follows the story of Diego de la Muerte, a 21-year-old Mexican-American who is abducted, sacrificed, and sent back to the land of the living by the Aztec gods of death and destiny to fulfill an ancient prophecy. The official premiere was held on March 1, 2007 at the Latino Film Festival in San Diego, California with a straight-to-DVD release slated for September 18, 2007 followed by subsequent screenings in New York City and San Diego. The official site address (www.elmuertomovie.com) has since been re-directed to a MySpace film account. The film is rated PG-13 for violence and some disturbing images. El Muerto has gone on to win the Best Feature Film Award at the first annual Whittier Film Festival in 2008. [2] [3] [4]
Centuries ago, the Aztec Empire of Mexico was conquered by the Spanish conquistadors. Horrified by their religious practices, the Spaniards set out to convert the native population to Catholicism, effectively declaring war upon the Aztec religion. According to an ancient prophecy, the Aztecs and their religion will return to dominance in a time known as the Sixth Sun.
While attempting to illegally cross the United States-Mexico border, young orphan boy Juan Diego is singled out by a fellow traveler, a strange old man known only as "Old Indian" claiming to know the way. The old man leads the boy to an old Aztec shrine dedicated to the god of death, Mictlantecuhtli. Explaining that they must give thanks to Tezcatlipoca, the god of sacrifice, Old Indian proceeds to carve a symbol of the god in to Diego's hand. Declaring the boy's blood to be pure, the Old Indian dies in the throes of invocations of Nahuatl, abandoning the boy in the desert.
Ten years later, 21-year-old Diego has made a home for himself in East Los Angeles. He shares an apartment with his best friend Zak and is in love with Maria, niece of Padre Somera of the local mission which dates back to the Cortés era. However, Diego and Maria's relationship is strained both by his haunting encounter with Old Indian and the devout Padre's disapproval of the young man's sympathy towards Aztec beliefs and mythology. Anticipating a local Dia de los Muertos festival, Diego begins to feel the call of something powerful. He dresses as an undead Mariachi, clad in black with the traditional markings to give himself a skeletal appearance.
En route to the celebration, the forces of the Aztec underworld cause Diego's car to crash, ending his life. Diego awakens in the Aztec afterlife of Mictlan where the god of death sacrifices him to Tezcatlipoca in a ritual where his heart is torn from his chest with the aid of an obsidian blade. He is then sent back to the land of the living exactly one year after his death. Diego, selected long ago by the Old Indian, is the sacrificial priest in service to Tezcatlipoca. In order to fulfill the prophecy of the Sixth Sun, Tezcatlipoca requires three human sacrifices, each symbolizing the Catholic Church that wiped out the old gods over five hundred years ago. And Maria, being the direct descendant of the Somera family is at risk. Armed with the power to take life or restore it, Diego must struggle against the very gods who created him in order to save the woman he loves.
Javier Hernandez made a cameo appearance in the film in which he has a short conversation with El Muerto, credited as "Man in Costume", while co-producer Susan R. Rodgers appears in an uncredited cameo as a participant in the Dia de los Muertos festival. Rafael Navarro, longtime friend of Hernandez and fellow comic book creator had a brief cameo as a witness of a car wreck inadvertently caused by El Muerto.
"The idea that El Muerto or Diego is struggling with is god cruel or is god benevolent?...if god tells you to do things, you can get away with just about anything. And that's really what I wanted to deal with in the context of today...does god tell you to go and kill in his own name?...yes, [the film] is about the Aztec tradition and the Catholic tradition, but is also an allegory for what's taking place now."
One year during San Diego Comic-Con, Hernandez was interviewed by NPR regarding his comic. A few weeks after, the segment finally aired and caught the attention of director Brian Cox. The director contacted Hernandez and scheduled a meeting in which they talked of the character in depth. At the end of the conversation, Cox asked if he would ever consider El Muerto as a film. A question to which Hernandez responded, "Well, I wouldn't NOT consider it!" Shortly after their meeting, Brian contacted Larry Rattner, a close friend and producer. Coincidentally, Rattner had just met a family that had just come out of a successful publishing venture and were interested in financing a film. Rattner soon convinced them of the potential of an El Muerto film.
A script for the film was written by Brian Cox with Hernandez serving as Associate-Producer. Hernandez was excited to have Valderrama play the lead, stating in an interview, "Wilmer is just drop-dead perfect! Really, it was a lucky break for us getting him to play Diego de la Muerte/El Muerto. He is so completely immersed in the role. For him, it's a chance to play a leading role in a film. And he sees the franchise potential with this character. I mean, he's playing a comic book superhero, how cool is that!?" [5] In the same interview he also praised the supporting cast, saying "The quality of actors should give you an idea about the quality of the script."
