Ellingtonia Moods and Blues | ||||
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Studio album by | ||||
Released | 1960 | |||
Recorded | February 29, 1960 | |||
Genre | Jazz | |||
Length | 35.57 | |||
Label | RCA Records | |||
Producer | ? | |||
Paul Gonsalves chronology | ||||
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Ellingtonia Moods and Blues is an album recorded in 1960 led by Paul Gonsalves. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
The Virgin Encyclopedia of Jazz | [4] |
In a review for AllMusic, Cub Koda called the album "one potent date," and wrote: "This is jazz from the days when albums were recorded in one day, and that was a good thing." [2]
Jack Sohmer, writing for Jazz Times, stated: "Despite its brevity, this is an excellent and little-known session." [5]
Pianist and composer Ethan Iverson commented: "The 'Ellington without Ellington' records are their own universe and I've never heard a bad one. I am keeping Ellingtonia Moods and Blues out and about in order to remember to keep listening to it. Gonsalves and Hodges know something particularly private and wonderful about playing the saxophone." [6]
Paul Gonsalves was an American jazz tenor saxophonist best known for his association with Duke Ellington. At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington's "Diminuendo and Crescendo in Blue," a performance credited with revitalizing Ellington's waning career in the 1950s.
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald, accompanied by the Duke Ellington Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 Song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1966. Ella at Duke’s Place was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards.
Ellington at Newport is a 1956 live jazz album by Duke Ellington and his band of their 1956 concert at the Newport Jazz Festival, a concert which revitalized Ellington's flagging career. Jazz promoter George Wein describes the 1956 concert as "the greatest performance of [Ellington's] career... It stood for everything that jazz had been and could be." It is included in the book 1001 Albums You Must Hear Before You Die, which ranks it "one of the most famous... in jazz history". Jazz journalist Scott Yanow wrote that Ellington's performance at the 1956 Newport Jazz Festival caused a sensation that fueled the rest of his career. The original release was partly recreated in the studio after the Ellington Orchestra's festival appearance.
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