Evening:Morning | ||||
---|---|---|---|---|
Studio album by | ||||
Released | August 13, 2013 [1] | |||
Studio |
| |||
Genre | Contemporary worship music, Christian rock | |||
Length | 51:29 | |||
Label | Fair Trade [1] | |||
Producer |
| |||
The Digital Age chronology | ||||
|
Evening:Morning is the first studio album by contemporary worship music band The Digital Age, which was released on August 13, 2013 by the Fair Trade Services record label, and it was produced by every member of the band along with Seth Mosley. [1] [2] The album has achieved charting commercial successes and critical acclamation.
On August 13, 2013, the album was released by Fair Trade Services. The Digital Age produced this album with Seth Mosley.
At HM , Sarah Brehm wrote that the album was "proof that worship music doesn't have to be generically simple; it can be fascinatingly enthralling and emotional." [3] Jesus Freak Hideout's Mark Rice stated that musically the release "may not be on par with the crowning achievements of the DC*B, but I love how they are attempting to carve out their own niche in the industry separate from their former band's namesake rather than continue in the same musical vein." [1] At New Release Tuesday, Marcus Hathcock told that the band "leveraged the simplicity of Dodson's voice and paired it with Waldrop's higher tones to create an ethereal, haunting, choral sound throughout the album." [4] Matthew Reamus at All About Worship said that the band "continues the electronic rock feel of the David Crowder*Band while experimenting with new concepts." However, Cross Rhythms' Elliot Rose noted that "Although the atmospheric arrangements are pleasant on the ears, few of the songs stand out, and it seems to take a long time to get through the 12 tracks." [5]
Jeremy Armstrong of Worship Leader said that "With an eclectic musical approach one part Americana-rock with the driving kick, one part ambient-electronica with its washes of digital ash, and one part guitar-driven punk-pop rock,, The Digital Age keeps the standard they waved for over a decade when the quartet made up all but two members of David Crowder*Band" [6] At Indie Vision Music, Jonathan Andre wrote that "With such an atmosphere that brings together lovers of music from all sides of the musical genre spectrum, there is something for everyone, from songs with reflective worship, to others melodies that include sections of screamo and others that offer up great and powerful ballads." [7] Calvin Moore of The Christian Manifesto wrote that the album has a "stubborn refusal to settle into any sort of musical groove", and noted how they are a "vocally challenged band that is going to have to struggle hard against sounding like every other band that’s been trying to copy them for so many years." [8]
Rice noted that lyrically, the album does not have "anything truly remarkable or profound, but it is simply solid and perfectly calculated as to never get trite, boring, or less than sincere in any way." [1] Moore wrote that "The lyrical prowess and instrumental delivery is there, but can they set themselves apart from their peers and continue creating music without being accused of trying to hold on to what they used to be." [8] Armstrong noted that "Thematically the record moves from brokenness to restoration, i.e. evening to morning." [6] At Christian Music Review, Daniel Edgeman wrote that the album was "very modern, maybe even ahead of their time, but at the same time the lyrics will take you back to some of the hymns and choruses you sang as a child." [9]
Review scores | |
---|---|
Source | Rating |
All About Worship | [10] |
AllMusic | [2] |
CCM Magazine | [11] |
The Christian Manifesto | [8] |
CM Addict | [12] |
Cross Rhythms | [5] |
HM | [3] |
Indie Vision Music | [7] |
Jesus Freak Hideout | [1] [13] |
Louder Than the Music | [14] |
New Release Tuesday | [4] |
Worship Leader | [6] |
Evening:Morning garnered critical acclaim from the fourteen music critics to review the album. Andy Argyrakis of CCM Magazine noted how "the foursome takes a complex musical route toward an album of praise anthems sure to resonate with the digital generation and beyond." [11] At HM , Sarah Brehm called the release "a superb debut" that will surely cause them "to go far." [3] Elliot Rose at Cross Rhythms felt that "it's an uphill climb to live up to their previous reputation." [5] At AllMusic, David Jeffries stated that "Round it out with songwriting that is solid and Crowder's old crew lift themselves above that tag, staking their own claim in the world of Christian rock with this knockout debut." [2]