The film rights to El Muerto were later purchased by Peninsula Films in May 2003. Valderrama described the film as "The Crow meets Desperado meets Spawn. It's an odd choice for me, but I love making those." He later added, "It's presented in such an odd, hardcore, rad way...very Robert Rodriguez. It's very, very hard. It's a beautiful story told through the eyes of this young guy who's sacrificed in the name of the Aztec gods and he comes back to be a weapon for them. And [instead] he rebels against them and asks all these questions about religion." [6]
Filming officially ended on February 14, 2005. [7] [8] On September 20, 2006, Hernandez announced that the final cut would be privately screened, stating that the film was "officially done":
[T]he last time I saw the film was November '05, once on Dia de Los Muertos and again two weeks later with Wilmer...that was a real rough cut. No digital effects, no official music/score, rough sound/color, etc.
Valderrama wore different types of make-up including full theatrical make-up, full prosthetic make-up, and was required to wear black contact lenses. Mark Bautista, key make-up for the film, explained the varying types of make-up used and their different levels: "Within the makeup itself, Diego proceeds to go to a party. The party make up is more or less like a theatrical make up - subtle, something you do at home. Once [his] accident occurs this makeup is now cauterized into his face, I wanted to make that makeup almost look scarified." Much of the costume and dress design followed a strict color palette reflecting the Dia de los Muertos. For Angie Cepeda's character, her colors in rust, gold, marigold, orange colors representative of the marigold from the Dia de los Muertos tradition. Valderrama's costume design was a direct-adaptation from the comic book series with very few changes. Special effects were used to create both the Aztec gods. While Mictlantecuhtli required visual effects and puppetry by Nathan Mussel, Tezcatlipoca was entirely computer generated and throughout the film he is shown to manifest himself on dark mirrored surfaces. Tezcatlipoca was more prominent to the film's overall plot, and therefore made more appearances in the film than Mictlantecuhtli.
The music and film score were composed by Tony Humecke with Bill Ewart serving as music supervisor. The soundtrack kept to the film's Aztec roots by featuring pre-Hispanic music as performed by Martin Espino. [9] [10] Espino also played a vital role due to his ability to speak the Aztec language of Nahuatl, which can be heard in various chants throughout the film. [11] The soundtrack also featured such tracks as "Tierra" by Los Nativos, "El Troquero" by Valerio Longoria, "Tolkchoke" by En La Orilla De La Utopia, and "Nuestra Tierra" by Olmeca. All rhythm loops and designs were created by Beta Rhythm Farm.
The first private film-screenings were held in Los Angeles, New York, and the American film market respectively. During this time a trailer for the film, initially intended as a preview for the American film market, was released to the public on various shared-video sites such as YouTube. [12] The film made its official premiere to the public on March 1, 2007 at the Latino Film Festival in San Diego, California. Stars Angie Cepeda and Tony Plana were present at the event as well as creator Javier Hernandez. Subsequent festival screenings included Toronto, San Francisco, [13] San Diego, Los Angeles and New York. [14] The latter of which offered a chance to win free tickets. [15]
The film received a full-fledged theatrical premiere at Laemmle Grande Theatre [16] on September 14, 2007 located at its downtown Los Angeles venue. A DVD release was slated for September 18, with Bloodydisgusting.com later having a contest to win a free copy. [17] Another screening was held at the first annual Whittier Film Festival on March 7 of 2008 where it won the Best Feature Film award. [18] Javier Hernandez also hosted a special podcast on his radio show, Planet Comic Book Radio , where listeners were given the chance to win free tickets to the event. [19]
The DVD was released by Echo Bridge Entertainment on September 18, 2007. [20] Despite being titled El Muerto throughout its conception and subsequent film screenings, the original DVD release was later re-titled The Dead One, a loose translation of El Muerto, for marketing purposes. It was later reissued under the film's original title.
Special features include:
Also included within the DVD case is an exclusive collectible mini-comic created for the DVD and two wash-and-wear tattoos.
Mark of Mictlantecuhtli is an exclusive 8-page mini-comic created for the original DVD release by Javier Hernandez and Mort Todd. [21] [22] The short story focuses on the significance of Diego's calavera tattoo, actually an Aztec symbol of death representing Mictlantecuhtli. Mark Bautista, the make-up artist for the film, also makes a cameo appearance in the mini-comic as the tattoo shop owner, Marc.
