Johannes Birringer is an independent media choreographer and artistic director of AlienNation Co., a multimedia ensemble that has collaborated on various site-specific and cross-cultural performance and installation projects since 1993. He lives and works in Houston and London.
La Fura dels Baus is a Spanish theatrical group founded in 1979 in Moià, Barcelona (Spain), known for their urban theatre, use of unusual settings and blurring of the boundaries between audience and actor. "La Fura dels Baus" in Catalan means "The ferret from Els Baus". According to a 1985 review of their London performance, published in NME, the group "create a kind of adult adventure playground of fun, danger, slapstick and fantasy".
Cedarbrae Collegiate Institute, formerly Cedarbrae Secondary School is a semestered public secondary school in Toronto, Ontario, Canada. It is located in the Woburn neighbourhood in former suburb of Scarborough. It was established in 1961 by the former Scarborough Board of Education and is now operated by the Toronto District School Board.
Joseph Nechvatal is an American post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom computer viruses.
Eyebeam is a not-for-profit art and technology center in New York City, founded by John Seward Johnson III with co-founders David S. Johnson and Roderic R. Richardson.
In virtual reality (VR), immersion is the perception of being physically present in a non-physical world. The perception is created by surrounding the user of the VR system in images, sound or other stimuli that provide an engrossing total environment.
Oliver Grau is a German art historian and media theoretician with a focus on image science, modernity and media art as well as culture of the 19th century and Italian art of the Renaissance. Main Areas of Research are: Digital Art, Media Art History, immersion, digital humanities, documentation and conservation strategies of born-digital media art. He is founder and director of the Archive for Digital Art (1998) and founder and head of the Society for MediaArtHistories and its biennial conference series. His monograph "Virtual Art: From Illusion to Immersion" is highly cited and with translations of his texts in 15 languages to date and over 300 invited lectures in 44 countries, he is one of the most internationally renowned contemporary art and media scholars.
Stacey Spiegel (1955) is a Canadian artist and new media designer.
Creative technology is a broadly interdisciplinary and transdisciplinary field combining computing, design, art and the humanities. The field of creative technology encompasses art, digital product design, digital media or an advertising and media made with a software-based, electronic and/or data-driven engine. Examples include multi-sensory experiences made using computer graphics, video production, digital music, digital cinematography, virtual reality, augmented reality, video editing, software engineering, 3D printing, the Internet of Things, CAD/CAM and wearable technology.
New media art includes artworks designed and produced by means of electronic media technologies. It comprises virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, immersive installation and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts such as architecture, painting or sculpture.
The Theaterfestival Spielart is an international theatre festival which takes place every two years during November and December in Munich, starting in 1995. The festival lasts between 15 and 17 days. Guests usually include over 20 international theater and performance groups.
Helen Varley Jamieson is a digital media artist, playwright, performer, director and producer from New Zealand. She "is engaged in an ongoing exploration of the collision between theatre and the internet." Since 1997 she has been working on the internet professionally. In the year 2000 Helen Varley Jamieson coined the term cyberformance. This term is a combination of two words, cyberspace and performance. Jamieson states that "cyberformance can be located as a distinct form within the subsets of networked performance and digital performance, and within the overall form of theatre, as it is a live performance form with an audience that is complicit in the completion of the work in real time."
JoAnn Kuchera-Morin is a professor of Media Arts & Technology and of Music. A composer and researcher specializing in multimodal interaction, she is the Creator and Director of the AlloSphere at the California NanoSystems Institute and the Creator and Director of the Center for Research in Electronic Art Technology (CREATE) at the University of California, Santa Barbara. Kuchera-Morin initiated and was Chief Scientist of the University of California Digital Media Innovation Program (DiMI) from 1998 to 2003.
URLAND, also styled as Urland, is a performance collective from Rotterdam, the Netherlands. Established in 2010 at the Theatre Academy of Maastricht, URLAND has made a significant impact in the realm of performance art. The collective was founded by Thomas Dudkiewicz, Marijn Alexander de Jong, Ludwig Bindervoet, and Jimi Zoet. These artists have diverse backgrounds in theater, dance, music, visual arts, and digital media, which they blend to create innovative and interdisciplinary performances.
Audience immersion is a storytelling technique which attempts to make the audience feel as though they are a part of the story or performance, a state which may be referred to as "transportation" into the narrative, permitting high levels of suspension of disbelief. Audience immersion may be used to enhance learning or to create a more realistic experience. Various methods may be employed to this end, including narrative perspective in writing or technical design in the performing arts. An early example of audience immersion is from the 1846 travelogue Pictures from Italy by Charles Dickens, in which the narrator, speaking in the first person, addresses the reader using second-person pronouns, allowing the reader to "picture themselves with Dickens as he travels."
A virtual reality game or VR game is a video game played on virtual reality (VR) hardware. Most VR games are based on player immersion, typically through a head-mounted display unit or headset with stereoscopic displays and one or more controllers.
Immersive theater differentiates itself from traditional theater by removing the stage and immersing audiences within the performance itself. Often, this is accomplished by using a specific location (site-specific), allowing audiences to converse with the actors and interact with their surroundings (interactive), thereby breaking the fourth wall.
Lundahl & Seitl is a Stockholm-based artist duo formed in 2003 by Christer Lundahl and Martina Seitl. The duo's practice consists of site-specific situations and cross-disciplinary projects, "where the line between action and perception is renegotiated", as noted by Frida Sandström.
Philippe Bekaert was a professor in visual computing at the Expertise center for Digital Media (EDM) of Hasselt University, Belgium. His research areas include omnidirectional (360°) and free viewpoint video, immersive environments and virtual reality, multicamera systems, management of large data transfer, and general-purpose GPU computing.
