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Eva Johansson (25 February 1958) is a Danish operatic soprano.
Born in Copenhagen and educated at Ingrid Jespersens School, Johansson studied at the Royal Danish Academy of Music and then the Copenhagen Opera Academy as well as privately with Oren Brown (New York City) and Susanna Eken (Copenhagen).
She made her debut at the Danish Royal Theater in 1982 as the Countess in Mozart's Le nozze di Figaro , subsequently singing Elektra , Salome and Donna Anna in Mozart's Don Giovanni .
In 1988, Götz Friedrich invited her to perform at the Deutsche Oper Berlin and she has been closely identified with that company ever since. During the period 1988–1993, she sang at the Bayreuth Festival: Elsa in Lohengrin and Freia in Das Rheingold , returning in 2004 to sing Sieglinde in Die Walküre . She made her debut with the Metropolitan Opera in New York City in 1998 as Eva in Die Meistersinger von Nürnberg . In 2000, she appeared at the Los Angeles Opera as Sieglinde. Other engagements have been in Israel, Spain, France, Austria, England, and Japan, working with conductors such as Claudio Abbado, Bernard Haitink, James Levine, Daniel Barenboim, Christian Thielemann, Valery Gergiyev, Simon Rattle and Christoph von Dohnanyi.
As a dramatic soprano, Johansson has concentrated on the operas of Wagner and Strauss, notably Senta in The Flying Dutchman , Elisabeth in Tannhäuser , Isolde in Tristan und Isolde , Brünhilde in both Die Walküre and Götterdämmerung , the Empress in Die Frau ohne Schatten and the title roles of Elektra , Salome and Ariadne auf Naxos .
In 2001, she was made a Berlin Kammersängerin. She has been married to Herwig Oswalder, a viola player with the Deutsche Oper Berlin, since 1994.
Leopoldine Rysanek was an Austrian dramatic soprano.
Anja Silja Regina Langwagen is a German soprano who is known for her great abilities as a singing-actress and for the vastness of her repertoire.
Cheryl Studer is an American dramatic soprano who has sung at many of the world's foremost opera houses. Studer has performed more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and coloratura sopranos, and, in her late stage, mezzo-sopranos. She is particularly known for her interpretations of the works of Richard Strauss and Richard Wagner.
Gerhard Stolze was a German operatic tenor.
Dame Gwyneth Jones, is a Welsh operatic dramatic soprano, widely regarded as the greatest Wagnerian soprano that Britain has ever produced.
Siegfried Jerusalem is a German operatic tenor. Closely identified with the heldentenor roles of Wagner, he has performed Siegfried, Siegmund, Lohengrin, Parsifal, and Tristan to wide acclaim. Since the 1990s, he has focused on lieder, particularly those by Strauss, Mahler and Schumann.
René Pape is a German operatic bass.
Götz Friedrich was a German opera and theatre director.
Ludwig Suthaus was a major German opera singer ("Heldentenor"), who was born in Cologne and died in West Berlin.
Thomas Stewart was an American bass-baritone who sang an unusually wide range of roles, earning global acclaim particularly for his performances in Wagner's operas.
Günther Treptow was a German operatic tenor, best known for Wagner roles.
Waltraud Meier is a Grammy Award–winning German dramatic soprano and mezzo-soprano singer. She is particularly known for her Wagnerian roles as Kundry, Isolde, Ortrud, Venus, Fricka, and Sieglinde, but has also had success in the French and Italian repertoire appearing as Eboli, Amneris, Carmen, and Santuzza. She resides in Munich.
Deborah Polaski is an American opera and concert singer (soprano). She has specialized in dramatic soprano roles and also sings mezzo-soprano roles occasionally.
Heinrich Vogl was a German operatic heldentenor.
Janis Martin was an American opera singer who sang leading roles first as a mezzo-soprano and later as a soprano in opera houses throughout Europe and the United States. She was particularly known for her performances in the operas of Richard Wagner and sang at the Bayreuth Festival from 1968 to 1997.
Hannelore Bode is a German operatic soprano. She performed at the Bayreuth Festival from 1968 to 1978, including Elsa in Lohengrin, Eva in Die Meistersinger von Nürnberg, and several parts in the 1976 Jahrhundertring, including Sieglinde in Die Walküre. She performed internationally and recorded operas with conductors such as Eugen Jochum, Silvio Varviso and Pierre Boulez.
Gerd Nienstedt was a German and Austrian opera singer, bass and bass-baritone. After an international career at major opera houses and the Bayreuth Festival, he was also a theatre director, stage director and academic voice teacher.
Gerd Brenneis was a German operatic tenor who had an active international career from the late 1950s through the 1990s. Known for his interpretations of the works of Richard Wagner, he worked as a principal artist at many of the world's great opera houses, including the Deutsche Oper Berlin, La Scala, the Metropolitan Opera, and the Vienna State Opera.
Elisabeth Schärtel was a German operatic mezzo-soprano and contralto. A member of the Cologne Opera from 1959 to 1967, she performed leading parts at major European opera houses and regularly at the Bayreuth Festival.
Günther Groissböck is an Austrian operatic bass. Anthony Tommasini, chief classical music critic for The New York Times, described Groissböck's "imposing and good-looking" portrayal of Baron Ochs in Der Rosenkavalier at the Metropolitan Opera, New York, as "a revelation". James Jorden of the New York Observer praised Groissböck's "innovative take" on the role and his "big, virile sound". A 2018 recording of the Met performance was nominated for Grammy Award in the Best Opera Recording.