The premiere and subsequent film screenings created a positive response, with tickets to the film's premiere actually selling out. [23] After the film's initial DVD release, the online community had some generally mixed reviews. The film has a "B+" rating Yahoo! Movies. [24] JoeHorror.com praised El Muerto, calling it "a very well acted supernatural thriller, heavily steeped in Latino mysticism and gorgeously decorated with Dia de los Muertos symbolism" and summed up the movie as a "Beautiful Dia de los Muertos inspired nightmare!" [25] One review bemoaned the lack of big budget special effects but praised Billy Drago's performance as the villain. [26] While another reviewer from Film Critics United.com admired the effort placed in the film's production but thought the overall product "fell flat". [27]
On the more negative side, a review from JoBlo.com called the movie "nonsensical, ridiculous and boring in every way you don’t want your comic book adaptation to be" and gave the DVD a 1.5 out of a possible 4 rating. [28] KillerReviews.com defended the film against some of the more harsh reviews, calling it "Bland But Not Altogether Bad." [29]
Due to early online film announcements, those who were unfamiliar with the premise of the film or its basis criticized that the main character's guise too closely resembled that of The Crow from the film of the same name based on the Gothic comic-book series created by James O'Barr. The similarity was noted in an interview with Javier Hernandez: [30]
Yeah, they’re both dead. A lot of dead guys in comics. The Spectre. The Spirit. Anyway, visually it's got the white face and the black suit. But if you look at the Day of the Dead folklore, people paint the skull-face on them[selves], and then the black Mariachi was just a stylish element.
And further explored in another interview at JoBlo.com: [31]
Well, I've heard initial Crow comparisons online, and I can understand that based on a visual basis. But our story, drawing from Mexican folklore and Aztec mythology, is about a guy getting abducted by the gods of death and destiny, and fighting against their will. And his look is inspired directly from the Dia de los Muertos celebrations.
Several reviewers acknowledged a resemblance, but most agreed it was a visual basis. [32] [33] JoeHorror.com declared, "The Dead One does bear a significant resemblance to the aforementioned Crow, but it definitely has its own flavor and its own tale to tell, honoring its predecessor rather than trying to rip it off." [34]
The Day of the Dead is a holiday traditionally celebrated on November 1 and 2, though other days, such as October 31 or November 6, may be included depending on the locality. The multi-day holiday involves family and friends gathering to pay respects and remember friends and family members who have died. These celebrations can take a humorous tone, as celebrants remember amusing events and anecdotes about the departed. It is widely observed in Mexico, where it largely developed, and is also observed in other places, especially by people of Mexican heritage. The observance falls during the Christian period of Allhallowtide. Some argue that there are Indigenous Mexican or ancient Aztec influences that account for the custom, though others see it as a local expression of the Allhallowtide season that was brought to the region by the Spanish; the Day of the Dead has become a way to remember those forebears of Mexican culture. The Day of the Dead is largely seen as having a festive characteristic.
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who became the Aztecs arrived from the North into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City – but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth, the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven nahuatlacas to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves", or at Tamoanchan.
Mictlāntēcutli or Mictlantecuhtli, in Aztec mythology, is a god of the dead and the king of Mictlan (Chicunauhmictlan), the lowest and northernmost section of the underworld. He is one of the principal gods of the Aztecs and is the most prominent of several gods and goddesses of death and the underworld. The worship of Mictlantecuhtli sometimes involved ritual cannibalism, with human flesh being consumed in and around the temple. Other names given to Mictlantecuhtli include Ixpuztec, Nextepehua, and Tzontemoc.
Wilmer Eduardo Valderrama is an American actor. He is known for his role as Fez in the sitcom That '70s Show (1998–2006), his current role as Special Agent Nick Torres in NCIS (2016–present), and Agustín Madrigal in Encanto. He was also host of the MTV series Yo Momma (2006–07), the voice of Manny from the Playhouse Disney/Disney Junior animated series Handy Manny (2006–2013), and played Carlos Madrigal in From Dusk till Dawn: The Series (2014–2016). He has had recurring roles on Grey's Anatomy as well as The Ranch.
In creation myths, the term "Five Suns" refers to the belief of certain Nahua cultures and Aztec peoples that the world has gone through five distinct cycles of creation and destruction, with the current era being the fifth. It is primarily derived from a combination of myths, cosmologies, and eschatological beliefs that were originally held by pre-Columbian peoples in the Mesoamerican region, including central Mexico, and it is part of a larger mythology of Fifth World or Fifth Sun beliefs.
In Aztec mythology, Huēhuehcoyōtl is the auspicious Pre-Columbian god of music, dance, mischief, and song. He is the patron of uninhibited sexuality and rules over the day sign in the Aztec calendar named cuetzpallin (lizard) and the fourth trecena Xochitl.
El Muerto, also known as El Muerto: The Aztec Zombie, is a fictional character and comic book superhero created by American comics creator Javier Hernandez and published through his own imprint Los Comex. The comic book follows the story of 21-year-old Diego de la Muerte, who while on his way to a local Dia de los Muertos festival in Whittier, California, is abducted and sacrificed by the Aztec gods of death and destiny only to return to earth one year later with supernatural powers. The character made his first appearance in a xeroxed black-and-white preview comic titled Daze of the Dead: The Numero Uno Edition. The initial series of El Muerto was met with critical success and the character's popularity has led to several adaptations in other media including a live-action award-winning independent film starring Wilmer Valderrama.