Mark Rice at Jesus Freak Hideout told that "Without a doubt, this is an album that improves with each listen." [1] Also of Jesus Freak Hideout, Roger Gelwicks noted how the album "is a fine precedent to work from" that "is a mostly illustrious effort of this work." [13] Marcus Hathcock of New Release Tuesday found that "there's plenty of brilliance here in previously untraveled musical territory." [4] At Worship Leader, Jeremy Armstrong noted how "The Digital Age is going a long way in keeping their side of the arrangement; it contains tones of David Crowder*Band, but it stands starkly unique [...] and excellent." [6] Jonathan Andre of Indie Vision Music felt that "Evening:Morning offers a refreshing and reinvigorating album for those who are seemingly tired of the over-commercialised CCM music industry." [7]
At The Christian Manifesto, Calvin Moore told that the release "isn't a bad effort", and felt that the album "ends up being a more fanciful worship project than anticipated, but it works well and offers a fresh direction for the genre." [8] Louder Than the Music's Dave Wood noted that "There's plenty of variation in the style of songs on this album, and music lovers will find more than enough to keep them entertained." [14] At All About Worship, Matthew Reames evoked that the album "was masterful in how each song allowed the guitars to fit in without overpowering the song itself." [10] Christian Music Review's Daniel Edgeman rated the release a 4.9-out-of-five, and called the album "a breath of fresh air." [9] At CM Addict, David Bunce affirmed that "This is a great album!" [12]
For the Billboard charting week of August 31, 2013, Evening:Morning was the No. 100 most sold album in the entirety of the United States by the Billboard 200 and it was the No. 3 Top Christian Album as well.
All tracks are written by The Digital Age (Jeremy Bush, Mike Dodson, Jack Parker, Mark Waldrop) unless noted below
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Captured" | 3:18 | |
2. | "Symphony of Grace" | 3:23 | |
3. | "All the Poor & Powerless" | Leslie Jordan, David Leonard | 5:17 |
4. | "Your Name (We Shout)" | Dodson, Seth Mosley, Waldrop | 5:23 |
5. | "Overcome" | 6:44 | |
6. | "Through the Night" | 3:34 | |
7. | "Glow" | 3:38 | |
8. | "Break Every Chain" (Tasha Cobbs cover) | William Andrew Reagan | 2:42 |
9. | "Believe" | 4:44 | |
10. | "God of Us All" | 3:50 | |
11. | "Always You" | 5:15 | |
12. | "Morning Song" | 3:41 | |
Total length: | 51:29 |
(Adapted from liner notes)
The Digital Age
Additional personnel
Chart (2013) | Peak position |
---|---|
US Billboard 200 [15] | 100 |
US Christian Albums (Billboard) [16] | 3 |
Give Us Rest; or, A Requiem Mass in C is the sixth and final studio album and their eleventh overall album release from the David Crowder Band. This album was released on January 10, 2012 through sixstepsrecords. The album charted at the following during the week of January 28, 2012: No. 1 on the Billboard Christian Albums chart, No. 2 on both the Billboard 200 and Digital Albums charts. The first single to come from the album is "Let Me Feel You Shine".
The Heartbeat is the first studio album by Bellarive, and the album released on June 19, 2012 by Sparrow Records. The album was produced by Bellarive and Joshua Silverberg. The album debut at No. 21 and No. 17 on the Christian and Heatseekers albums charts, respectively. The lead single from the album is "Taste of Eternity". "Love Has Found Us", "Sing", "Shine On" and "Stories" were previously included on the band's debut EP, The Being Human Project...Start Listening.
Reckless is contemporary Christian musician Jeremy Camp's ninth studio album, and the producers are Camp and Andy Dodd. The album was released on February 12, 2013, which all of his album has been released on BEC Recordings label, and this is his eighth album with the label. The first single from the album is entitled "Reckless", which was released on November 16, 2012, and has achieved chart success. Lastly, this album marks the ninth album of Camp's career that includes his first independent release. For the week of March 2, 2013, the album was the No. 31 most sold album in the nation via the Billboard 200 chart, which the album was the No. 10 most popular Rock album in the same week, and it was the most popular Christian album, as well.
