Extras | |
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Directed by | Zhu Chuanming |
Release date |
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Country | China |
Language | Chinese |
Extras (Chinese :群众演员; pinyin :qúnzhòng yǎnyuán) is a 2001 fly on the wall Chinese documentary film by director Zhu Chuanming. [1] [2] The documentary has been seen as tinged with social criticism in its observation of the lives and dreams of China's poorly paid film extras. [3]
The cinema of mainland China is one of three distinct historical threads of Chinese-language cinema together with the cinema of Hong Kong and the cinema of Taiwan.
The Hong Kong New Wave was a movement in Chinese-language cinema that emerged in the late 1970s and 1980s.
Beijing Film Academy is a coeducational state-run higher education institution in Beijing, China. The film school is the largest institution specialising in the tertiary education for film and television production in Asia. The academy has earned international recognition for its achievements in film production.
Fei Mu, also romanised as Fey Mou, was a Chinese film director of the pre-Communist era. His Spring in a Small Town (1948) was declared the greatest Chinese film ever made by the Hong Kong Film Critics Society.
Wu Yonggang was a prominent Chinese film director during the 1930s. Today Wu is best known for his directorial debut, The Goddess. Wu had a long career with the Lianhua Film Company in the 1930s, in Chongqing during the war, and in the mainland after the 1949 communist revolution.
Spring in a Small Town is a Chinese film released in 1948 and directed by Fei Mu, a director known for having great empathy for women and reflecting that in his films. The film is in black and white and its screenwriter is Li Tianji. The film was produced and funded by Wenhua Film Company, which was facing a great financial deficit while producing this film. In order to solve the financial problem, Wenhua decided to produce this film under a low budget. Therefore, the film was made with a minimalist plot and setting which required only five characters.
Runje Shaw (1896–1975), also known as Shao Zuiweng and Shao Renjie, was a Chinese film entrepreneur, producer and director. The eldest of the Shaw brothers, in 1925 he founded Tianyi Film Company in Shanghai, which became one of the top three film production companies in pre-WWII Republic of China, and the beginning of the Shaw Brothers media empire.
The Strait Story (南方紀事之浮世光影) is a 2005 Taiwanese film directed by Huang Yu-shan.
Huang Jianxin is a Chinese filmmaker. He also writes film scripts under the pen name Huang Xin. He is normally considered part of the fifth generation of Chinese filmmakers, due to shared traits in his works, although he was not a strictly a member of the inaugural 1982 class of the Beijing Film Academy. Additionally, Huang's films are distinguished from his contemporaries in that they focused on urban contemporary life, as contrasted to historical dramas, as well as for their satirical observations of the Chinese bureaucracy.
Rain Clouds over Wushan is a 1995 Chinese film directed by Zhang Ming and written by Zhu Wen. The film follows the lives of two lonely people living in Wushan on the banks of the Yangtze River during the construction of the Three Gorges Dam.
Xia Gang is a Chinese film director. A graduate of the 1982 class of the Beijing Film Academy, Xia is a member of the so-called Fifth Generation, though unlike his classmates Tian Zhuangzhuang and Chen Kaige, he did not gain prominence until relatively later, in the late 1980s.
A Wedding in the Dream is a 1948 Chinese Peking opera film directed by Fei Mu and generally considered China's first color film. It starred and was co-written by Mei Lanfang, one of the century's best-known Chinese opera singers. The film is also known as Happiness Neither in Life Nor in Death and Remorse at Death.
Chinese Film Performance Art Academy, founded in January 1985, is a professional organization of Chinese actors.
Huang Yu-shan is a Taiwanese filmmaker. She has made significant contributions to Chinese cinema in the areas of aesthetics and cultural history. Her focus is the woman's viewpoint, and frequently challenges the status quo in what has been a male-dominated society.
Tianyi Film Company, also called Unique Film Productions, was one of the "big three" film production companies in pre-Second World War Republic of China. Founded in Shanghai in 1925 by the Shaw (Shao) brothers led by Runje Shaw, the company also established operations in Malaya and Hong Kong. Although the company's Shanghai studio was destroyed in 1937 during the Japanese invasion, its offshoot in Hong Kong, later called Shaw Brothers Studio, blossomed into a media empire under the leadership of the youngest brother, Sir Run Run Shaw.
Hou Yao (1903–1942) was a pioneering Chinese film director, screenwriter, and film theorist. He wrote and directed many films including The Discarded Wife (1924), Romance of the Western Chamber (1927), the first Chinese film shown in Western countries, and Mulan Joins the Army (1928). He wrote Techniques of Writing Shadowplay Scripts, the first theory book on Chinese filmmaking. He founded the Culture Film Company, which was merged into a predecessor of the Shaw Brothers Studio. He has been called the Chinese Henrik Ibsen for his advocacy for gender equality, which he shared with his wife Pu Shunqing.
Lianhua Symphony is a 1937 Chinese anthology film. Produced by Lianhua Film Company, it served as a showcase of the studio's possibilities. It consists of eight segments of various duration and genre, directed by eight prominent directors of the era: Cai Chusheng, Fei Mu, He Mengfu, Situ Huimin, Shen Fu, Sun Yu, Tan Youliu, and Zhu Shilin.
Wang Ping was a Chinese film director and actress. She is considered to be the first female director in the People's Republic of China.
Huang Shuqin is a Chinese film director known for her film Woman, Demon, Human (1987). Widely considered the first feminist Chinese film by critics and scholars, Woman, Demon, Human garnered universal critical acclaim, as well as a nomination for Best Director and a win for Best Writing at the 8th Golden Rooster Awards. Although her film career didn't take off until she was well into her forties, she is regarded as one of China's most talented female directors, with a career spanning nearly three decades.
Huang Haibo is a Chinese actor of Manchu descent, best known in film for playing Yu Xiaobei in The Dream of A Young Soldier (2001), and has received critical acclaim for his television work, particularly as Jiang Dongzhi in Chasing, Yu Wei in A Beautiful Daughter-in-law Era, Li Da Benshi in Forever Designation and Guo Ran in Let's get married!.
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