The Aztec religion is a polytheistic and monistic pantheism in which the Nahua concept of teotl was construed as the supreme god Ometeotl, as well as a diverse pantheon of lesser gods and manifestations of nature. The popular religion tended to embrace the mythological and polytheistic aspects, and the Aztec Empire's state religion sponsored both the monism of the upper classes and the popular heterodoxies.
The Condor is a 2007 American animated superhero film based on a character created by Stan Lee. It features the voices of Wilmer Valderrama, María Conchita Alonso, Kathleen Barr, Michael Dobson, Mary Elizabeth McGlynn, and Cusse Mankuma. Originally titled El Lobo, it was released under the Stan Lee Presents banner, which is a series of direct-to-DVD animated films distributed by POW Entertainment with Anchor Bay Entertainment. The story was by Stan Lee, with the script written by former The New Teen Titans writer Marv Wolfman. The film is set in the same world as Mosaic, a prior Stan Lee Presents film, with the film's events apparently occurring before the events of Mosaic. The Condor was released on DVD on March 20, 2007, and had its television premiere on Cartoon Network on March 24, 2007. Since then, the film has been poorly received.
El Muerto is a Spanish term that translates as "The Dead One". It may refer to:
Rafael Navarro is an independent American comic-book artist best known for creating the Xeric Award winning series, Sonambulo, which cleverly blends elements of Lucha Libre and the noir genre. He has collaborated with Keith Rainville and has had work featured in Rainville's From Parts Unknown Publications. Navarro also has experience in storyboarding and has acted as a contributor to several animated television series as Rugrats and ¡Mucha Lucha!. A longtime friend of fellow creator Javier Hernandez, Navarro makes a cameo appearance in the film adaptation of El Muerto: The Aztec Zombie.
Brian Cox is an American writer, director and producer of various independent films and television. He is perhaps best known for the films Scorpion Spring, Keepin' It Real and the live-action adaption of El Muerto: The Aztec Zombie, the latter of which won the Best Feature Film Award at the first annual Whittier Film Festival. One of his first credited roles in film was as a script consultant for the 1990 thriller film Behind Bedroom Doors II.
The Professional Amigos of Comic Art Society is a defunct American non-profit organization formed by several independent comic book and cartoon creators in 1995.
There are extensive and varied beliefs in ghosts in Mexican culture. In Mexico, the beliefs of the Maya, Nahua, Purépecha; and other indigenous groups in a supernatural world has survived and evolved, combined with the Catholic beliefs of the Spanish. The Day of the Dead incorporates pre-Columbian beliefs with Christian elements. Mexican literature and cinema include many stories of ghosts interacting with the living.
In Aztec mythology, Creator-Brothers gods are the only four Tezcatlipocas, the children of the creator couple Ometecuhtli and Omecihuatl "Lord and Lady of Duality", "Lord and Lady of the Near and the Nigh", "Father and Mother of the Gods", "Father and Mother of us all", who received the gift of the ability to create other living beings without childbearing. They reside atop a mythical thirteenth heaven Ilhuicatl-Omeyocan "the place of duality".
In the Aztec culture, a tecpatl was a flint or obsidian knife with a lanceolate figure and double-edged blade, with elongated ends. Both ends could be rounded or pointed, but other designs were made with a blade attached to a handle. It can be represented with the top half red, reminiscent of the color of blood, in representations of human sacrifice and the rest white, indicating the color of the flint blade.
An ofrenda is the offering placed in a home altar during the annual and traditionally Mexican Día de los Muertos celebration. An ofrenda, which may be quite large and elaborate, is usually created by the family members of a person who has died and is intended to welcome the deceased to the altar setting.
Javier Hernandez is an American artist, comic book creator, and radio host from Whittier, California. Perhaps best known for creating the popular series El Muerto: The Aztec Zombie, the majority of his works are published through his privately owned imprint, Los Comex.
The CMLL Día de Muertos (2014) was a professional wrestling supercard event, scripted and produced by the Mexican Lucha Libre promotion Consejo Mundial de Lucha Libre (CMLL). The show took place on October 31, 2014 in CMLL's main venue, Arena México, in Mexico City, Mexico and celebrated the Mexican Day of the Dead celebration. Many of the wrestlers working the show wore the traditional Día de Muertos face and body paint for the Día de Muerto event. From the fourth match on the losing wrestlers were dragged to El Inframundo, a side entrance in the arena, by a group of wrestlers dressed up as minions of the ruler of the underworld.