Emma Wilson | |
---|---|
Born | 1967 (age 56–57) |
Nationality | British |
Occupation(s) | Academic, writer |
Parent | Jacqueline Wilson |
Awards | Ordre des Palmes académiques (Chevalier, 2009) |
Academic background | |
Education | Surbiton High School |
Alma mater | Newnham College, University of Cambridge (BA, Ph.D) |
Thesis | The pain of the pleasure of the text: Tournier, reading and sexuality (1991) |
Academic work | |
Institutions | University of Cambridge |
Emma Wilson, FBA (born 1967) is a British academic and writer,specialising in French literature and cinema. She is Professor of French Literature and the Visual Arts at the University of Cambridge and a fellow of Corpus Christi College. [1]
Emma Wilson is the daughter of novelist Jacqueline Wilson and her former husband,William Millar Wilson,a police officer. [2] She was a scholarship student at Surbiton High School [3] and then studied French and Latin as an undergraduate at Cambridge. She then stayed on to do a PhD in the French department. Her thesis was entitled The pain of the pleasure of the text:Tournier,reading and sexuality. [4]
Wilson then got a post as a university lecturer at Cambridge. She is a fellow of Corpus Christi College,Cambridge,and Professor of French Literature and the Visual Arts at the University of Cambridge. [5] She was previously Reader in Contemporary French Literature and Film and head of Cambridge's Department of French. [1]
In 2022,she was elected a Fellow of the British Academy (FBA),the United Kingdom's national academy for the humanities and social sciences. [6]
As a researcher,Wilson is author of six books and over twenty articles published in scholarly journals in the field of modern languages and film. Her published work includes book studies of Alain Resnais and Krzysztof Kieslowski as well as specific work on writers such as Marcel Proust,Marguerite Duras,Hélène Cixous and Michel Tournier. As well as her contribution to these author fields,however,Wilson's writing has applications to critical theory. In her 1996 work,Sexuality and the Reading Encounter,Wilson makes a contribution to reader response theory in relation to feminism and queer theory. She argues for the potential for change in the reader's identity through reading. The encounter between reader and text,she says,depends "not on pre-constructed identities,but on the very performance of identity in the process of reading." [7] Wilson is particularly interested in the way that readers position themselves in relation to representations of desiring relations. [8]
Wilson's 2003 study of the cinematic treatment of missing children,Cinema's Missing Children,was described as "a book rich in academic and cultural backstory". [9]
On 6 May 2009,Wilson was awarded an Ordre des Palmes académiques Chevalier (knight) medal by the French Ambassador to the United Kingdom,Maurice Gourdault-Montagne. This prestigious award is awarded by the French government to academics and educators. It recognises Wilson's sustained contribution to the dissemination of French culture and to education. [10] As well as her active contribution to the teaching and research of her department,Wilson has set up a number of links between Cambridge University and French institutions such as the École Normale Supérieure-Lettres et Sciences humaines in Lyon with which Cambridge now has a very successful ERASMUS programme.
Julia Kristeva is a Bulgarian-French philosopher, literary critic, semiotician, psychoanalyst, feminist, and, most recently, novelist, who has lived in France since the mid-1960s. She has taught at Columbia University, and is now a professor emerita at Université Paris Cité. The author of more than 30 books, including Powers of Horror, Tales of Love, Black Sun: Depression and Melancholia, Proust and the Sense of Time, and the trilogy Female Genius, she has been awarded Commander of the Legion of Honor, Commander of the Order of Merit, the Holberg International Memorial Prize, the Hannah Arendt Prize, and the Vision 97 Foundation Prize, awarded by the Havel Foundation.
Marguerite Germaine Marie Donnadieu, known as Marguerite Duras, was a French novelist, playwright, screenwriter, essayist, and experimental filmmaker. Her script for the film Hiroshima mon amour (1959) earned her a nomination for Best Original Screenplay at the Academy Awards.
Three Colours: Blue is a 1993 drama film directed and co-written by Polish filmmaker Krzysztof Kieślowski. It is the first of three films that make up the Three Colours trilogy, themed on the French Revolutionary ideals of liberty, equality and fraternity, followed by White and Red. According to Kieślowski, the subject of the film is liberty, specifically emotional liberty, rather than its social or political meaning.
Krzysztof Kieślowski was a Polish film director and screenwriter. He is known internationally for Dekalog (1989), The Double Life of Veronique (1991), and the Three Colours trilogy (1993 –1994). Kieślowski received numerous awards during his career, including the Cannes Film Festival Jury Prize (1988), FIPRESCI Prize, and Prize of the Ecumenical Jury (1991); the Venice Film Festival FIPRESCI Prize (1989), Golden Lion (1993), and OCIC Award (1993); and the Berlin International Film Festival Silver Bear (1994). In 1995, he received Academy Award nominations for Best Director and Best Original Screenplay.
Irène Marie Jacob is a French-Swiss actress known for her work with Polish film director Krzysztof Kieślowski. She won the 1991 Cannes Film Festival Award for Best Actress for the Kieślowski film The Double Life of Veronique, and was nominated for the BAFTA Award for Best Actress in a Leading Role for her 1994 film Three Colours: Red. Her other film appearances include The Secret Garden (1993), Beyond the Clouds (1995), U.S. Marshals (1998), and Eternity (2016).
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Eve Kosofsky Sedgwick was an American academic scholar in the fields of gender studies, queer theory, and critical theory. Sedgwick published several books considered groundbreaking in the field of queer theory, and her critical writings helped create the field of queer studies, in which she was one of the most influential figures. Sedgwick's essays became the framework for critics of poststructuralism, multiculturalism, and gay studies.
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The Double Life of Veronique is a 1991 drama film directed by Krzysztof Kieślowski and starring Irène Jacob. Written by Kieślowski and Krzysztof Piesiewicz, the film explores the themes of identity, love, and human intuition through the characters of Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher. Despite not knowing each other, the two women share a mysterious and emotional bond that transcends language and geography.
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