 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
In music, an extension is a set of musical notes that lie outside the standard range or tessitura.
| This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
In music, an extension is a set of musical notes that lie outside the standard range or tessitura.
A note that lies outside the lines of a musical staff is an extension of the staff. The note will lie on a ledger line. Middle C, for example, is an extension note on both treble and bass clefs, however is not outside the grand staff. Soprano C and Deep C lie two ledger lines above treble and below bass respectively (as well as the grand staff).
An instrumental extension is a range of playable notes outside the normal range of the instrument. A baritone horn, if played by a skillful player, can be played an octave above the normal range. Since this is not standard, these notes would be an extension. (See also: Crook (music)). With the bowed string instruments, lower pitches than the standard range are sometimes used through scordatura in which the lowest string is tuned down a note or two. The double bass sometimes uses a C extension extending the range of the E string downwards to C. Some Bösendorfer pianos have extra keys, extending the range several notes lower than a standard 88-key piano.
In vocal performance, a singer's extension is all notes that are a part of the singer's vocal range that lie outside the singer's tessitura. This usually include notes that a singer can hit, but does not use on a regular basis. For example, a coloratura soprano regularly, as defined by range, will sing in the whistle register. A standard mezzo-soprano has a range to the high F or G above middle C, however a mezzo-soprano with good head voice extension can rival the coloratura soprano in range. However, since her normal tessitura is mezzo-soprano (or under Soprano C), her abilities in the whistle register would be considered her extension.
Although not commonly thought of, extension can be applied to the lower register as well. A baritone may actually be able to reach depths of low D or E below low C, but is more comfortable in the higher baritone tessitura. A special class of soprano, the soprano sfogato, while retaining the high notes characteristic of the soprano vocal range, may be able to hit down to E3 using the chest voice. Due to the rarity of true contraltos, usually mezzo-sopranos with strong low extension are employed instead in roles such as "Ulrica" in Verdi's Un ballo in maschera .
For men, their vocal extension upwards is usually co-terminus[ jargon ] with his falsetto, unless they are a countertenor, barbershop tenor, or its equivalent in popular music.
Uses of extensions include:
In music, a quartet is an ensemble of four singers or instrumental performers.
A clef is a musical symbol used to indicate which notes are represented by the lines and spaces on a musical staff. Placing a clef on a staff assigns a particular pitch to one of the five lines or four spaces, which defines the pitches on the remaining lines and spaces.
A soprano (Italian pronunciation:[soˈpraːno]) is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano.
The musical term alto, meaning "high" in Italian, historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor.
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B♭2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or spieltenor.
A contralto is a type of classical female singing voice whose vocal range is the lowest female voice type.
A mezzo-soprano (Italian:[ˌmɛddzosoˈpraːno], lit. 'half soprano'), or mezzo ( MET-soh), is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic.
A sopranist is a male singer who is able to sing in vocal tessitura of a soprano, usually through falsetto or head voice technique. This voice type is a specific kind of countertenor. In rare cases an adult man may be able to sing in the soprano range using his normal or modal voice and not falsetto due to endocrinological reasons, like Radu Marian, or as a result of a larynx that has not completely developed as is allegedly the case of Michael Maniaci.
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in Der fliegende Holländer, Wotan/Der Wanderer in the Ring Cycle and Hans Sachs in Die Meistersinger von Nürnberg. Wagner labelled these roles as Hoher Bass —see fach for more details.
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech.
Coloratura is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material, or a passage of such music. Operatic roles in which such music plays a prominent part, and singers of these roles, are also called coloratura. Its instrumental equivalent is ornamentation. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries.
The German Fach system is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used worldwide, but primarily in Europe, especially in German-speaking countries and by repertory opera houses.
A soubrette is a female minor stock character in opera and theatre, often a pert lady's maid. By extension, the term can refer generally to any saucy or flirtatious young woman. The term arrived in English from Provençal via French, and means "conceited" or "coy".
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills.
The tenore contraltino is a specialized form of the tenor voice found in Italian opera around the beginning of the 19th century, mainly in the Rossini repertoire, which rapidly evolved into the modern "romantic" tenor. It is sometimes referred to as tenor altino in English books.
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (passaggio), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German Fach system and the choral music system among many others; no system is universally applied or accepted.
There is no authoritative system of voice classification in non-classical music as classical terms are used to describe not merely various vocal ranges, but specific vocal timbres unique to each range. These timbres are produced by classical training techniques with which most popular singers are not intimately familiar, and which even those that are do not universally employ them.
Soprano sfogato is a contralto or mezzo-soprano who is capable — by sheer industry or natural talent — of extending her upper range and encompassing the coloratura soprano tessitura. An upwardly extended "natural" soprano is sometimes called soprano assoluto.
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system.
Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
 | This music theory article is a stub. You can help Wikipedia by expanding it. |