 | |
| Abbreviation | EFP |
|---|---|
| Formation | 1997 |
| Location |
|
Managing Director | Sonja Heinen |
| Website | www |
European Film Promotion (EFP) is an organisation with a mission of promoting European films internationally. A network of 38 national film promotion institutes which represent films from their respective territories. Under the EFP flag, the members team up on initiatives to promote the diversity and the spirit of European cinema and talent at key international film festivals and markets.
EFP's joint promotional strategies including artistic and business-oriented platforms with a focus on three main areas: promotion of films and talent, access to international markets, and film sales support outside of Europe.
EFP has developed innovative programmes and initiatives such as the well-known programmes European Shooting Stars, introducing young talented actors to the press, industry and public at the Berlin International Film Festival, and Producers on the Move, a networking event at the Cannes Film Festival to promote and link up aspiring young producers. [1] [2] Further programmes concentrate on films by female directors (Europe! Voices of Women in Film at Sidney Film Festival) [3] and young talented directors (Future Frames at the Karlovy Vary International Film Festival) or focus on outstanding documentary productions from Europe (The Changing Face of Europe at the Hot Docs Canadian International Documentary Festival, Toronto). [4]
EFP organises and operates Europe! Umbrellas to establish a joint European presence and visibility in key international markets outside of Europe, and it also backs marketing campaigns for European films to countries outside of Europe via Film Sales Support. [5]
The following 38 organisations from 37 European countries are members of EFP:
Its predecessor was the European distribution organisation European Film Distribution Office (EFDO) which had been established by Dieter Kosslick and others in Hamburg in 1988 as a pilot project of the European MEDIA I funding programme. The concept of a network was taken up and further developed by the initial ten members of the European Film Promotion association when it was founded in 1997. The network's President is Martin Martin Schweighofer (Austrian Film Commission) and Sonja Heinen took over the responsibility for its management from her predecessor and EFP co-founder Renate Rose in 2017. [6]
EFP is financially supported by the Creative Europe – MEDIA Programme of the European Union and by its member organisations. The Hamburg-based office is backed by the German Federal Government Commissioner for Culture and the Media, the Film Fund Hamburg Schleswig-Holstein, and the Ministry of Culture of the City of Hamburg.
Arte is a European public service channel dedicated to culture. It is made up of three separate companies: the Strasbourg-based European Economic Interest Grouping (EEIG) ARTE, plus two member companies acting as editorial and programme production centres, ARTE France in Paris and ARTE Deutschland in Baden-Baden.
European Union culture policies aim to address and promote the cultural dimension of European integration through relevant legislation and government funding. These policies support the development of cultural activity, education or research conducted by private companies, NGO's and individual initiatives based in the EU working in the fields of cinema and audiovisual, publishing, music and crafts.
MIPTV is an event which takes place annually in Cannes, France, using the facilities and infrastructure which the town has developed over the years to host other important events such as the Cannes Film Festival amongst other events.
Eurimages is a cultural support fund of the Council of Europe, established in 1989. Eurimages promotes independent filmmaking by providing financial support to feature-length fiction, animation, and documentary films. In doing so, it encourages co-operation between professionals across Europe. Eurimages is headquartered in Strasbourg, France in the Agora building of the Council of Europe. The current Chairperson is Catherine Trautmann.
The Irish film industry has grown somewhat from the late 20th century, due partly to the promotion of the sector by Fís Éireann/Screen Ireland and the introduction of heavy tax breaks. According to the Irish Audiovisual Content Production Sector Review carried out by the Irish Film Board and PricewaterhouseCoopers in 2008 this sector, has gone from 1,000 people employed six or seven years previously, to well over 6,000 people in that sector by the time of the report. The sector was reportedly valued at over €557.3 million and represented 0.3% of GDP. Most films are produced in English as Ireland is largely Anglophone, though some productions are made in Irish either wholly or partially.
Cinema of Morocco refers to the film industry of Morocco. Aside from Arabic-language films, Moroccan cinema also produces Tamazight-language films. The first film in Morocco was shot by Louis Lumière in 1897. The first three Moroccan feature films were funded between 1968-1969. Most researchers and critics agree that the history of Moroccan cinema started with Hamid Bénani's Wechma (1970), which is recognised as the first cult movie in Moroccan film history, and received critical acclaim on an international scale. Until then films produced in the country were Moroccanised versions of Egyptian melodramas. Other influential Moroccan films include A Thousand and One Hands, which was the first feature length fiction film of the 1970s.
