The Benin Expedition of 1897 was a punitive expedition by a British force of 1,200 men under Sir Harry Rawson. It came in response to the ambush and slaughter of a 250 strong party led by British Acting Consul General James Phillips of the Niger Coast Protectorate. Rawson's troops captured Benin City and the Kingdom of Benin was eventually absorbed into colonial Nigeria. The expedition freed about 100 Africans enslaved by the Oba.
The Oba of Benin is the traditional ruler and the custodian of the culture of the Edo people and all Edoid people. The then Kingdom of Benin has continued to be mostly populated by the Edo.
The Benin Bronzes are a group of several thousand metal plaques and sculptures that decorated the royal palace of the Kingdom of Benin, in what is now Edo State, Nigeria. The metal plaques were produced by the Guild of Benin Bronze Casters, now located in Igun Street, also known as Igun-Eronmwon Quarters. Collectively, the objects form the best examples of Benin art and were created from the fourteenth century by artists of the Edo people. The plaques, which in the Edo language are called Ama, depict scenes or represent themes in the history of the kingdom. Apart from the plaques, other sculptures in brass or bronze include portrait heads, jewellery, and smaller pieces.
Oba Ovonramwen Nogbaisi, also called Overami, was the thirty-fifth Ọba of the Kingdom of Benin reigning from c. 1888 – c. 1897, up until the British punitive expedition.
Idia was the mother of Esigie, who reigned as Oba (king) of the Edo people from 1504 to 1550. Historians do know that Idia was alive during the Idah war because she played a role that led to a great Benin victory. It has been argued that Idia, therefore, was the true power behind the throne of her son. She played a significant role in the rise and reign of her son, being described as a great warrior who fought relentlessly before and during her son's reign as the Oba (king) of the Edo people. Queen Idia was instrumental in securing the title of Oba for her son Esigie following the death of his father Oba Ozolua. To that end, she raised an army to fight off his brother Arhuaran who was supposed to be the Oba by right and tradition but was subsequently defeated in battle. Esigie’s mother became the 17th Oba of Benin.
Benin art is the art from the Kingdom of Benin or Edo Empire (1440–1897), a pre-colonial African state located in what is now known as the Southern region of Nigeria. Primarily made of cast bronze and carved ivory, Benin art was produced mainly for the court of the Oba of Benin – a divine ruler for whom the craftsmen produced a range of ceremonially significant objects. The full complexity of these works can be appreciated through the awareness and consideration of two complementary cultural perceptions of the art of Benin: the Western appreciation of them primarily as works of art, and their understanding in Benin as historical documents and as mnemonic devices to reconstruct history, or as ritual objects. This original significance is of great importance in Benin.
The Kingdom of Benin, also known as Great Benin or Benin Kingdom is a kingdom within what is now southern Nigeria. It has no historical relation to the modern republic of Benin, which was known as Dahomey from the 17th century until 1975. The Kingdom of Benin's capital was Edo, now known as Benin City in Edo State, Nigeria. The Benin Kingdom was "one of the oldest and most developed states in the coastal hinterland of West Africa". It grew out of the previous Edo Kingdom of Igodomigodo around the 11th century AD, and lasted until it was annexed by the British Empire in 1897.
Ọmọ n'Ọba n'Ẹdo Uku Akpọlọkpọlọ, Akenzua II was the thirty-seventh Oba of Benin reigning from 1933 until his death in 1978.
Benin ancestral altars are adorned with some of the finest examples of art from the Benin Kingdom of south-central Nigeria.
The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba of the 16th century Benin Empire, taking the form of a traditional African mask. The masks were looted by the British from the palace of the Oba of Benin in the Benin Expedition of 1897.
Chief Solomon Osagie Alonge (1911–1994) was a self-taught photographer and pioneer of Nigerian photography. He was the first official photographer for the royal court of Benin City, Nigeria, and a chief in the Iwebo palace society. Alonge's record of Nigerian royalty and social class is one of the most extensive and well-preserved collections from the period.
Chief Agho Obaseki was a paramount Chief in the Benin Empire from 1898 to 1914, and then Iyase of Benin from 1914 until his death in 1920.
