Enter Achilles is a performance created by the dance and theatre company DV8 Physical Theatre and directed by Lloyd Newson. First performed on 7 June 1995 at Vienna Festwochen in Vienna, Austria, the piece initially toured around the UK and Europe in 1995, before moving to Australia in early 1996. The performance was later revived and toured in 1997, visiting Europe and North America, and again in 1998, where it toured Europe and Japan.
An award-winning film version was released in 1996.
It was revived in a new production in 2020, premiering at the Adelaide Festival.
The performance, with a run time of 75 minutes, explores masculinity and our perception of the stereotypical "bloke". Set in a dark, dusty, British pub, a group of men gather around the blasting jukebox, a pint in one hand and a cigarette in the other. Movement- and dance-based, this physical theatre performance uncovers the men's insecurities and vulnerability. The concept of gender is investigated through the understanding of what we deem as "unmanly" and this is closely represented through the gestures, action and movement of the performers, a technique which is often associated with the work of Newson and DV8. [1] Looking at conformity regarding male relationships, friendships and identity the performance attempts to realise the struggle of being a "real" man. The piece is an exploration, concentrating on the complications of existence within a man's world. [2]
After receiving its world premiere in Vienna in 1995, the piece went on to tour extensively, and was critically acclaimed, with Rupert Christiansen in The Observer stating that it was "heartening to find DV8 blazing a fresh, dangerous trail". [2] It toured Europe, North America and Japan. [3]
A new production, in collaboration with Ballet Rambert and Sadler's Wells, staged its world premiere at the Adelaide Festival in March 2020. [4] [5]
In 1995, Newson collaborated with the director Clara Van Gool to adapt the stage piece for film. [6] The resulting piece, which was screened at numerous film festivals around the world, received numerous awards, including an Emmy Award for the Performing Arts in 1997. [7]
A dance film is a film in which dance is used to reveal the central themes of the film, whether these themes be connected to narrative or story, states of being, or more experimental and formal concerns. In such films, the creation of choreography typically exists only in film or video. At its best, dance films use filming and editing techniques to create twists in the plotline, multiple layers of reality, and emotional or psychological depth.
Imelda Mary Philomena Bernadette Staunton, is an English stage and screen actress. After training at the Royal Academy of Dramatic Art, Staunton began her career in repertory theatre in the 1970s before appearing in various theatres in the UK.
Mass is a musical theatre work composed by Leonard Bernstein with text by Bernstein and additional text and lyrics by Stephen Schwartz. Commissioned by Jacqueline Kennedy, it premiered on September 8, 1971, conducted by Maurice Peress and choreographed by Alvin Ailey. The performance was part of the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. Mass premiered in Europe in 1973, with John Mauceri conducting the Yale Symphony Orchestra in Vienna.
The Adelaide Symphony Orchestra is a South Australian performing arts organization, established in 1936.
DV8 Physical Theatre is a physically integrated dance company based at Artsadmin in London, United Kingdom. It was officially founded in 1986 by Lloyd Newson (1986-2015), Michelle Richecoeur (1986-1988) and Nigel Charnock. Lloyd Newson has led the company as choreographer and artistic director since its inception, apart from the production My Sex, Our Dance (1986), which was co-created and performed with Nigel Charnock.
Australian Dance Theatre (ADT), known as Meryl Tankard Australian Dance Theatre 1993–1999, is a contemporary dance company based in Adelaide, South Australia, established in 1965 by Dr. Elizabeth Cameron Dalman OAM. The ADT was the first modern dance company in Australia and drew on the techniques of Martha Graham for its inspiration. Eleo Pomare was an early collaborator and the songs of Peter, Paul and Mary featured strongly in their early works, such as This Train.
Stomp is a percussion group, originating in Brighton, United Kingdom that uses the body and ordinary objects to create a physical theatre performance using rhythms, acrobatics and pantomime.
Theatre of Australia refers to the history of the performing arts in Australia, or produced by Australians. There are theatrical and dramatic aspects to a number of Indigenous Australian ceremonies such as the corroboree. During its colonial period, Australian theatrical arts were generally linked to the broader traditions of English literature and to British and Irish theatre. Australian literature and theatrical artists have over the last two centuries introduced the culture of Australia and the character of a new continent to the world stage.
