Excess Baggage | |
---|---|
Directed by | James Cruze |
Written by | Francis Marion Ralph Spence (titles) |
Screenplay by | Ralph Spence |
Based on | Excess Baggage by John McGowan |
Produced by | James Cruze Julius Hagen |
Starring | William Haines Josephine Dunn |
Cinematography | Ira H. Morgan |
Edited by | George Hively |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 80 minutes |
Country | United States |
Languages | Sound (Synchronized) (English Intertitles) |
Excess Baggage is a lost [1] [2] 1928 American synchronized sound comedy film directed by James Cruze and distributed by MGM. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was based on the 1927 play of the same name by John McGowan. [3] The film starred William Haines, Josephine Dunn and Kathleen Clifford. [4] [5] [6]
This film featured a theme song entitled "In A Little Hide-Away" which was composed by William Axt, David Mendoza and Howard Dietz.
The Barker is a 1928 American part-talkie pre-Code romantic drama film produced and released by First National Pictures, a subsidiary of Warner Bros., acquired in September 1928. The film was directed by George Fitzmaurice and stars Milton Sills, Dorothy Mackaill, Betty Compson, and Douglas Fairbanks Jr. The Barker is a part-talkie with talking sequences and sequences with synchronized musical scoring and sound effects. The film was adapted by Benjamin Glazer, Joseph Jackson and Herman J. Mankiewicz from the play by Kenyon Nicholson.
The Singing Fool is a 1928 American sound part-talkie musical drama motion picture directed by Lloyd Bacon which was released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Al Jolson and is a follow-up to his previous film, The Jazz Singer. It is credited with helping to cement the popularity of American films of both sound and the musical genre. The film entered the public domain on January 1, 2024.
Mother Machree is a 1928 American synchronized sound drama film directed by John Ford that is based on the 1924 work The Story of Mother Machree by Rida Johnson Young about a poor Irish immigrant in America. While the film has no audible dialog, it was released with a synchronized musical score, singing and sound effects using the sound-on-film movietone process. Rida Johnson Young had invented Mother Machree in the stage show Barry of Ballymoore in 1910. John Wayne has a minor role in the film.
Kathleen Clifford was an American vaudeville and Broadway stage and film actress of the early twentieth century. She was known for her skills as a male impersonator.
Noah's Ark is a 1928 American part-talkie epic disaster film directed by Michael Curtiz and starring Dolores Costello and George O'Brien. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The story is by Darryl F. Zanuck. The film was released by the Warner Bros. studio. Most scenes are silent with a synchronized music score and sound effects, in particular the biblical ones, while some scenes have dialogue.
Alias Jimmy Valentine is a 1928 American sound part-talkie crime drama film directed by Jack Conway and starring William Haines, Leila Hyams, Lionel Barrymore, and Karl Dane. The film features talking sequences along with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film is based on the 1909 play Alias Jimmy Valentine by Paul Armstrong, which itself was based on an O. Henry short story. The play toured in travelling production companies making it extremely popular. It was revived on Broadway in 1921. Two previous film adaptations had been produced at the old Metro Studios. A 1915 film version was directed by Maurice Tourneur and a 1920 version starring Bert Lytell was directed by Edmund Mortimer and Arthur Ripley.
Mary Josephine Dunn was an American stage and film actress of the 1920s and 1930s.
Strong Boy is a 1929 American sound comedy film directed by John Ford. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film Movietone process. The film, which was Ford's last silent film, is now considered to be lost. A trailer for the film was discovered in the New Zealand Film Archive in 2010 and subsequently preserved by the Academy Film Archive the same year.
Fancy Baggage is a 1929 American sound part-talkie drama film directed by John G. Adolfi and released by Warner Bros.. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film used the Vitaphone sound-on-disc system. The film stars Audrey Ferris and Myrna Loy.
Uncle Tom's Cabin is a 1927 American synchronized sound drama film directed by Harry A. Pollard and released by Universal Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Western Electric sound-on-film process. The film is based on the 1852 novel Uncle Tom's Cabin by Harriet Beecher Stowe and was the last version filmed without audible dialogue. This film is important historically as being Universal's first sound feature.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
Swim Girl, Swim is a lost 1927 American silent romantic comedy film produced and distributed by Famous Players–Lasky and Paramount Pictures, now amalgamated as Paramount Famous Lasky. It was directed by Clarence Badger and starred Bebe Daniels. English Channel swimmer Gertrude Ederle has a guest appearance.
A Man's Man is a lost 1929 synchronized sound film produced and distributed by Metro-Goldwyn-Mayer and directed by James Cruze. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film starred William Haines and Josephine Dunn. It was based on a Broadway play, A Man's Man by Patrick Kearney. Greta Garbo and John Gilbert notably appear in a cameo. The film is believed to be lost, although the Vitaphone type sound discs exist and are currently held at the UCLA Film and Television Archive.
The Baby Cyclone is a lost 1928 American synchronized sound comedy film directed by A. Edward Sutherland and based upon the 1927 play by George M. Cohan, adapted for the screen by F. Hugh Herbert and Robert E. Hopkins. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film Western Electric Sound System process. The film stars Lew Cody, Aileen Pringle, Robert Armstrong, Gwen Lee and Nora Cecil. The film was released on September 27, 1928, by Metro-Goldwyn-Mayer.
The Bush Leaguer is a lost 1927 American synchronized sound comedy film directed by Howard Bretherton and starring Monte Blue and Leila Hyams. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film was produced and distributed by the Warner Bros..
Pay as You Enter is a 1928 American synchronized sound comedy film directed by Lloyd Bacon and starring Louise Fazenda, Clyde Cook and William Demarest. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process.
Domestic Troubles is a lost 1928 American synchronized sound comedy film directed by Ray Enright and starring Clyde Cook, Louise Fazenda and Betty Blythe. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was produced and released by Warner Brothers.
The Sin Sister is a lost 1929 American sound drama adventure film directed by Charles Klein and starring Nancy Carroll. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It was produced and distributed by the Fox Film Corporation.
Naughty Baby is a 1928 American synchronized sound comedy film directed by Mervyn LeRoy and starring Alice White and Jack Mulhall. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was released on December 16, 1928, by First National Pictures.
Red Hot Rhythm (1929) is an American pre-Code early sound musical film directed by Leo McCarey, and starring Alan Hale Sr., Kathryn Crawford, Walter O'Keefe, and Josephine Dunn.