SIGNIS (official name: World Catholic Association for Communication) is a Roman Catholic lay ecclesial movement for professionals in the communication media, including press, radio, television, cinema, video, media education, internet, and new technology. It is a non-profit organization with representation from over 100 countries. It was formed in November 2001 by the merger of International Catholic Organization for Cinema and Audiovisual (OCIC) and International Catholic Association for Radio and Television (Unda). At its World Congress in Quebec in 2017, SIGNIS welcomed also former member organisations of the International Catholic Union of the Press (UCIP).
NISI MASA is a nonprofit organization promoting young professionals in the European film industry. It is formed from 28 national member bodies.
Roskino, formerly Roskomkino (Роскомкино), is a state body representing the Russian industry of audiovisual content on the international markets, a national operator for the promotion of films, series and cartoons as well as the creative potential of Russian talents abroad and co-production opportunities within Russia.
Tallinn Black Nights Film Festival, or PÖFF, is an annual film festival held since 1997 in Tallinn, the capital city of Estonia. PÖFF is one of the largest film festivals in Northern Europe. In 2014 it was upgraded to an A-list festival by FIAPF.
'The Austrian Film Commission (AFC), founded in 1987, is an organisation dedicated to promoting Austrian cinema throughout the world.
The Shooting Stars Awards are presented annually by the pan-European network organization European Film Promotion (EFP) to emerging actors from Europe. "Shooting Stars" is an initiative of the EFP for the international promotion and networking of promising up-and-coming actors from the 37 EFP member countries. Since 1998, ten talents selected from all over Europe have been presented each year during the Berlin International Film Festival (Berlinale) to the international press, the general public, and the film industry. The four-day programme culminates with the presentation of the European Shooting Stars Awards.
The Cinematography in Kosovo in the Albanian language began its activities after the foundation of Kosovafilm, which produced short films, documentaries, cartoons and later feature films. Since 2008, the central authority for cinematography in Kosovo has been Kosova’s Cinematography Center (KCC) though numerous independent film companies are active in Kosovo. Before Kosovafilm, there were no fully Kosovan films.
The Association of European Cinematheques is an affiliation of 49 European national and regional film archives founded in 1991. Its role is to safeguard the European film heritage and make these rich audiovisual records collected and preserved by the various film archives accessible to the public. ACE is a regional branch of FIAF Fédération Internationale des Archives du Film / International Federation of Film Archives. ACE members are non-profit institutions committed to the FIAF Code of Ethics.
Polish Film Institute is a state legal entity established in 2005 to support the development of cinematography. The Institute operates on the basis of the Act of 30 June 2005 on cinematography, the Act of 9 November 2018 on financial support for audiovisual production and its statute.
5050x2020 is a hashtag used to campaign for gender parity in the film industry. The campaign was launched by the Swedish Film Institute at the Cannes Film Festival in 2016.
The Ukrainian Institute is a public institution of Ukraine that aims to represent Ukrainian culture in the world and form a positive image of Ukraine abroad. The institute was founded by the Cabinet of Ministers of Ukraine in 2017 and is affiliated with the Ministry of Foreign Affairs of Ukraine. It fully began its activities in the summer of 2018, after the appointment to the position of General Director Volodymyr Sheiko, as a result of an open competition and the creation of a team of specialists.
The Institute of Cinematography and Audiovisual Arts is a Spanish government agency, charged with the planning of policies to support the film industry and audiovisual production. It depends on the Ministry of Culture. It is a member of the European Film Promotion (EFP) network on behalf of Spain.
Cineuropa is an online information portal dedicated to the promotion of European cinema. It publishes daily news, reviews, interviews, and industry reports and maintains a database of information. It is available in four languages: English, French, Italian and Spanish. It is co-funded by the Creative Europe MEDIA Programme of the European Union. El País described Cineuropa as "an online media outlet that is very popular in the industry."
| International | |
|---|---|
| National | |
