This article relies largely or entirely on a single source .(February 2017) |
Embryonic Anomaly | ||||
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Studio album by | ||||
Released | May 25, 2010 | |||
Recorded | January–February 2010 | |||
Studio | Mayhemness Studios, Sacramento, California | |||
Genre | ||||
Length | 35:07 | |||
Label | Self-released | |||
Producer | Bob Swanson | |||
Rings of Saturn chronology | ||||
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Review scores | |
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Source | Rating |
Sputnik Music | [1] |
Embryonic Anomaly is the debut studio album by American deathcore band Rings of Saturn. It was produced by Bob Swanson at Mayhemness Studios located in Sacramento, California. It was self-released by the band on May 25, 2010. [2] Four months after the release, the band signed to Unique Leader Records. This was the only album to feature Peter Pawlak on vocals. [3]
A remake of Embryonic Anomaly was released in February 2021 as part of the 10 year anniversary for the original CD. The remake includes new album art by Mark Cooper, production by Sammy Morales and drumming redone by Marco Pitruzzella. [4]
Embryonic Anomaly was re-released through Unique Leader on March 1, 2011. Unlike the band's second album Dingir , Embryonic Anomaly was recorded with the original lineup of only three members while they were at the ages ranging from 16 to 18 and were still attending high school.
No. | Title | Length |
---|---|---|
1. | "Invasion" | 4:07 |
2. | "Seized and Devoured" | 4:03 |
3. | "Abducted" | 4:07 |
4. | "Final Abhorrent Dream" | 5:03 |
5. | "Corpses Thrown Across the Sky" | 4:04 |
6. | "Embryonic Anomaly" | 3:25 |
7. | "Annihilating the Pure" | 4:53 |
8. | "Grinding of Internal Organs" | 4:28 |
9. | "End of Humanity" | 0:57 |
Total length: | 35:07 |
Exodus is the ninth studio album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, Exodus thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith.
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