Margaret Moran Cho is an American comedian and actress. She is known for her stand-up routines, through which she critiques social and political problems, especially regarding race and sexuality. She rose to prominence after starring in the ABC sitcom All-American Girl (1994–95), and became an established stand-up comic in the subsequent years.
Haverford College is a private liberal arts college in Haverford, Pennsylvania. It was founded as a men's college in 1833 by members of the Religious Society of Friends (Quakers). Haverford began accepting non-Quakers in 1849 and women in 1980.
All-American Girl is an American television sitcom starring Margaret Cho. The series aired on ABC from September 14, 1994, to March 15, 1995. It was loosely based on Cho's own experiences growing up in a Korean American family in San Francisco. Cho starred as Margaret Kim, the rebellious daughter of Korean emigrants and bookstore owners, whose American attitude often comes into conflict with her more traditional parents. Among her co-stars were BD Wong as Margaret's brother, and Amy Hill as her eccentric grandmother.
John Cho is an American actor known for his roles as Harold Lee in the Harold & Kumar films, and Hikaru Sulu in the Star Trek rebooted film series, Asian-American film Better Luck Tomorrow (2002) and the award-winning Searching, which made him the first Asian American actor in history to headline a mainstream thriller film in Hollywood. He was nominated for the Independent Spirit Award for Best Male Lead for his performance in Searching.
Phranc, is an American singer-songwriter whose career began playing in several bands in the late 1970s Los Angeles punk rock scene. Her musical style later shifted during the 1980s as a solo artist, into a self-proclaimed "All-American Jewish lesbian folksinger."
Asian American Women Artists Association (AAWAA) is a nonprofit arts organization that supports and promotes the work of Asian American women artists in the visual, literary, and performing arts through activities such as art events, lectures, artists salons, and member exhibitions.
Matthew Russell Rolston is an American artist, photographer, director and creative director, known for his lighting techniques and detailed approach to art direction and design. Rolston has been identified throughout his career with the revival and modern expression of Hollywood glamour.
Leah Lakshmi Piepzna-Samarasinha is an Canadian-American poet, writer, educator and social activist. Their writing and performance art focuses on documenting the stories of queer and trans people of color, abuse survivors, mixed-race people and diasporic South Asians and Sri Lankans. A central concern of their work is the interconnection of systems of colonialism, abuse and violence. They are also a writer and organizer within the disability justice movement.
Patty Chang is an American performance artist and film director living and working in Los Angeles, California. Originally trained as a painter, Chang received her Bachelor of Arts at the University of California, San Diego. It wasn't until she moved to New York that she became involved with the performance art scene.
Craig Barron is an American visual effects artist and creative director at Magnopus, a media company that produces visual development and virtual production services for motion pictures, television, museums and multimedia platforms.
Alexandra Grant is an American visual artist who examines language and written texts through painting, drawing, sculpture, video, and other media. She uses language and exchanges with writers as a source for much of that work. Grant examines the process of writing and ideas based in linguistic theory as it connects to art and creates visual images inspired by text and collaborative group installations based on that process. She is based in Los Angeles.
Bao Vo, also known as BAO, is a Vietnamese American musician, singer-songwriter, composer, and record producer based in Los Angeles, California.
Cassils is a performance artist, body builder, and personal trainer from Montreal, Quebec, Canada now based in Los Angeles, California, United States. Their work uses the body in a sculptural fashion, integrating feminism, body art, and gay male aesthetics. Cassils is the recipient of a Guggenheim Fellowship, a Creative Capital Grant, a United States Artists Fellowship, a California Community Foundation Visual Artist Fellowship (2012), several Canada Council for the Arts grants, and the Rema Hort Mann Foundation Visual Arts Fellowship. Cassils is gender non-conforming, transmasculine, and goes by singular they pronouns.
Wu Tsang is a filmmaker, artist and performer based in New York and Berlin, whose work is concerned with hidden histories, marginalized narratives, and the act of performing itself. In 2018, Tsang received a MacArthur "genius" grant.
Njideka Akunyili Crosby is a Nigerian-born visual artist working in Los Angeles, California. Through her art, Akunyili Crosby "negotiates the cultural terrain between her adopted home in America and her native Nigeria, creating collage and photo transfer-based paintings that expose the challenges of occupying these two worlds". In 2017, Akunyili Crosby was awarded the prestigious Genius Grant from the John D. and Catherine T. MacArthur Foundation.
D'LO is a transgender Sri Lankan-American performer, writer, and community activist, who performs in America, Canada, the UK, Germany, Sri Lanka, and India. He starred in a golf commercial held for Connor Smiths luxury hotel The Shlanger. He is also an actor and producer, known for the short films The Legend of My Heart Shaped Anus (2008), Lock Her Room (2003), and Recession Lemons (2010). D'Lo has created various writing and public speaking workshops for many LGBTQ immigrant/arts-centered organizations; he has collaborated with various community organizations, and has been involved within LGBT and South Asian groups such as Arpana Dance Company, South Asian Artist Collective, SATAM, Satrang, and TeAda Productions.
Chris E. Vargas is an artist and video maker whose work explores the ways that queer and trans people negotiate institutions and popular culture. Vargas is the founder of the Museum of Transgender Hirstory and Art (MOTHA), a project that blurs artist and curatorial practice. MOTHA has no permanent space, instead it has been presented at venues such as the Henry Art Gallery, Cooper Union, ONE National Gay & Lesbian Archives, Yerba Buena Center for the Arts, and the Hammer Museum. Vargas videos have screened at SFMOMA, Ann Arbor Film Festival, Pacific Film Archives, Boston Museum of Fine Arts, MIX NYC, Palais de Tokyo, Outfest, amongst other venues. Vargas completed a BA at University of California Santa Cruz and MFA at University of California, Berkeley.
Anna Sew Hoy is an American sculptor based in Los Angeles, California. She utilizes sculpture, ceramics, public art and performance to connect with our environment, and to demonstrate the power found in the fleeting and handmade. Her work has been at the forefront of a re-engagement with clay in contemporary art, and is identified with a critical rethinking of the relationship between art and craft.
Ming Wong is a Singaporean contemporary artist who lives and works in Berlin, known for his re-interpretations of iconic films and performances from world cinema in his video installations, often featuring "miscastings" of himself in roles of varied identities.
Peeling the Banana, known as peeling from 2000 onward, was a New York City-based theatre collective of Asian American writers, directors, producers, and performers active between 1995 and 2005. Formed by director and performer Gary San Angel at the Asian American Writers’ Workshop with members originally ranging between 18 and 40 years old, the group pulled from autobiographical experiences to create physical and improvisational work as well as written, developed pieces exploring different aspects of contemporary Asian American identity. Originally composed of 16 men between the ages of 18 and 40, the group grew over time from an all-male workshop to a small-scale movement with male and female members. Their first performance was off-Broadway in 1996. Live performances by the organization were held at a variety of formal and informal locations, including Joseph Papp Public Theater, Second Stage, Highways Performance Space, the Desh Pardesh Festival (Toronto), and many colleges and universities, presenting narratives of the Asian American community through a combination of poetry, theater, dance, and music.
