Emily Cockayne | |
---|---|
Born | 1973 |
Nationality | British |
Occupation | Historian |
Emily Cockayne (born 1973) is a British historian, known for her work on sensory nuisance and material culture. [1]
Cockayne was educated at the University of Cambridge, where she took a first-class degree in history in 1994. [2] She received the Members' History Prize in 1997. [3] She wrote a doctoral thesis at Jesus College, Cambridge, under the supervision of Robert W. Scribner and Keith Wrightson, and was awarded her PhD in 2000. She was a Prize Fellow of Magdalen College, Oxford, and afterwards lectured at the Open University. [4] She is currently Associate Professor in Early Modern History at the University of East Anglia. [5]
In 2007, Cockayne published Hubbub. Filth, Noise & Stench in England 1600-1770. [6] A reviewer in The Independent commented: 'Cockayne draws us into a world where snickleways (narrow, often noisome passages) might be contaminated by fallen axunge (pig fat used to grease axles) or the overflow from a "house of easement"'. [7] The book has been described as 'a treasure-house of material for scholars'. [8] Toni Morrison said Hubbub was 'a really extraordinary book', and that it had influenced her 2008 novel A Mercy. [9] Hubbub is often included in academic bibliographies of seminal works in modern urban history and the history of everyday life. [10] [11] [12] [13] [14] A second edition of Hubbub was issued in 2021 with a new afterword. [15]
Cheek by Jowl. A History of Neighbours followed in 2012. A reviewer in Literary Review described Cheek by Jowl as 'authoritative if heavy-going'; [16] while The Telegraph noted that 'Cockayne does not marshal her subject particularly linearly ... [but] crisply accounts for our disappearing notion of neighbourliness'. [17]
In 2020, Cockayne published a history of recycling and material reuse entitled Rummage. [18] The Guardian hailed Rummage as 'brilliantly original and deeply-researched', [19] while The Sunday Times called it 'rich and meticulous'. [20]
In addition to her academic work, which has included contributions to the history of Magdalen College Oxford [21] and essays on noise and deafness in Urban History [22] and The Historical Journal [23] respectively, Cockayne has written for Architectural Review; [24] The Daily Telegraph; [25] The Times; [26] Times Literary Supplement; [27] and The Wall Street Journal. [28] She has appeared on BBC Radio 4 programmes Thinking Allowed [29] and Woman's Hour; [30] BBC Radio 3's The Listening Service; [31] and in international broadcasts. [32] [33]
Cockayne is working on a study of anonymous letter-writing for Oxford University Press. [34]
Cockayne lives in East Anglia. She has two children, Ned and Maud.
The University of East Anglia (UEA) is a public research university in Norwich, England. Established in 1963 on a 320-acre (130-hectare) campus west of the city centre, the university has four faculties and 26 schools of study. The annual income of the institution for 2020–21 was £292.1 million, of which £35.2 million was from research grants and contracts, with an expenditure of £290.4 million, and had an undergraduate offer rate of 85.1% in 2021.
Martha Lane Fox, Baroness Lane-Fox of Soho, CBE is a British businesswoman, philanthropist, and public servant. She co-founded Last Minute during the dotcom boom of the early 2000s and has subsequently served on public service digital projects. She sits on the boards of Twitter, WeTransfer and Chanel, as well as being a trustee of The Queen's Commonwealth Trust. She previously served on the board of Channel 4.
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David Matthew Macfadyen is an English actor who has appeared in film, television, and theatre. He is known for his performance as Mr. Darcy in Joe Wright's Pride & Prejudice (2005), and Daniel in the Frank Oz comedy Death at a Funeral. He also portrayed John Birt in the political drama Frost/Nixon and Detective Inspector Edmund Reid in the BBC series Ripper Street. In June 2010, Macfadyen won the British Academy Television Award for Best Supporting Actor for his work on Criminal Justice.
Andromaque is a tragedy in five acts by the French playwright Jean Racine written in alexandrine verse. It was first performed on 17 November 1667 before the court of Louis XIV in the Louvre in the private chambers of the Queen, Marie Thérèse, by the royal company of actors, called "les Grands Comédiens", with Thérèse Du Parc in the title role. The company gave the first public performance two days later in the Hôtel de Bourgogne in Paris. Andromaque, the third of Racine's plays, written at the age of 27, established its author's reputation as one of the great playwrights in France.
Gong farmer was a term that entered use in Tudor England to describe someone who dug out and removed human excrement from privies and cesspits. The word "gong" was used for both a privy and its contents. As the work was considered unclean and off-putting to the public, gong farmers were only allowed to work at night, hence they were sometimes known as nightmen. The waste they collected, known as night soil, had to be taken outside the city or town boundary or to official dumps for disposal.
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Cheek by Jowl is an international theatre company founded in the United Kingdom by director Declan Donnellan and designer Nick Ormerod in 1981. Donnellan and Ormerod are Cheek by Jowl's artistic directors and together direct and design all of Cheek by Jowl's productions. The company's recent productions include an Italian-language version of Thomas Middleton's The Revenger's Tragedy, Russian-language productions of William Shakespeare's Measure for Measure and Francis Beaumont's The Knight of the Burning Pestle, an English-language production of The Winter's Tale and a French-language production of Shakespeare's Pericles, Prince of Tyre. Cheek by Jowl is an Arts Council England National Portfolio Organisation and an Associate Company of the Barbican Centre, London.
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Nicholas Ronald Ormerod OBE is a British theatre designer and co-founder of the international theatre company Cheek by Jowl. In 1981 he founded Cheek by Jowl with Declan Donnellan, and they are the company's co-artistic directors. In addition to his Cheek by Jowl productions, Ormerod has made theatre, opera and ballet with companies across the world. He studied law at Trinity College, Cambridge before studying for BA in theatre design at the Wimbledon School of Art.
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