One Glorious Day | |
---|---|
Directed by | James Cruze |
Screenplay by | Barry Barringer Walter Woods |
Produced by | Jesse L. Lasky |
Starring | Will Rogers Lila Lee Alan Hale, Sr. Johnny Fox George Nichols Emily Rait |
Cinematography | Karl Brown |
Production company | |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 50 minutes |
Country | United States |
Language | Silent (English intertitles) |
One Glorious Day is a lost [1] [2] 1922 American silent fantasy comedy film directed by James Cruze and written by Barry Barringer and Walter Woods. The film stars Will Rogers, Lila Lee, Alan Hale, Sr., Johnny Fox, George Nichols, and Emily Rait. It was released on January 29, 1922, by Paramount Pictures. [3] [4] [5] Working titles included Ek, A Fighting Soul and Souls Before Birth. [6] Forrest J. Ackerman, the publisher of Famous Monsters of Filmland magazine, credited this film as being the one that "created his lifelong interest in science fiction and horror". [7]
The film was originally planned by Cruze, under the title The Melancholy Spirit, as a vehicle for the comic actor Roscoe "Fatty" Arbuckle, who contributed ideas to the project. However, during the initial planning stages, Arbuckle gave a party in San Francisco at which a young starlet died, and one of her friends told the authorities that Arbuckle had raped the woman. The police theorized that Arbuckle's extreme weight had ruptured the woman's bladder during the alleged assault. The subsequent scandal and Arbuckle's three trials for manslaughter forced him to drop out of the film, which was then re-titled and recast with Rogers in the Arbuckle role. (Arbuckle was later acquitted but his film career never recovered [8] [9] ).
A disembodied spirit entity with a strange appearance and bulging eyes named "Ek" takes over the body of a meek psychical researcher, Professor Ezra Botts (Rogers), during an out-of-body experiment and proceeds to live it up while the researcher watches from limbo and tries to get back into his physical body and resume his life. [10] Botts waits until the spirit collapses from exhaustion, then takes the opportunity to reinhabit his own body.
This is an overview of 1922 in film, including significant events, a list of films released and notable births and deaths.
This is an overview of 1921 in film, including significant events, a list of films released and notable births and deaths.
The year 1918 in film involved some significant events.
1917 in film was a particularly fruitful year for the art form, and is often cited as one of the years in the decade which contributed to the medium the most, along with 1913. Secondarily the year saw a limited global embrace of narrative film-making and featured innovative techniques such as continuity cutting. Primarily, the year is an American landmark, as 1917 is the first year where the narrative and visual style is typified as "Classical Hollywood".
The year 1916 in film involved some significant events.
The year 1915 in film involved some significant events.
1913 was a particularly fruitful year for film as an art form, and is often cited one of the years in the decade which contributed to the medium the most, along with 1917. The year was one where filmmakers of several countries made great artistic advancements, producing notable pioneering masterpieces such as The Student of Prague, Suspense, Atlantis, Raja Harischandra, Juve contre Fantomas, Quo Vadis?, Ingeborg Holm, The Mothering Heart, Ma l’amor mio non muore!, L’enfant de Paris and Twilight of a Woman's Soul.
The year 1912 in film involved some significant events.
The year 1911 in film involved some significant events.
The year 1910 in film involved some significant events.
L'Homme qui vendit son âme au diable is a 1921 French silent film comedy directed by Pierre Caron. The plot was similar to Faust and The Student of Prague, about a man who makes a diabolical deal with the Devil.
Au Secours! is a 1924 short French silent comedy horror film, directed by Abel Gance and starring Max Linder. The French title translates into English as "Help!". The film is also known as The Haunted House in some reference books. The film was made on a dare, with Gance filming the entire project in three days, with the help of his friend, actor Max Linder. Linder had just returned to France after several years of trying to start an acting career in Canada.
The Mechanical Man is a 1921 Italian science fiction film directed by André Deed. It was produced in 1920 and released in November 1921. It is one of the first science fiction films produced in Italy, and the first film showing a battle between two robots. The cinematographer was Alberto Chentrens.
The Other Person is a 1921 Dutch-British silent mystery film directed by Maurits Binger and B.E. Doxat-Pratt. It was a co-production between a Dutch film company and a British film company.
Esmeralda is a 1922 British silent film and an adaptation of the 1831 novel The Hunchback of Notre-Dame by Victor Hugo, with more emphasis on the character of Esmeralda rather than Quasimodo. It was directed by Edwin J. Collins and starred Sybil Thorndike as Esmeralda and Booth Conway as the hunchback. The film is considered lost, but extant still photos show a 40-year-old Thorndike who appears to be too old for the role of the young and virginal Esmeralda. This version emphasized romance and melodrama over horror.
Harry Agar Lyons was an Irish-born British actor. He was born in Cork, Ireland in 1878 and died in Wandsworth, London, England in 1944 at age 72.
Lord Arthur Saville's Crime is a 1920 Hungarian silent crime film directed by Pál Fejös and starring Ödön Bárdi, Lajos Gellért and Margit Lux. It was also released as both Mark of the Phantom and Lidercnyomas. The film was based on the 1891 short story Lord Arthur Savile's Crime by Oscar Wilde. It was one of Pal Fejos' earliest films and is now considered lost. It was photographed by Jozsef Karban.
Figures of the Night (German:Nachtgestalten) is a 1920 German silent horror film written, directed and produced by Richard Oswald and starring Paul Wegener, Conrad Veidt, Reinhold Schünzel and Erna Morena. It is based on the novel Eleagabal Kuperus by Karl Hans Strobl. Strobl was the editor of a German horror fiction magazine called Der Orchideengarten which was said to have been influenced by the works of Edgar Allan Poe. Strobl was an anti-Semitic and later willingly joined the Nazi Party, which may explain why he has become an obscure literary figure today.
Madness (German:Wahnsinn) is a 1919 German silent horror film directed by Conrad Veidt and starring Veidt, Reinhold Schünzel and Grit Hegesa. The film's art direction was by Willi Herrmann.
The Lost Shadow is a 1921 German silent film directed by Rochus Gliese and starring Paul Wegener, Wilhelm Bendow and Adele Sandrock. The cinematographer was Karl Freund. The film's sets were designed by the art director Kurt Richter. It was shot at the Tempelhof Studios in Berlin. For some reason, the film was only released in the US in 1928. It is today considered a lost film.