Guadeloupe is an overseas department and region of France in the Caribbean. It consists of six inhabited islands—Basse-Terre, Grande-Terre, Marie-Galante, La Désirade, and two Îles des Saintes—as well as many uninhabited islands and outcroppings. It is south of Antigua and Barbuda and Montserrat and north of Dominica. The capital city is Basse-Terre, on the southern west coast of Basse-Terre Island; the most populous city is Les Abymes and the main centre of business is neighbouring Pointe-à-Pitre, both on Grande-Terre Island. It had a population of 395,726 in 2024.
The music of Haiti combines a wide range of influences drawn from the diverse population that has settled on this Caribbean island. It often has hints of French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration. In the case of European colonization, musical influence has derived primarily from the French.
The music of Martinique has a heritage which is intertwined with that of its sister island, Guadeloupe. Despite their small size, the islands have created a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Martinique and Guadeloupe. Zouk's origins are in the folk music of Martinique and Guadeloupe, especially Martinican chouval bwa, and Guadeloupan gwo ka. There's also notable influence of the pan-Caribbean calypso tradition and Haitian kompa.
The music of Guadeloupe encompasses a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Guadeloupe and Martinique. Zouk's origins are in the folk music of Guadeloupe and Martinique, especially Guadeloupan gwo ka and Martinican chouval bwa, and the pan-Caribbean calypso tradition.
The music of Dominica includes a variety of genres including all the popular genres of the world. Popular music is widespread, with a number of native Dominican performers gaining national fame in imported genres such as calypso, reggae, soca, kompa, zouk and rock and roll. Dominica's own popular music industry has created a form called bouyon, which combines elements from several styles and has achieved a wide fanbase in Dominica. Groups include WCK, Native musicians in various forms, such as reggae, kadans (Ophelia Marie, and calypso, have also become stars at home and abroad.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
Zouk is a musical movement and dance pioneered by the French Antillean band Kassav' in the early 1980s. It was originally characterized by a fast tempo, a percussion-driven rhythm, and a loud horn section. Musicians from Martinique and Guadeloupe eventually added MIDI instrumentation to their compas style, which developed into a genre called zouk-love. Zouk-love is effectively the French Lesser Antilles' compas, and it gradually became indistinguishable from compas.
Kassav', also alternatively spelled Kassav, is a French Caribbean band that originated from Guadeloupe in 1979. The band's musical style is rooted in the Guadeloupean gwoka rhythm, as well as the Martinican tibwa and Mendé rhythms. Regarded as one of the most influential bands in 20th-century French West Indies music, Kassav is often credited with pioneering the zouk musical genre. Their musical evolution is a synthesis of cadence-lypso and compas traditions.
Compas, also known as konpa or kompa, is a modern méringue dance music genre of Haiti. The genre was popularized by Nemours Jean-Baptiste following the creation of Ensemble Aux Callebasses in 1955, which became Ensemble Nemours Jean-Baptiste in 1957. The frequent tours of the many Haitian bands have cemented the style in all the Caribbean. Therefore, compas is the main music of several countries such as Dominica and the French Antilles. Whether it is called zouk, where French Antilles artists of Martinique and Guadeloupe have taken it, or konpa in places where Haitian artists have toured, this méringue style is influential in part of the Caribbean, Portugal, Cape Verde, France, part of Canada, and South and North America.
The culture of Dominica is formed by the inhabitants of the Commonwealth of Dominica. Dominica is home to a wide range of people. Although it was historically occupied by several native tribes, it was the Taíno and Island Caribs (Kalinago) tribes that remained by the time European settlers reached the island. "Massacre" is a name of a river dedicated to the murders of the native villagers by both French and British settlers, because the river "ran red with blood for days." Each claimed the island and imported slaves from Africa. The remaining Caribs now live on a 3,700-acre (15 km2) Carib Territory on the east coast of the island. They elect their own chief.
Cadence-lypso is a fusion of cadence rampa from Haiti and calypso from Trinidad and Tobago that has also spread to other English speaking countries of the Caribbean. Originated in the 1970s by the Dominican band Exile One, it spread and became popular in the dance clubs around the Creole world and Africa as well as the French Antilles.
Exile One is a cadence musical group founded by Gordon Henderson in the 1970s with musicians invited over from Dominica, to be based in Guadeloupe. The band was influential in the development of Caribbean music. It became famous throughout the Caribbean, Europe, Africa and the Indian Ocean. Exile One opened the way for numerous Cadence-Lypso artists as well as for Zouk.
Les Aiglons was a 1970s Guadeloupean cadence band. Their single "Cuisse-la" was the greatest selling record of any Antillean band until Kassav's Zouk la sé sèl médikaman nou ni in 1985.
As an overseas department of France, Martinique's culture is French, African and Caribbean. Its former capital, Saint-Pierre, was often referred to as the Paris of the Lesser Antilles. The official language is French, although many Martinicans speak a Creole patois. Based in French, Martinique's Creole also incorporates elements of English, Spanish, Portuguese, and African languages. Originally passed down through oral storytelling traditions, it continues to be used more often in speech than in writing.
Zouk Machine is an all-female zouk group from Guadeloupe which had several hits, particularly in France, such as the summer number-one single on French SNEP Singles Chart "Maldòn ", in 1990 that sold over 1 million copies well more than any other Antillean band, even Kassav.
"Maldòn" is a 1989 song recorded by the Guadeloupean band Zouk Machine. Written and produced by Guy Houllier and Yves Honoré, the song is the first single from the album of the same name, and was released in May 1990. In France, it achieved a huge success, topping the singles charts for nine weeks.
In 1990, German eurodance band Snap! sampled Maldòn for its worldwide hit Ooops Up.
Joëlle Ursull is a French singer.
Jocelyne Béroard is a Martinican singer and songwriter. She is one of the lead singers of the Zouk and Compas band Kassav'. As a solo artist, she helped create zoukBeton, a music genre originated by the seminal Martinican Creole band Kassav' from Paris, the main members of which are from Guadeloupe and Martinique.
Gramacks was a cadence-lypso group from Dominica.
Vini Pou is an album by the Guadeloupean band Kassav', released in 1987. It went gold in its first two weeks of release and was their first album to be widely distributed in the United States. Kassav', as a 16-piece unit, supported the album with a North American tour.
