Elliot Davis | |
---|---|
Born | USA | May 23, 1948
Occupation | Cinematographer |
Years active | 1976–present |
Elliot Davis (born May 23, 1948) is an American cinematographer.
Davis graduated from Virginia Tech with a Bachelor of Arts in Architecture and a Master of Fine Arts in Film from UCLA. [1] Davis feels his tenure as an architect carries over into his shooting style. [2]
Davis began his career in the mid 1970s, acting as cinematographer on the drama Harvest: 3,000 Years . He also would act as the camera operator for various films, including Francis Ford Coppola's The Outsiders and Joel Schumacher's St. Elmo's Fire . Davis would collaborate frequently with several directors, including Steven Soderbergh ( King of the Hill , The Underneath , Gray's Anatomy , Out of Sight ), Catherine Hardwicke ( Thirteen , Lords of Dogtown , The Nativity Story , Twilight ), and Jessie Nelson ( I Am Sam , Love the Coopers ).
Davis was the director of photography for Nate Parker's controversial directorial debut The Birth of a Nation . Davis was not familiar with Parker prior to receiving the script, but soon forged a creative connection with him, using films such as The Assassination of Jesse James by the Coward Robert Ford as influence for the look of Nation. [3]
Additional works include The Cutting Edge , Father of the Bride Part II , Equinox , Larger Than Life , Forces of Nature , 40 Days and 40 Nights , White Oleander , Legally Blonde 2: Red, White & Blonde , A Love Song for Bobby Long , The Iron Lady , Man of Tai Chi and the upcoming Above Suspicion .
For his work on Equinox and The Underneath, Davis received two nominations for the Independent Spirit Award for Best Cinematography.
Film
TV movies
Year | Title | Director |
---|---|---|
1979 | The Tenth Month | Joan Tewkesbury |
1997 | Mayflower Madam | Lou Antonio |
1992 | Memphis | Yves Simoneau |
1996 | Nightjohn | Charles Burnett |
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