James Robert Phillips was the deputy commissioner and consul for the Niger Coast Protectorate. He is remembered for his part in the events that led to the Benin Expedition of 1897. In 1897, Phillips set out to petition the Oba of Benin, although his reasons for doing so remain unclear. He and his party were ambushed and slaughtered as they approached Benin City, with Phillips being among the casualties. Though Phillips had acted without consulting the Royal Niger Company authorities, after his death the British government dispatched an punitive expedition against the Benin monarchy, which the force defeated and deposed, leading to the kingdom's eventual absorption into colonial Nigeria.
Okukor is the name given to a bronze statue of a cock from West Africa, held by Jesus College, Cambridge, from 1905 to 2021. One of the Benin bronzes, it was taken from the Kingdom of Benin during the Benin Expedition of 1897, a punitive expedition dispatched to punish the Oba of Benin after a Royal Niger Company delegation was ambushed and killed. It became controversial in 2016 as an example of looted art, with demands that the statue be repatriated back to Nigeria. It was transferred to Ewuare II, Oba of Benin, and Nigeria's National Commission for Museums and Monuments by Jesus College in 2021.
Igun Street, also known as Igun-Eronmwon Quarters, is a street situated in Benin City, Edo State, Nigeria. This street is renowned for being the residence of the Guild of Benin Bronze and Brass Casters, known as the Igun-Eronmwon. It holds the designation of a UNESCO World Heritage Site. Notably, it stands as the second most frequented tourist attraction within Benin City. Tourists, art dealers, and collectors routinely visit Igun Street to observe the comprehensive process involved in crafting these objects.
Benin Altar Tusks are ivory artefacts from the Benin Kingdom in present-day Benin City, Edo State, Nigeria. These tusks date back to the 16th century and measure approximately 61 inches (1,500 mm) in height, 5.2 inches (130 mm) in width, 4.7 inches (120 mm) in depth, and weighing 25 kilograms (55 lb) according to a sample at the British Museum. The tusks feature carved royal figures in traditional regalia, depicting scenes of power, ritual, and at times, conflict.
Eweka I was the first Oba of Benin and presided over the kingdom's shift from the Ogiso Dynasty to the establishment of the Obaship. His 35-year reign had a notable impact on the political, cultural, and traditional aspects of the kingdom. Before Eweka I's rule, the Benin Kingdom faced uncertainty due to the banishment of Owodo, the last Ogiso, for misrule. Oduduwa, who was the father of Oromiyan had been exiled to Uhe (Ife), which eventually set the stage for Eweka I's ascension to power. The turning point occurred when Oduduwa sent his son, Oromiyan, to Benin as an emissary. Oromiyan's arrival was met with resistance, leading to his settlement in Usama, on the outskirts of Benin City.
Akengbuda was the thirtieth Oba of Benin who reigned from c. 1750 AD – c. 1804 AD. He was the son and successor of Eresoyen, and the father of Obanosa. He is regarded as one of the most powerful and influential obas in the history of the Kingdom of Benin, as he expanded the kingdom's territory, improved its administration, and promoted its arts and culture. He also maintained a strong trade relationship with the Europeans, especially the Portuguese and the British, and acquired firearms and other goods from them. He was known for his military prowess, his diplomatic skills, and his patronage of arts and learning.
The Igbesanmwan is a hereditary guild of ivory carvers in the Benin Kingdom, a pre-colonial African state located in present-day Edo State, Nigeria. Members of the Igbesanmwan guild hold the responsibility of crafting ivory items, including masks, tusks, staffs, leopards, and various other symbols denoting royal authority and eminence, for the Oba (king) and the royal court. In addition to their ivory craftsmanship, the Igbesanmwan possess proficiency in working with a range of other materials, such as wood, brass, and coral. This guild is recognised as one of the most ancient and esteemed in Benin, with their artistic work being widely appreciated for its aesthetic appeal and technical mastery.
A Short History of Benin is a non-fiction book by Jacob Egharevba, first published in 1934 by the Church Mission Society Press in Lagos. The book offers a historical perspective on the Benin Empire, a pre-colonial African state now part of Nigeria. The book is an English version of the author's earlier work in Edo, Ekhere Vb' Itan Edo, which was published in 1933. The book explores the beginnings, culture, and political structure of the Benin Empire, as well as the events leading to its British invasion and Ovonramwen's exile in 1897. It also includes a chronology of the Obas (kings) of Benin from the 13th to the 20th century.