Zion is the third studio album by Australian contemporary worship music band Hillsong United. It was released on 22 February 2013 for Australia, and was released by 26 February 2013 internationally, under Hillsong Music and Sparrow Records. Production for the album began in March 2011 in Sydney, Australia. Michael Guy Chislett and band member Joel Houston oversaw production of the album, with the latter serving as executive producer.
Kings & Queens is the ninth studio album by Christian rock band Audio Adrenaline, the only Audio Adrenaline album with Kevin Max as the lead singer and the last album with bassist and founding member Will McGinniss. The album was released on March 12, 2013, and was the first album after their comeback and with the Fair Trade Services label. Kings & Queens garnered critical acclaim from music critics, and has seen chart successes.
Bring Your Nothing is the eighth studio album by the Contemporary worship duo Shane & Shane. The album was released on May 14, 2013 by Fair Trade Services record label.
Restart is the sixteenth studio album by Christian rock band the Newsboys, released on 10 September 2013 by Sparrow Records and produced by David Garcia, Seth Mosley, Joshua Silverberg, and Christopher Stevens.
We as Human is the second and final overall studio album by Christian rock band We as Human, released on June 25, 2013 by Atlantic Records. The album was produced by Howard Benson. It was their only album released on a major record label.
Everfound is the eponymous first studio album by Christian rock brother band Everfound, which was released on July 16, 2013, and was produced by Pete Kipley and Seth Mosley. The album charted on the Billboard 200 at No. 195 and the Top Christian Albums chart at No. 9, and has received generally positive reception by music critics.
The Glorious Unfolding is the 15th studio album by the contemporary Christian musician Steven Curtis Chapman, released on September 27, 2013, by Reunion Records, and produced by himself along with Brent Milligan. This was his first album released by Reunion Records, and it was his nineteenth album in his career. The album has seen commercial success as well as critical acclaim.
The Good King is the debut studio album by contemporary worship music band Ghost Ship, and it was released on June 11, 2013, by the joint label partnership of BEC Recordings and Mars Hill Music venture. This album was commercially successful and critically acclaimed.
The Neverclaim is the eponymous debut studio album from contemporary Christian music band The Neverclaim, which was released on September 24, 2013 by Essential Records, and it was produced by Jason Ingram and Paul Moak. The album has seen commercial charting successes, as well as, it has received critical acclamation by Christian reviewers.
Dreamers was the debut studio album by contemporary Christian music band Shine Bright Baby, and it was released by BEC Recordings on July 23, 2013. The album received barely positive reception from music critics.
The Art of Celebration is the fourth studio album by folk-rock worship band Rend Collective. The album released on 17 March 2014 by Integrity Music and Columbia Records. The album has seen commercial success and critical acclaim.
Lead Us Back: Songs of Worship is the twelfth studio album from Third Day. Essential Records released the project on March 3, 2015. The album was released in two versions: a single-CD version with a white cover, and a deluxe edition, two-CD set with a black cover.
Tomorrow We Live is the second album by KB. Reach Records released the project on April 21, 2015.
Empires is the fourth studio album from Australian contemporary worship music band Hillsong United, a worship band from Hillsong Church. The album was released on 26 May 2015, under Hillsong Music, Sparrow Records and Capitol Christian Music Group. Michael Guy Chislett served as the album's producer, with vocalist Joel Houston serving as creative director and co-producer. "Touch the Sky" was released as the album's lead single in March 2015. The album won the Worship Album of the Year at the 47th Dove Awards.
Sound of the Saints is the tenth and final studio album by Audio Adrenaline and their only album to be released without any original members in the lineup. Fair Trade Services alongside Columbia Records released the album on May 4, 2015. Audio Adrenaline worked with Seth Mosley in the production of this album.
Outback Worship Sessions is a studio album from Planetshakers. Planetshakers Ministries International and Integrity Music released the album on May 12, 2015. They worked with Ed Cash, in the production of this album.
Love Riot is the eighteenth studio album by the Newsboys. Fair Trade Services alongside Columbia Records released the album on 4 March 2016.