Cheek by Jowl is an international theatre company founded in the United Kingdom by director Declan Donnellan and designer Nick Ormerod in 1981. Donnellan and Ormerod are Cheek by Jowl's artistic directors and together direct and design all of Cheek by Jowl's productions. The company's recent productions include an Italian-language version of Thomas Middleton's The Revenger's Tragedy, Russian-language productions of William Shakespeare's Measure for Measure and Francis Beaumont's The Knight of the Burning Pestle, an English-language production of The Winter's Tale and a French-language production of Shakespeare's Pericles, Prince of Tyre. Cheek by Jowl is an Arts Council England National Portfolio Organisation and an Associate Company of the Barbican Centre, London.
Tanja Liedtke was a German-born professional choreographer and dancer. She was most noted as a dancer, choreographer and director of contemporary dance in Australia and Europe.
Kate Champion is a director and choreographer with over thirty years' experience across multiple art forms. She was the founding Artistic Director of Force Majeure (2002-2015), a dance theatre company based in Sydney, Australia. Her initial training was in Sydney with Karen Kerkhoven with subsequent formative years spent in Munich with the Iwanson Dance Company and continued with Kai Tai Chan's One Extra Company in Sydney. She was a founding member of Dance North in Townsville and was a dancer with Australian Dance Theatre from 1988 to 1989.
Garry Stewart has been the artistic director of the Australian Dance Theatre since 1999, following Meryl Tankard.
Matt Lee is an Australian dancer and actor. He has starred in Bootmen, We Will Rock You, Rent, Grease, and Mary Poppins for which he won a Helpmann Award for Best Actor in a Musical. He was a motion capture principle for the Oscar winning film Happy Feet where he brought to life the loveable tap dancing penguin Mumble. He has choreographed for, and worked alongside Paula Abdul, Ricky Martin, Human Nature, Samantha Jade, Hilary Duff and Christine Anu. He was also a judge and choreographer for So You Think You Can Dance.
The Cost of Living is a British physical theatre dance film made in 2004 by DV8 Films Ltd. and Channel 4. It is an adaptation of a stage production by DV8 Physical Theatre. Directed by Lloyd Newson, the founder of DV8 Physical Theatre, the film uses dance, dialogue and physical theatre to tell the story of two street performers and their interaction with other performers in Cromer, a seaside resort town, at the end of the summer season. The film has won a number of awards.
Anna Fleischle is a theatre designer who has worked in theatre, dance and opera.
Lloyd Newson is a director, dancer and choreographer. He formed DV8 Physical Theatre and has led the company since its inception in 1986. He studied psychology and social work at Melbourne University and after graduating began his dancing career in New Zealand, initially as a dancer but later also as a choreographer.
Tilda Cobham-Hervey is an Australian film, TV and theatre actress from Adelaide, South Australia, with a background in circus performing and physical theatre. In 2014 Cobham-Hervey made her film debut at the age of 19 in 52 Tuesdays, a critically acclaimed independent film directed by Sophie Hyde. She appeared in the 2018 film Hotel Mumbai. She starred as feminist icon Helen Reddy, in the bio-pic I am Woman, which Hollywood Reporter described as a "breakout performance".
Swing on This is made up of musical theatre leading men, Michael Falzon, Luke Kennedy, Matt Lee, Rob Mills and Ben Mingay, singing a collection of classic swing songs reworked with a more contemporary style, as well as more recent popular music arranged for an 18 piece big band. Although songs range from Irving Berlin and Cole Porter through to more recent influences like Oasis, Swing On This embraces a more contemporary style of swing, with Falzon comparing it more to Michael Buble and Robbie Williams. Swing on This includes a medley of Australian classic rock and pop.
Tamara Saulwick is a performance-maker, director and dramaturge from Melbourne, Australia. She makes contemporary performance pieces for theatres and public spaces. Since 2017 she has had the role of Artistic Director of Melbourne arts company Chamber Made, who are creators of original works at the meeting point of sound, music and performance.
Elizabeth Ranken is a British choreographer, performer, director, movement director and artist. She is an Associate Artist of the Royal Shakespeare Company (RSC) and was a lead performer with DV8 Physical Theatre. Her work encompasses opera, theatre, physical theatre, dance, television, film and art.